{"id":1894,"date":"2022-03-16T05:34:01","date_gmt":"2022-03-16T13:34:01","guid":{"rendered":"https:\/\/treehousewriters.com\/wp53\/?p=1894"},"modified":"2022-03-16T12:37:34","modified_gmt":"2022-03-16T20:37:34","slug":"coda","status":"publish","type":"post","link":"https:\/\/treehousewriters.com\/wp53\/2022\/03\/16\/coda\/","title":{"rendered":"CODA"},"content":{"rendered":"\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1902 alignleft\" src=\"https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda-300x212.jpeg\" alt=\"\" width=\"300\" height=\"212\" srcset=\"https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda-300x212.jpeg 300w, https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda-1024x725.jpeg 1024w, https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda-768x544.jpeg 768w, https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda-1536x1087.jpeg 1536w, https:\/\/treehousewriters.com\/wp53\/wp-content\/uploads\/2022\/03\/Coda.jpeg 1916w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>When I to went Clarion, waaaaaay back in the day, Algis Budrys taught a lesson on the five beat plot (variously the seven beat plot, the well-made plot, and I&#8217;m sure there&#8217;s another dozen names for it somewhere). The five beat plot boils down to: 1) the heroine has a problem; 2) the heroine attempts a solution; 3) an obstacle thwarts the solution; 4) the heroine solves the problem; 5) validation. (There are many different names for the five segments, but that&#8217;s the essence of the thing.)<br \/><br \/>Think of stories you&#8217;ve read, stories you&#8217;ve perhaps loved. I have this dread ring of power, see. I must destroy it! We gather our team. I hit obstacles (boy, do I hit obstacles). Eventually, through toil, danger, and blood, I destroy the ring. But not only have I destroyed the ring, the quest etc. has changed me on a fundamental level. I get to vanish into the West with the elves (and does anyone but me wonder if Bilbo ever felt homesick or bored, there among the elves?). I bet you can think of a zillion works, from Austen to Zelazny, which employ this bare-bones outline.<\/p>\r\n<p>No, the five beat plot isn&#8217;t the only way to tell a story,<!--more--> although I&#8217;ve met writers who believed it was. And you can hit all five of the beats and still turnout something that lies there on the page like a dead thing. But I&#8217;ve heard, a time or two, people dissing stories that use this outline as&#8230; too simple? Not artistic enough? Something. I am here to say, firmly, that just because a story <em>does<\/em> hit all five beats doesn&#8217;t mean it is somehow inferior.<\/p>\r\n<p>Which brings me to CODA, a lovely film that has a bunch of Oscar nominations, and won a SAG award for best ensemble, and a SAG award for best supporting male actor, and a whole bunch of other awards and accolades (I think it just won some BAFTA awards, too). CODA stands for Child of Deaf Adults and specifically is used to mean a hearing child of deaf adults. So there&#8217;s Ruby, the only hearing member of her small working-class family. Since childhood, Ruby has been the family&#8217;s ambassador to the hearing world (to the extent that she accompanies her parents to even the most personal doctor visits, profanity included) will or nil she. She&#8217;s a senior in High School, and because there&#8217;s this cute guy, she signs up for chorus as an elective class, and she discovers that she can <em>sing<\/em>. Well enough that her choir teacher offers to tutor her for an audition to the Berklee School of Music. But she&#8217;s integral to her family&#8217;s ability to function in their world&#8211;she can&#8217;t just <em>leave. <\/em>\u00a0Her problem is complicated by the fact that she wants to do a thing that is <em>utterly<\/em> beyond the experience of her parents; it isn&#8217;t that they don&#8217;t understand, it&#8217;s that on some level, they <em>can&#8217;t<\/em>. Of course you know, because it&#8217;s a movie, that she&#8217;s likely to triumph in the end. (Honestly, this is hardly a spoiler if you&#8217;ve <em>ever<\/em> seen a film or read a book.)<\/p>\r\n<p>What makes CODA as satisfying as it is isn&#8217;t the plot. It&#8217;s the minutely detailed world that includes a place (New England), an industry (independent fishermen), and a family which has worked out a way of dealing with the world has unexamined costs for all of them. The characters are beautifully observed and, again, the details are wonderful&#8211;and not always the ones you expect. The performances are terrific (especially Troy Kotsur, as Ruby&#8217;s dad). It isn&#8217;t that there&#8217;s a surprise about what Ruby&#8217;s journey is&#8211;the delight is in becoming involved with these people for two hours, loving and occasionally hating them or being frustrated by them. I could tell you all the things I love about this film&#8211;that it doesn&#8217;t condescend to its working class protagonists, that Ruby&#8217;s parents are absolutely nuts about each other even after 20+ years of marriage, that Ruby&#8217;s best friend is cheerfully, um, sex-positive and the movie makes no judgments&#8211;but really, you should see CODA. It&#8217;s on Apple+, which may mean it&#8217;s not available to you now, but remember it. When it comes around somewhere you can see it, do.\u00a0<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>When I to went Clarion, waaaaaay back in the day, Algis Budrys taught a lesson on the five beat plot (variously the seven beat plot, the well-made plot, and I&#8217;m sure there&#8217;s another dozen names for it somewhere). The five beat plot boils down to: 1) the heroine has a problem; 2) the heroine attempts [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,20,18],"tags":[],"class_list":["post-1894","post","type-post","status-publish","format-standard","hentry","category-movies","category-process","category-writing"],"_links":{"self":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/comments?post=1894"}],"version-history":[{"count":8,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1894\/revisions"}],"predecessor-version":[{"id":1908,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1894\/revisions\/1908"}],"wp:attachment":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/media?parent=1894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/categories?post=1894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/tags?post=1894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}