{"id":1935,"date":"2022-04-04T17:58:58","date_gmt":"2022-04-05T01:58:58","guid":{"rendered":"https:\/\/treehousewriters.com\/wp53\/?p=1935"},"modified":"2022-04-04T17:58:58","modified_gmt":"2022-04-05T01:58:58","slug":"story-matrices-the-story-behind-gillian-polacks-research","status":"publish","type":"post","link":"https:\/\/treehousewriters.com\/wp53\/2022\/04\/04\/story-matrices-the-story-behind-gillian-polacks-research\/","title":{"rendered":"Story Matrices – the story behind Gillian Polack’s research"},"content":{"rendered":"

Today I\u2019m wildly busy, but also celebrating. The research I\u2019ve talked about at science fiction conventions for years is finally in print. Thanks to Luna Press, a Scottish SF publisher with an academic branch. The book is Story matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy<\/a>. The reason I\u2019m so tired and so very delighted is because this book was almost lost to the world because Canberra had bushfires and the bushfires made me ill. I had a week of doing normal everyday things before COVD hit Canberra and since then I\u2019ve not been able to go to libraries, to attend face to face meetings and so much more. I\u2019m not entirely a well person and so I\u2019m one of those who have spent most of COVID seeing people only online. Occasionally I get out and pretend life is normal, but I\u2019m always wearing a mask and it\u2019s always risky.<\/p>\n

Despite all this, my little study of how science fiction and fantasy is important in cultural transfer and explanation is officially available. It\u2019s not the mega-study that I had intended, but, as someone earnestly said to me a couple of months ago \u201cit\u2019s much easier to read than it would have been if you\u2019d written it the way you told me you would.\u201d<\/p>\n

There are so many things I want to tell you about this book.<\/p>\n

I want to talk about how hard it is to write any book through brainfog and with lungs that don\u2019t fully work. I want to explain that air should be breathable, not riddled with particles.<\/p>\n

I also want to talk about how difficult it was to avoid the usual explanations of writers we no longer trust. Aided by the brainfog, my first draft kept falling into bad explanations of the changing relationships between Marion Zimmer Bradley, JK Rowling and their readers. I then looked at what I wrote and realised that I was doing exactly what my book explains: I was telling stories about them that explained who they were and their life choices. But my book isn\u2019t about their life choices nor how we react to them. That I dislike a whole bunch of things about MZB\u2019s private life and get angry about JK Rowling\u2019s opinions about my friends is, to be honest, not useful. These are my emotions and my ethics and my personal opinions.<\/p>\n

I need to get past the ethical questions and the personal. My research explains that how<\/i> we tell stories is damned important. I needed to understand how we include our ethics and our thoughts about others into our work, often without knowing we\u2019re doing this. I needed to write it out clearly. That was surprisingly difficult. Now that the book is out and people can read it, I\u2019ll find out if I\u2019ve succeeded.<\/p>\n

It\u2019s urgent that we understand why harmful stereotypes keep being updated and complex understanding of human beings is only appropriate for certain kinds of novels. This is why, instead of describing my own personal reactions of this author or the other, I needed to explain how novels give us tools that support one interpretation or another. I had to explore what some of those tools are and explain how they work.<\/p>\n

My original plan was for a comprehensive explanation that changed the world. Life reduced this to an introduction, with lots of different entry points for readers and writers, so that they can explore for themselves the bits of the world they want to change. I looked at unique culture and shared culture, at what story space is for a reader and what it is for a writer, at how we build worlds for fiction and to play in. Understanding how Rowling and MZB\u2019s work fits into this, helps us understand how their life choices creep into their fiction and gives us the capacity to understand which parts of that fiction are good and which are worrying. It takes us past stereotyping and into how that stereotyping plays out in novels.<\/p>\n

This book is the next step after my History and Fiction<\/i><\/a> work. It\u2019s the precursor of a deeper exploration. Right now, I\u2019m looking at how fairy tale retellings and fantasy world building operate in certain novels. Now that Story Matrices<\/i> is out, I need to deepen my understanding of how we do what we do and what that means for our writing. I especially need to understand how the nicest people can use racist and bigoted cultural elements in their work, and how the most terrible people can write immensely popular and well-written novels. I need to do this non-judgmentally, because I am also capable, as a writer, of doing all these things. Instead of saying \u201cWhat a terrible thing this writer has done\u201d, I want to look at works and say \u201cThese are the techniques the writer has used.\u201d Readers can make their own decisions about ethics and are perfectly capable of judging for themselves, but it really helps to have useful tools.<\/p>\n

How culture is encoded into fiction and the cultural baggage fiction carries is not a simple matter. It\u2019s a mosaic sparkling with colour and with outlines that move and perspectives that change. It\u2019s easier to give simple descriptions and to announce, \u201cI understand this.\u201d It\u2019s so simple to hate a book without understanding what the writer has actually done, what we\u2019re reacting to with such force. There is a price for choosing the easy route. Our everyday lives become riddled with material we read in our fiction or watch on TV or in movies, or in comics or\u2026 in any narrative.<\/p>\n

With the best intentions in the world, we can spread prejudice and support hate. That\u2019s the extreme case, the one that\u2019s right now playing out in a war in Eastern Europe, in the collapse of politics in Pakistan, in the Middle East, in Sri Lanka, in Myanmar and in may other places. I can see those stories in the convoy folk who descended on Canberra in February and have been giving us a hard time ever since.<\/p>\n

So much of the things we do in our lives is influenced by the stories we love. Story Matrices<\/i> is one step on my journey to understanding this. In a perfect world, it will help readers and writers see what we put into novels and what we take out of them. It will give us back choices about the aspects of culture we want to accept.<\/p>\n","protected":false},"excerpt":{"rendered":"

Today I\u2019m wildly busy, but also celebrating. The research I\u2019ve talked about at science fiction conventions for years is finally in print. Thanks to Luna Press, a Scottish SF publisher with an academic branch. The book is Story matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy. The reason I\u2019m so tired and […]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,335,166,6,56,14,20,19,18],"tags":[26,463,465,464],"class_list":["post-1935","post","type-post","status-publish","format-standard","hentry","category-announcements","category-books-2","category-covid-life","category-fiction","category-life-experiences","category-nonfiction","category-process","category-publishing","category-writing","tag-gillian-polack","tag-history-and-fiction","tag-prejudice","tag-story-matrices"],"_links":{"self":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/comments?post=1935"}],"version-history":[{"count":1,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1935\/revisions"}],"predecessor-version":[{"id":1936,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/1935\/revisions\/1936"}],"wp:attachment":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/media?parent=1935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/categories?post=1935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/tags?post=1935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}