The Wall

personby Gillian Polack
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Left-of centre Jews in countries like  Australia, the US and the UK face a wall. We try to talk to people, but instead we talk to that wall. It’s an immense and solid and stubborn wall. Its bricks are made of bigotry. The wall prevents people from talking to each other, from working together, from meeting shared goals, and, every day, makes life unsafe for more and more Jews.

This week, in Australia, a bunch of things happened and each one of them showed me a small bit of that wall. Now that I’ve seen it, I can’t unsee it, but at least I know why a whole bunch of people I’ve known for years suddenly can’t see me and won’t listen to me. There is a fragging wall between us.

I handle the wall by not carrying every moment of hate and every ounce of despair at once. I try to take the bits I can handle and only turn to the next bit when I’m ready. This is difficult, because more hate and more hate and more hate is thrown my way. Those who do the throwing, who once were friends, are often behind that wall. They tell me I have to follow their guidelines and do everything their way, otherwise I am evil. I need to put the lives of Gazans ahead of my own. I understand that demand. People in Gaza hurt. Their lives are in constant danger, from the IDF, also from Hamas, from other militant groups. If I silence myself and join the marches, however, will it help them? If I devalue my own life, will it help them?

It won’t. I cannot change the lives of Palestinians by shouting at clouds. The best thing to do, then, is to find wise people I can learn from. I seek out people who don’t hate: they are Palestinian and Israeli and they talk to each other about the future. I cheer on the Israeli crowds demonstrating against Netanyahu’s government, because Israel is a democratic country and can change its path. Its citizens need support to make those changes, not incessant and impossible hate.

While I can’t see how exacerbating antisemitism in Australia helps Israel change its direction or saves lives in Gaza, I can see that it hurts Australian Jews. We’re not asked our views or our thoughts, or if we lost anyone on October 7, or if we receive hate mail. We are required to use old-fashioned (mostly hateful) shibboleths. If we don’t use them, then we’re accused of being part of the problem. Also of murdering children. This is fascinating from a story angle, but almost impossible to handle as part of every day. So many diaspora Jews have to watch for red flags and warnings of danger to us, personally.

In short, to reduce the impossibility of all of this I ask myself what I can do if I want justice for the most people possible. I can listen and, when it’s appropriate, talk. Not give the shibboleths. Not silence myself. Not accept hate.

I cannot talk for anyone in the Middle East: I’m Australian. I can only speak for myself. More than this, I can only speak for myself when it’s safe for me. It’s probably not entirely safe for me to write this, but it’s safer than going onto a social media site and trying to talk with anyone on the other side of that damnable wall. They won’t hear, and I will become one of their increasing number of targets. (This is literal, but now is not the time for me to go into the blockings and the lists.)

Those behind the wall of hate are mostly good-hearted people who mean well. Life would be so much less complicated if they were monsters.

So much has happened in my vicinity this week. I can handle just two incidents, of the many. To talk about everything would be to carry all the weight at once and I would collapse under the strain. These are both Australian things. Not the ‘it’s not safe to be seen in public wearing things that identify you as Jewish’ nor the watching for red flags to find out precisely which people I thought were friends are really not, right now. Not the old stuff of being accused of murdering and being told I’m privileged and being told I don’t know history or … so much old stuff. The old stuff is the foundation of the wall. The new stuff is the wall itself. Right now, the wall is growing every day.

In Australia, straight after the October 7 massacre, when most of us with friends and relatives in the region had no idea who was hurt, who was dead, who was hostage, someone in authority decided that it would be a good thing to allow Australians (mostly Jewish) with links to that border area, by lighting the Sydney Opera House with the colours of the Israeli flag. The idea was, I think, that Sydneysiders could mourn together and that this would help with an impossible situation.

On the day, the police advised Jews, “It is not safe to go to the Opera House” and that, if anyone Jewish went, we should dress to not look Jewish. No stars of David, no kippot, nothing indicative of our background. Most Jewish Sydneysiders took this to heart and stayed safe at home.

Why did the police send this advice? Because they were told that there would be a pro-Palestine demonstration. This was not like the more recent demonstrations. It was not crying for an end to war, because there was, at that point, no war. I may not think that the constant demonstrations help, but the loss of life, the pain, the torment the non-Hamas folks of Gaza are going through – that’s enough reason to demonstrate so I understand those who are part of them. I wish they’d take the time to understand me. Back then, Israel had not retaliated. It was in shock. Most of those who demonstrated were polite, but even the polite demonstrators were celebrating the murders of October 7.

Some demonstrators said stuff. A video was circulated of the stuff. Some people claimed it said ‘Gas the Jews’ and others said it did not say this.

Last week the police reported on the video. While they thought the video said “Where’s the Jews” and “Fuck the Jews,” their expert says it did not say “Gas the Jews.” They said that there were people who heard “Gas the Jews,” but that the police didn’t have enough information to change anyone. In other words, they agreed about the level of antisemitism expressed by some of the demonstrators, but couldn’t act on it.

Those who live on the other side of the wall to me are now making a commotion about how things are, that we all made such a fuss about a false claim. Those not behind a wall are saying that the antisemitism was shocking.

The second event concerned a fire. Those who lit a fire that destroyed the Burgertory takeaway in Caulfield were arrested.

Why is this such a problem? It isn’t, in one way. Criminals arrested, proof was tendered that it was not a hate crime against the Palestinian-Australian owner of the restaurant chain, we could all move on.

Except…

There had been an anti-Jewish riot (not a large one, but not a safe one, either) the Friday after the Burgertory fire. The owner discouraged action, I believe, but a bunch of people (a very large bunch) drove from suburbs an hour away (or thereabouts) to protest the alleged Jewish burning of the restaurant. No-one knew who the arsonists were and the demonstrators decided it was a Jewish thing. Australia went from “Fuck the Jews” to “Blame the Jews”.

Caulfield is a suburb with many Jews. Also, it was one of the big round number anniversaries of Kristallnacht. The protest (with its violence) was in the park next to a synagogue.

Someone on Twitter the next day posted that they (they themselves, not people they knew) had seen creepy men in the park when they went there to demonstrate. One of their friends talked to one of the creepy men, and were told that they were synagogue security bods. The guards are nothing new. Synagogues in Australia have needed someone watching out for things all my life, and I have very unfond memories of all of us being marshalled outside in the 70s, because of bomb threats. No Jewish institution in Australia is safe right now, and the Federal government gave a big wad of cash to both the Jewish and Muslim communities to address the safety of Muslims and of Jews in this increasingly perilous world.

The guards in the park are important because of that tweet: we know that at least some of the visitors from many miles away knew there was a synagogue. I knew there was one too, because a cousin is very active in the synagogue. He was among the evacuees.

The bottom line is that, on the anniversary of Kristallnacht, the police closed down a Jewish service, unfinished, because people outside were feared to be violent.

The moment the actual arsonists were made public (just last week) loads of people wondered (publicly) if those who had claimed the fire was set by Jews would apologise. I didn’t see apologies. What I saw were wall-blinded people finding something else to hate in Jewish Australia. That’s another story, and too close to me for safety right now.

I’m tired of the hate. I’m tired of those who only see what they want to see. I would be less worried about my fatigue if the wall didn’t also lead to a blindness concerning the Middle East. I’d be less distressed by this if the protesters worked towards outcomes we could all live with. I wish the activists asked “How can we get people out of this mess? How do we help everyone not guilty of vile things be safe and have food and rebuild and… how do we get all the people who are committing crimes be put on trial?” If we supported Israel, then it could be persuaded to dump the government (so many Israelis already want to) and Israel could start to talk with the non-Hamas Palestinians in Gaza and work their way (however long it takes) towards an accord. If we sent more help to Gaza, though any agency that is not compromised, then people would not starve. If, instead of being exhausted on demonstrations and apparently righteous anger, that same energy were put into finding a way (lobbying? raising money?) to create a Marshall Plan equivalent, then the people of Gaza would have the option of long term help to create a solid economy and to rebuild Gaza and to bring business back to Gaza.

While the new antisemitism uses a rather compelling edifice to block their view of the world rather than spending energy working towards a just future for all parties who are not actual criminals… I cannot admire those who shelter behind it. Until they break down the wall, they are helping make Australia unsafe for Jewish Australians. They fuel the crowd at the Opera House and the crowd in Caulfield and create an atmosphere of constant hate. This is the choice of those behind the wall: I don’t have to like it.

The Future of Science Fiction

personby Nancy Jane Moore
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I am not one of those people who think of science fiction as belonging to an in-crowd of geeky people, much less someone who wants to gate keep for the field. While I have frequently been annoyed by those in literary fields who refuse to treat SF with respect, my approach has always been to try to encourage such people to read in the genre and discover what it can do.

I do admit to being appalled by the way many of the rich and powerful people in tech seem to have read satirical and even dystopic science fiction and taken it as a manual for the future instead of a warning. And even though I worked at Grok Books (the predecessor to Bookpeople, a large and successful bookstore) in Austin lo these many years ago, I am somewhat mystified by the fact that a section called “Grok” has appeared on Twitter.

I gather that Elon Musk has been reading Heinlein, but I’m not going to click on “Grok” to find out where he’s going with it. I have seen a recent reference to Stranger in a Strange Land as “creepy” and I suspect I would share that feeling if I tried to read it today. (The hippie overtones were more appealing 50 years ago.)

My own preference is for written science fiction (and fantasy, for that matter). There have been some good SF movies and even better television – I got hooked on Doctor Who during the Tom Baker years and am fond of Star Trek – but my love for the genre comes from what really good writers can do with ideas and imagination.

That said, I do recall that when Star Wars first came out, I was thrilled by the way it changed movies. I do wish that shift had ended up being something more than really good special effects. Movies are not living up to their potential.

Stories and novels, on the other hand, often transcend theirs.

I was sent down this train of thought because I learned that during the recent WorldCon held in Chengdu, Sichuan Province, China, Chinese companies signed deals worth over 1 billion dollars (8 billion yuan) related to 21 science fiction projects involving films, parks, and immersive experiences and other deals involving melodramas, games, and the metaverse.

The only mention of books I saw in the article describing the deals was this:

“Chinese science fiction is evolving from a solely text-based medium to a diverse range of formats encompassing comics, movies, games, VR, XR, toys, and film merchandise,” said Ji Shaoting, the founder and CEO of the sci-fi cultural company Future Affairs Administration.

Of course, this should be a boon for some Chinese SF writers, because all those projects are going to need writers for the games and movies and so forth, not to mention books and stories to mine for ideas.

But I must say, this is not the science fiction future some of us were looking for.

Continue reading “The Future of Science Fiction”…

In Praise of Things

personby Madeleine Robins
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My aunt was in the hospital for a few days (nothing major, except when you’re pushing 98 everything is major)). To a one, the staff at the hospital were wonderful–competent, kind, empathetic, and sometimes, funny. But a lot of the time my aunt was dozing off–hospital life not being a thrill a minute, even with your favorite niece on premises–and I found myself looking at all the things.

I’ve always been fascinated by medical technology, but particularly the small stuff: the clips that hold IV bags in place but also serve to gather up the tentacles of tubing so that the patient and staff aren’t constantly tying themselves in knots; the plastic sheet with straps that slides easily over the bed, so that a patient can be moved easily and with less stress on her and her caregivers; the astonishing doohickey that the hospital uses to help move mostly-bedbound patients to a recliner or wheelchair; the contraption that helps my recuperating daughter pull her socks on without bending in medically unadvisable ways. None of these things are going to make history, but they make the lives of people who are sick or disabled, and the lives of their caregivers a little easier.

It pleases me to think that there are people out there who spend their days coming up with these gadgets. Probably some of them were invented by caregivers or people who work in hospitals. My father, who was a volunteer Emergency Medical Tech for twenty years, was one of those folks. At the time each ambulance had reusable medical-grade splint. If the splint was used during a call, they had to wait until the patient had been stabilized and the splint had been cleaned and disinfected before they could use it again. In a community with a number of ski-slopes and lots of winter sports, more than one broken limb in an afternoon was not exactly unheard of. So my father (who was an artist, industrial designer, and unstoppable tinkerer) came up with a lightweight, inexpensive disposable splint. He patented it and found a manufacturer to license it, and he split the proceeds with the ambulance squad. That was 30 years ago, and I suspect that Dad’s splint has been rendered quaint by subsequent inventions. Even so.

When I used to give platelets I was the weirdo who asked the phlebotomist all sorts of questions about the bits and pieces of tech that were used, not only to test my blood for iron before I gave lots of it away, but to make the process easier for the technician and more pleasant for the blood source (which would be me). Not least of which is that stretchy mesh bandage that comes in a rainbow array of colors. “What color would you like today? Purple? Green? Neon pink?”

There are downsides, of course. Most of these things are meant to be used once, which means that they are small, probably relatively cheap, and made of plastic. I worry about the sheer amount of plastic that is added to an already-overburdened planet in the name of doing health-related things safely and easily, without the need for sterilization and re-use. I would be a little leery of, say, compostable plastics used for things like IV tubing or test tubes. Maybe for some of the comfort- and transportation-devices? I don’t know if any of the hospital-use plastics are recycled, but it would make me very happy to know that they were. And the Big Plastic Things (like the iMove patient mover chair I linked to above) are durable equipment, meant for many uses, and at the end of their lives could be recycled.

I want–I applaud–all the clever gizmos that busy minds can devise to be used and improved and to make our lives better. I also want, because having it all is my watchword, for those things to leave as little trace as possible for the next generations. It’s only fair.

Music past

personby Gillian Polack
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This evening I’ve been exploring music past. I wanted to hear the music I knew in the 60s and 70s. Someone put up a list of top Australian hits in 1974 and I looked at it and realised that it’s quite different to the music generally associated with that year. We hear about music from the USA, you see, and from the UK.

I listened to some of the tunes on that list first, but one of the top ten struck me as getting my mood exactly right when it was first released: Helen Reddy’s “Leave Me Alone” was perfect for a proto-teenager.

I moved onto orchestral music. When I was in primary school and early high school, we went to Melbourne Town Hall and were taught to understand orchestral music. In primary school we were taught the instruments of the orchestra, how the orchestra worked, Peter and the Wolf, Tchaikovsky (The Nutcracker, mainly), Beethoven and… that’s all I remember. I watched a Bernstein recording and he taught children very different stuff. More the stuff I discovered when I was a teenager. As a teenager I fell in love with Schubert, played in a regional orchestra and the school orchestra (second violin in one, first in the other), and I went to concerts every fortnight. I came from a musical family and went to a standard state school… which happened to have free music education. I once did a lot of music, and the Bernstein brought the formal education aspect flooding back. My top moment of music learning was when Felix Werder taught me to care for Mahler and when my father’s first cousin taught me how to listen. Linda was a composer and a music judge and a critic, and her random remarks taught me so much. Since that moment, everything has gone downhill… but… my evening of music didn’t stop with memories of Mahler and Linda. I was very privileged musically in my childhood, not so much as an adult.

I sang, of course, some songs I learned from Alfred Deller and also the King’s Singers. They were my personal favourite musicians when I was a teen, and both really annoyed my family. Everyone else was singing ABBA and the bay City Rollers and I was listening to a counter-tenor who sang folk songs. I was informed by my family how very bad my singing is

Then moved to my final music for the evening. I’m writing to it now. Tom Lehrer. This sentence is being typed to the rhythm of The Vienna Schnitzel Waltz. The final note of the night was either going to be Lehrer or Flanders and Swann. The news makes me sarcastic right now, so of course it’s Lehrer.

And now, of course, I’m very curious about the music of your childhoods. Of course I am.

So Much Kerfuffle Over Awards

personby Nancy Jane Moore
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I am not a huge fan of awards for writing. On the one hand, it’s always great to have your work noticed and I do like to recommend amazing books and stories because it’s another way of telling the world they should read these particular ones.

But on the other, writing isn’t a competition in the way that, say, a foot race is. In a race, the fastest person wins.

And while it’s certainly possible to have bitter disputes over racing — the mistreatment of Caster Semenya comes to mind — the competition is quite a bit less complicated than determining whether one book is better than another.

Still, I recommend books I think are worthy for the Nebula Awards each year and I vote when I have read enough of the nominees to have an opinion. And certainly I’d be pleased to be nominated — hell, I’m pleased when someone recommends my work or mentions it in the year-end review.

So I have been paying attention to what happened with the Hugo Awards in 2023, where people and works were disqualified for reasons that remain unclear. If you haven’t been keeping up with this, The Guardian has a very good article on it here.

I note that Babel by R.F. Kwang won other awards last year and is viewed by many as one of the best books that came out. I have read it and thought it was very good. I haven’t read Nettle & Bone by T. Kingfisher, which won the novel Hugo, but I have read other books by her and would not be at all surprised to find that it was also excellent.

The fact that Babel was “disqualified” for reasons that remain unclear is unfair to both authors. The same can be said about the other categories.

Since the convention was held in China, there is a lot of speculation that certain works and people were disqualified at the behest of the Chinese government or out of fear that the government would be displeased.

If that is true, it is an argument that the possibility of government interference should be considered in selecting WorldCon sites.

However, if it isn’t true, if the disqualifications happened because of errors of some kind, it is important to clear this up so that it will not be held against Chinese fans in the future.

There is a large science fiction fandom in China and any organization called the World Science Fiction Society needs to include those people.

It’s clearly important to get answers, but unfortunately the people who have the answers are waving around the word “disqualified” as if it means something. If there was a rule that disqualified Babel, it’s not one anybody on the outside knows about.  Continue reading “So Much Kerfuffle Over Awards”…

The Return of the Brontosaurus

personby Deborah J. Ross
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Remember the brontosaurus vs apatosaurus debate? Turns out both sides were right…we think…so far.

Here’s the skinny: The skeleton of a long-necked, long-tailed dinosaur was unearthed in Wyoming by paleontologist Othniel Charles Marsh in 1879, according to the Natural History Museum in London. At the time, scientists dubbed the giant plant eater, which lived during the Jurassic period about 150 million years ago, Brontosaurus excelsus, according to Yale University.

However, in 1903, paleontologist Elmer Riggs found that B. excelsus was very similar to another dinosaur, Apatosaurus ajax, which Marsh discovered in Colorado in 1877, the Natural History Museum noted. The differences between the dinosaurs appeared so minor that scientists decided it was better to place them both in the same genus, or group of species. Because Apatosaurus was named first, the rules of scientific naming kept its name, leading scientists to retire the name Brontosaurus.

More than 100 years later, researchers suggested reviving Brontosaurus as its own genus. A 2015 study of sauropods in the journal PeerJ found that the original Apatosaurus and Brontosaurus fossils may have been different enough to classify them as separate groups.

The nearly 300-page study examined 477 physical features of 81 sauropod specimens. The initial aim of the research was to analyze the relationships between the species making up the family of sauropods known as Diplodocidae, which includes Diplodocus, Apatosaurus and, now, Brontosaurus.

All in all, the scientists found that Brontosaurus’ neck was higher-set, narrower and smaller than Apatosaurus’, study lead author Emanuel Tschopp, a vertebrate paleontologist now at the University of Hamburg in Germany, told Live Science. They suggested three known species of Brontosaurus: B. excelsus, B. parvus and B. yahnahpin.

“They call Brontosaurus ‘resurrected,'” Jacques Gauthier, curator of reptiles at the Yale Peabody Museum of Natural History, who did not participate in this study. “I like the ring of that. ‘Restored’ is a perfectly correct term, but ‘resurrected’ is the official description of what they have done.”

Tschopp noted that they could not have made this discovery 15 or more years before their study; only recently did findings of dinosaurs similar to Apatosaurus and Brontosaurus help reveal what made these groups unique.

It has been nearly a decade since the paper published, and Tschopp noted that “not everybody accepts such proposals immediately. There have been — and still are — researchers who don’t trust the results quite yet and continue to use the name Apatosaurus for what I call Brontosaurus.”

Mike Taylor, a vertebrate paleontologist at the University of Bristol in England who did not take part in the 2015 study, told Live Science in an email, “you rarely get consensus from paleontologists on these matters, so the answer you get will depend on who you ask. There’s been no pushback in the formal literature, but I’ve heard a bit of grumbling.”

Still, to Taylor, the call to “resurrect” Brontosaurus “just feels like a reasonable thing to do.” He noted that the 2015 study “made a solid argument that most specialists found pretty persuasive and not especially surprising.” Taylor and his colleagues have mentioned B. excelsus and B. parvus in their own studies a number of times.

Of books and migraines and dancing

personby Gillian Polack
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I am drinking a triumphal cup of tea. A very weak and immensely huge triumphal cup of tea. There is a story behind this cup of tea, and the triumph. A tiny story, but a story.

I’m in the middle of one of my longer migraines. This one is in its fourth day. As migraines go, it’s very mild. I find it hard to see things and almost impossible to sleep, I’m sensitive to sound and my emotional peace fractures easily. I’ve had worse. Much worse. The low pain levels (for a migraine) are due to the wonder of becoming older. Some things improve with age, oddly.

None of this is the story of my triumph. It’s the backstory.

I have lost so much worktime to this migraine that I had begun fretting about deadlines. I have a thesis to finish: the biggest chapter was supposed to be in a complete draft by Monday, and where I am it’s Tuesday. I need to get some edits to an editor (who else would one send edits to?) urgently, and can’t find a bio to go with the edits. I have a really cool piece to write in the next two days. And I have a short story to finish. I need to deal with 100 emails by bedtime tonight. Plus, as soon as I finish that chapter, I’m onto the next one. This PhD is in its final months and deadlines aren’t as porous as they once were.

Now you have most of the backstory. I’ve brought you to 4 am today, when I finally admitted that the migraine would not go away and that I had to find a way to deal.

The triumph is perfectly simple. Skip most of today, and let’s move to ten minutes ago.

I have a section of a bookshelf. It holds maybe 80 books and is ¼ of the whole (very large) bookshelf. This section is my working shelf for any research. It had gaps and space because I had not yet returned all the books for this chapter. I have finished with all but one book and the shelves are very full. One day I’ll have to return the books I won’t need again for this project to their real homes on other shelves, but right now I only have one book to return and two tiny sections of the chapter to write up and lo, I’m caught up with one big deadline.

I needed something to take the edge of the migraine before I delve into the last two thousand words, and the triumphal cuppa is that something. Small things matter. So do the simple tasks that enable one to work through this lesser-stage of such a long migraine.

I was going to tell you about a cousin of mine today. A folk dance teacher who taught people to deal with problems of right and left foot by wearing different coloured socks and shoes. On the day I heard he died, I watched Easter Parade with a friend. The “I do not know my right from my left” made its appearance there, hours before I heard the sad news. I haven’t seen Robin for years, but as soon as this migraine is past, I shall dance something in his honour: it will be a short and simple dance because dancing is difficult for me these days, but it will be joyous. We talked about death many years ago, you see, and Robin wanted people to dance joyously when he died. I told him that same day, that I wanted to be remembered with stories. I wanted friends to get together and talk and eat and laugh and tell stories. I shall miss him.

Competition

personby Nancy Jane Moore
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My favorite sports story (myth? metaphor?) is the one where two competitors fight to the bitter end in very close competition and then fall into each other’s arms. One has won, one has lost, but in the moment it doesn’t really matter which one did which, because the whole thing was about the fight or the game or the process — the doing with each other.

I wrote a story about that once: “Blindsided by Venus in the House of Mars.” It’s sort of a love story, but it’s also about how winning isn’t what anything’s about, even when everything is on the line. It was published quite a few years back in Andromeda Spaceways Inflight Magazine.

Maybe I should send it out to reprint markets.

I’m not particularly competitive. I like to succeed, don’t get me wrong. I want to be read, to be listened to, for others to admire my work, to get accepted by magazines and publishers, and I realize that when I get accepted someone else gets rejected, as a rule.

But I don’t do it for the joy of beating someone else. I do it for the joy of doing. If I succeed, I am not thinking about all those people who lost when I “won”; I’m just thinking about the fact that someone liked what I did.

I’d feel something similar if I was competing in karate or tennis or road races or something, though it would spoil some of my pleasure if a person beat me and then engaged in taunting.

(I really don’t like taunting.)

I want to be good and I want to be recognized as good, but I’m not doing it so that I can call someone else a loser.

I mean, some artists, athletes, musicians and so forth do transcend the rest of us — sometimes just once, sometimes over a long period of time — but that doesn’t mean the others are losers. Continue reading “Competition”…

Better Living Through Sauerkraut

personby Madeleine Robins
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I wish I had been taught Chemistry differently. To this day, most of the chemistry I learned in school was as a side-benefit of my biology classes. I loved bio, and survived chemistry (required) and physics (ditto) in order to take the advanced biology class my senior year, wherein a good deal of chemistry was taught in passing, particularly when we were looking at DNA and genetics. But beyond that, Chemistry the subject seemed utterly detached from things I cared about. Okay, some times you just have to buckle down and get through the classes you don’t much care about (I’m looking at you, PE) to get your ticket punched and make your way out of high school. But I think I would have learned more if it had been related to something else. Like food.

Flash forward a few decades to when I gave a lesson in bread-making to my daughter’s second grade class. It’s a perfect basic chemistry lesson for kids: simple enough to be reduced to 7-year-old level, but tied to something familiar (better yet, edible). I just came across the handout I did for the class, which is what put me in mind of it.

And this morning, spurred by an article in NY Times Cooking, I made sauerkraut. It is ridiculously easy: cut up a head of cabbage, put resulting shreds in a bowl, “massage” (the NYT term, not mine) two tablespoons of Kosher salt into the shreds for five minutes, until the cabbage starts to soften, reduce down, and release some liquid. Then pack into jars and stir every couple of hours, to speed fermentation. All the time I was up to my elbows in cabbage I kept wondering 1) is this really going to work? and 2) why does it work. So as soon as I had packed the cabbage into its jars and cleaned up the mayhem that cutting up cabbage produces, I hied me to the internet.

According to the Clemson University website, “Cabbage is converted to sauerkraut due to growth and acid production by a succession of lactic acid bacteria. Salt and limited air creates desirable conditions for the leuconostocs – a group of less acid tolerant lactic acid bacteria that grow better at 60°F to 70°F.” Fortunately for my sauerkraut, the winter temperature of my kitchen is somewhere around 65°. The salt works–as I noted as I worked–to soften and draw juice from the cabbage. As a bonus, it also works to keep undesirable bacteria at bay; you want the desirable bacteria, of course: the leuconostoc lactic acid bacteria that create lactic acid. 

See? Chemistry!

The Clemson site gives a recipe that requires 25 pounds of cabbage and yields 9 quarts. I suspect that once my much more modest batch has fermented fully, it will be something closer to a quart and a half.

All of this reminds me that I need to make a batch of bread and butter pickles. For science!

Australian Gothic

personby Gillian Polack
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This week is just a small post, because I’m a bit pressed for time. When I am less pressed for time and when things are able to be announced, all will become clear. While you wait, you might want to think about the Middle Ages and about the Blue Mountains, not far from Sydney. Or you could ponder my published writing from last year, in the hopes that thinking about it will stave off new published work. Keeping peril at bay…

A friend and I talk about Australian Gothic as a style of story quite frequently (she’s an academic who specialises in Australian fiction, and it’s always loads of fun to chat with her) and she happened to mention a story of mine in relation to it. The story is “Ignore the Dead Bodies, Please” and it’s in the Narrelle Harris and Katya de Becerra anthology This Fresh Hell. Australian Gothic goes back to the nineteenth century, when local writers discovered they could create a whole new sub-genre by simply writing about the everyday. Australia is not the same as other continents, and for people whose ancestors are from Europe, it’s very easy to turn this not-sameness into something subtly creepy or even outright terrifying. On some days, a kangaroo looking straight at you is sufficient to create gentle nightmares.

Today’s question was whether my story is Australian Gothic? Or is it a satire of traditional sorrow? Actually, it’s both. And neither.

The forest setting I used is typical of an Australian Gothic setting. Trees are not uncommon in the sub-genre. The fact that the forest is a real one where murders actually happened is very much Australian Gothic, but the fact that it’s a forest specifically grown for tree harvesting is not. The fact that I brought the two together was me seeing what would happen if I included at least two variants on each and every theme. I did this the whole way through. It should be possible, if I’ve done my job right, to read the story from at least three directions. The first reading, however, should be for fun and for the frisson.

There are otherworldly beings in the story, of course, but I’ve kept them just a fraction away from the Australian Gothic… on purpose. I’ve given too much information for some and too little for others and been really rude about the worship of dark forces.

All this is quite intentional. Narrelle and Katya wanted stories that turned tropes around. I hate stories about certain types of bigotry, so of course I wrote one. I love Australian Gothic, so of course I wrote that, too. Mostly, however, I followed paths that were not very respectful and made a story that is its own. If you want a real horror story, look into the actual history of Belanglo Forest.