It’s time to let go of the myth of the lone genius. It carries too much weight in our world. In real life, nothing gets done by one person.
There are visionaries and leaders, don’t get me wrong. But they can’t accomplish things without a team. A lone genius who doesn’t have support from others cannot change the world.
This is true whether the goals are good or bad. The people out to do evil don’t do it alone, either. Trump would not be in power without all the people who jump to do his bidding.
Take energy – a significant issue since it is so tied to climate change (and right now here in the Western US, we are well aware of climate change). Right now there are millions of people world-wide working on thousands of ways to produce energy from renewable sources and also on thousands of ways of improving the efficiency of the necessary appliances and tools that we use. Continue reading “Working Together”…
I’m as behind on my reading as I am on everything else, but I have managed to find space for some excellent new fiction. Herewith, my thoughts on three very different books — an anthology of stories based on ancient tales from the Mediterranean, a fantasy that incorporates menopause and life as a college professor, and fast-paced science fiction featuring a very angry and capable construct.
Retellings of the Inland Seas, published by Candlemark and Gleam, achieves something many anthologies aspire to, but few attain: There’s not a bad story in it. That says a lot about the concept — using ancient stories from the Mediterranean as a jumping off point for something new. It says even more about the skill of the editor, Athena Andreadis, who not only came up with the idea, but found the stories.
Fellow Treehouse Writer Judith Tarr’s [ story, “Between the Rivers,” is rooted in the tale of Gilgamesh and Enkidu, but it’s set on a far-off habitable planet and all is created by the genship Ninsun. It’s a wonderful story even without the tie to an ancient one, but knowing something about the original gives you some added depth.
Two of the stories, “Hide and Seek” by Shariann Lewitt and “The Sea of Stars” by Genevieve Williams, come out of The Odyssey. Both are science fiction, Lewitt’s story being told from the point of view of a navigator on a ship traversing the Asteroids, while Williams’s is a first contact story set in the distant past.
My favorite story in this wonderful anthology is “Out of Tauris,” by Alexander Jablokov, which is based on the story of Iphigenia. The Iphigenia of this story is the aged priestess of the Temple of Artemis and accepts sacrifices from men whose wives, who were once girls at that temple, have died. At the end, she observes, “This has always been the greatest torture men inflict on women, to take away choice and then make them pretend that the choice was always theirs.”
But your favorite might be very different. Other authors in this book include Melissa Scott, A. M. Tuomala, James L. Cambias, Christine Lucas, F.J. Doucet, Kelly Jennings, Elena Gomel, Dimitra Nikolaidou, and Andreadis. Read them all and figure out which one you like best.
Although both Clarion and Clarion West have cancelled their six-week workshops for this year due to the pandemic, they are holding write-a-thons this year to raise funds and scheduling online readings and panel discussions.
You can choose a writer to sponsor here for Clarion West and here for Clarion. Nancy Jane Moore is participating for Clarion West and you can sponsor her here. Other participating writers are welcome to leave their name and pages in the comments.
Although I work at home, I’ve been reading more since the pandemic Shelter In Place orders. Like many others, I’ve had more than my share of moments of wanting to run away to Middle Earth or Darkover or Narnia. (One of the ways I exercise is on a recumbent bike in the garage, facing a TV/DVD/VCR unit on which I’ve been watching the commentaries to Peter Jackson’s The Lord of the Rings films, but that’s a different topic.) Here are some books that really grabbed me:
The Bone Ships, by RJ Barker (Orbit Books)
Oh, what a luscious, heart-rending, beautifully crafted book this is! In the world of warring island nations, the most valuable commodity – one that comprises the great war ships that grant naval supremacy – is the bones of sea dragons. The supply is limited, for the dragons are believed to be extinct, so the bones are salvaged and repurposed to for the great ships of the fleet. Then there are the black ships, the ships of the condemned and untouchable. Fisherman’s son Joron is one of those wretched souls, sentenced as “shipwife” (captain) to a black ship and determined to stay as drunk as possible. His fortunes change with the arrival of “Lucky” Meas, an extraordinary leader and daughter of the ruler, although why she might have been sentenced to a black ship, Joron has no idea. As Meas trains and then inspires the dissolute crew, Joron goes from grudging obedience to trust, even as he learns her true mission. For after centuries a sea dragon has been spotted, and the contest for its precious bones threatens to plunge the world into unending war.
There is so much to love about this book, but for me it was the language that enchanted me the most. I found myself slowing down and repeating passages just to savor them. In many senses, the narrative text itself was a character and gateway to this world.
Tide Child’s colour showed he [in this world ships are masculine] was a last-chance ship, the crew condemned to death. The only chance anyone had for a return to life was through some heroic act, something so undeniably great that the acclaim of the people would see their crimes expunged and their life restored to them. Such hope made desperate deckchilder, and desperate deckchilder were fierce. Though if any forgiveness had been offered to the dead it had not been in Joron’s lifetime, or in his father’s lifetime before him.
At some point this crew of the violent and the lost had decided that Meas could be trusted, and if she kept her side of the bargain then they would keep theirs. It was an odd thing, thought Joron, to find a purpose in such a dark place as a black ship. Superb world-building, compelling characters, and carefully nuanced tension mark Bone Ships as a book to treasure. And there will be more – I can hardly wait!
Ancient Rome! With magic! I am not a scholar of ancient history, so I cannot vouch for the historical accuracy of this dramatic tale of politics, warfare, cultural upheaval, and romance set about 67 B.C.E. But the world, its peoples, and their attitudes and choices, in every detail feel so seamlessly consistent I was never jolted out of the story.
Rome – Aven in this book – is in the beginning of its decline but still the dominant power in the known world. At the opening of the story, a brutal dictator, having executed or exiled anyone who spoke out against him, has died. Now it’s up to those remaining leaders to reconstitute a republic. Some are already in Aven, having bowed to the dictator or gone into hiding; others return from exile. One such return is Sempronius, a mage of Shadow and Water elements, a brilliant leader and strategist who must hide his magical powers, for mages are forbidden by law from holding public office. Latona, daughter of an elder Senator, has just been freed from the dictator’s thumb (and bed), and her confidence in herself and her magical powers of Spirit and Fire have not yet recovered. Meanwhile, elections bog down as those who want to restrict power to traditionalist classes vie with those who see Aven’s future in the expansion of suffrage. And on the Iberian peninsula, a fanatical war leader is using blood magic to expel the Avenian invaders.
The book perfectly balances the richly nuanced portrayal of a culture in tumult with characters that change and grow, a fascinating system of magic and its relationship to pantheist religion, lively dialog, unexpected plot twists, and a tender love story. It’s a long read (and only the first part of a longer series) but well worth savoring every page.