{"id":929,"date":"2021-01-05T09:40:30","date_gmt":"2021-01-05T17:40:30","guid":{"rendered":"https:\/\/treehousewriters.com\/wp53\/?p=929"},"modified":"2021-01-05T14:31:55","modified_gmt":"2021-01-05T22:31:55","slug":"where-gillian-meanders-intellectually","status":"publish","type":"post","link":"https:\/\/treehousewriters.com\/wp53\/2021\/01\/05\/where-gillian-meanders-intellectually\/","title":{"rendered":"Where Gillian meanders, intellectually"},"content":{"rendered":"<p>I\u2019m in the middle of summer and, no matter how much work I do, some escapes me. This is not such a bad thing as long as I don\u2019t miss my deadlines. Summer is a time for meandering, however, so I&#8217;m guilty of detours.<\/p>\n<p>Deadlines can be horrid things, but this week they all include cool stuff. One set of deadlines includes its own intrinsic meander. The book I need to finish re-reading today, for example, is Robert Darnton\u2019s The Great Cat Massacre. It\u2019s an early (1984) foray into French cultural history. Darnton is one of my favourite cultural historians and French history is very much part of my historical background. He talks about sermon literature as sources and how there was a wildly huge collection of French peasant fairy tales for about 50 years in the 18<sup>th<\/sup> to 19<sup>th<\/sup> centuries.<\/p>\n<p>I\u2019m reading Darnton\u2019s study because I need to be more grounded in the way I interpret fairy tales and also because my life needs more safe places. The re-reading began, however, as a reminder to myself that even the best scholars are capable of filling into stuff they can\u2019t find out about with explanations that are fun but not reliable.<\/p>\n<p>Right now I\u2019m making a mental list of sources Darnton refers to and one of those he doesn\u2019t even think of adding in. He includes collected stories by peasants and traces the relationship between French literary fairy tales and those later popular ones. He doesn&#8217;t talk enough about chapbooks and broadsides and forbidden books as sources for popular literature here, however (he does elsewhere). He also leaves the Maase Book and the whole realm of Jewish women\u2019s literature and other equivalent narratives by Jews out of his overview.<\/p>\n<p>It\u2019s as if a society only contains one religion. I need to remember that I only really understand Jewish and Christian Europe and that I myself have to explore beyond my boundaries. Other scholars skip Jewish culture, but they also skip gendered culture. Jack Zipes is my go-to author for gender in fairy tales, however, not Darnton.<\/p>\n<p>I am a person who looks at their own intellectual path and questions it. That\u2019s why I need to finish the Darnton book. Darnton and Greg Dening and Emmanuel le Roy Ladurie and Claude Levi-Strauss started me on this journey, decades ago. Right now I\u2019m discovering that every single scholar who questions stuff still accepts a truckload of cultural values and assumptions.<\/p>\n<p>We all privilege culture. Even those of us who are working hard to break down that privilege and to understand what comes from where and why. I need to understand how I\u2019ve been influenced.<\/p>\n<p>This is not for my fiction. Or maybe not only for my fiction. It\u2019s my research side. It\u2019s going to affect my fiction. I can already see changes in how I think about my own writing.<\/p>\n<p>I was thinking, the other day, that I need to write a novel that looks at how a person create safe spaces for themselves and uses those safe spaces to get through impossible times.<\/p>\n<p>What I\u2019m doing right now is saying, \u201cWe all create safe spaces. Even intellectually, we are more contented in safe spaces.\u201d I can\u2019t write this novel until I understand how my favourite scholars create the safe spaces for their ground-breaking work. Why is it safe to talk about this subject or that? Why can one talk about the Middle Ages in popular culture and skip straight to the 18<sup>th<\/sup> century?<\/p>\n<p>All this sounds theoretical. When I write something on the academic side, it is. It has some extraordinary practical applications, however. I\u2019m applying the theory to fairy stories and folk tales right now, for that&#8217;s what my research is in, but last time I did this same type of questioning, I applied it to my cooking. I worked out that I only use a small part of my kitchen for actual cooking. The rest of it helps reassure me I can cook, or it gives me the stories of my past cooking. Anything that doesn\u2019t fit my kitchen is hidden or not there at all. You could understand a lot about my cultural background and my financial position and even my friendships by exploring my pantry and refrigerator and freezer. Sweet foods are rare, pork and its equivalents are non-existent. Since the bushfires were followed by the pandemic, I\u2019m set up so that if I can\u2019t shop for a month I will still eat healthily. All of this and more is there for anyone who cares to look.<\/p>\n<p>In short, the way my kitchen is set up makes it comfortable for me to cook, now, when life is a bit difficult. The way any book is set up tells me what the writer finds comfortable and helps me understand what the limits of their research are. Understanding those limits means I can push my own scholarship in ways I never will do with my cooking. It also means I understand the choices I myself make.<\/p>\n<p>My New Year\u2019s resolution is to create more safe spaces for myself, so that I can grow despite the dangers the external world shoves in my face. This style of reading is step one in that resolution. I\u2019m not the kind of person who walks out boldly. I\u2019m the kind of person who lays a path and walks it with others. I begin with reading books by experts and dissecting those books.<\/p>\n<p>This particular path is a very fine one to walk. If anyone wants to walk it with me, you\u2019re welcome.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019m in the middle of summer and, no matter how much work I do, some escapes me. This is not such a bad thing as long as I don\u2019t miss my deadlines. Summer is a time for meandering, however, so I&#8217;m guilty of detours. Deadlines can be horrid things, but this week they all include [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[166,56,14,17],"tags":[79,199,26,70,198,86],"class_list":["post-929","post","type-post","status-publish","format-standard","hentry","category-covid-life","category-life-experiences","category-nonfiction","category-rants","tag-cooking","tag-fairy-tales","tag-gillian-polack","tag-history","tag-popular-culture","tag-research"],"_links":{"self":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/comments?post=929"}],"version-history":[{"count":3,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/929\/revisions"}],"predecessor-version":[{"id":932,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/posts\/929\/revisions\/932"}],"wp:attachment":[{"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/media?parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/categories?post=929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/treehousewriters.com\/wp53\/wp-json\/wp\/v2\/tags?post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}