Deborah’s Baycon Report

In the past, my convention reports have included highlights of panels and other events, both those I participated in and those I attended as an audience member. This report will be different, for reasons that will soon become obvious.

Baycon is my local speculative fiction convention (“speculative” encompasses science fiction, fantasy, and horror), with programming that also includes fannish pursuits, science, history, diversity, and other areas of interest, author readings, and Regency dancing, crafts like knitting chain mail, and so forth. I’ve been attending on a more-or-less regular basis since the mid-1990s. It’s not only a fun convention but a chance to meet up with friends whom I don’t often see.

This convention, however, was different. For the past few years, Baycon programming has invited potential panelists to write up topics and list folks they’d like to include, then the entire proposal is either accepted or passed on (aka, rejected). This means more work for anyone wanting to be on a panel since you need to not only write a bang-up description but figure out who you know that would be at Baycon and have juicy things to say. Hence, much less work for the programming committee. Also, more predictable panels by restricting the pool of panelists. I’m not a fan of the system, as you can tell. I’ve loved being assigned panels with folks I don’t know who then turn out to have fascinating and often unexpected things to say. I’ve also made some great writing friends that way.

It is an understatement to say that this year, the process did not go smoothly. I was invited, I submitted two panels with panelists, and I waited. I queried and was told to be patient. Somehow, perhaps because I checked last year’s email verifying that my proposals had been accepted, I arrived under the impression that all was well and expecting to receive my schedule. Nope, no such schedule existed. The poor volunteers at ProgOps (Programming Operations)! I asked if I could be added to an existing panel. At this point, the head of programming arrived and, after many apologies for the shortcomings of their software and assurances that I was by far not the only author in my situation (hotel room booked, reporting for schedule, etc.), offered to add one of my panels for the following evening: Science Fiction as the Literature of Resistance, at 9:30 pm Saturday. Okay. They’ll try to contact the other panelists to make sure they know it’s been added. Since I was planning on seeing most of them, I could do this myself. In addition, they’d added genre luminary Larry Niven to the panel. Oh, my. Talk about name recognition. Continue reading “Deborah’s Baycon Report”

My Baycon 2024 Schedule

I’ll be at Baycon this year, hooray! This will be my first in-person convention since the pandemic and I’m super excited to see you. Please find me and say hello!

 

 

My preliminary panel schedule with some of my favorite co-panelists (I am told I may be added to other events, like autographing and a reading…stay tuned!)

Writing Beyond Trauma

5 Jul 2024, Friday 10:30 – 11:45, Writer’s Workshop (Santa Clara Marriott)

These are perilous times for many of us. As survivors or the loved ones of survivors, how has our experience affected us as writers? How do our stories transcend and heal? Escape? Educate our audience? Are there times when the pain is so great, the words simply will not come–what do we do when we have lost our voice and how do we use writing to regain it? In this panel, we will strive to listen respectfully and to leave time between each speaker to absorb more deeply what they have said.

Deborah Ross with L.M. Kate, Gregg Castro (Association of Ramaytush Ohlone),  Maya Bohnhoff ,Sumiko Saulson (Iconoclast Productions)

Creating Original Worlds Format: Panel
5 Jul 2024, Friday 14:45 – 16:00, Monterey (Santa Clara Marriott)

When creating environments for speculative genres such as fantasy, science fiction, magical realism or alternate history, what are some essential questions one needs to ask themselves about their world? How can a writer make their worlds as original as possible. We will also discuss how to research, plot, and develop a setting whether you’re creating it out of spare parts or building on an alternate reality.

Deborah Ross, Maya Bohnhoff , Chad Peterman

Beta Readers & Critique Groups5 Jul 2024, Friday 16:15 – 17:30, Sierra (Santa Clara Marriott)

Your story’s done, how do you choose who reads it first? How do you handle feedback from beta readers, writing groups, friends and strangers? How do you know whose advice to take, and how to accept criticism gracefully?

Maya Bohnhoff, Sheryl R Hayes , J.L. (Jim) Doty (Bourgeois Capitalist Establishment), Deborah Ross

 
 
Paying Forward, Backward, and Sideways

6 Jul 2024, Saturday 16:15 – 17:30, Sierra (Santa Clara Marriott)

In the field of speculative fiction, seasoned writers often encourage, mentor, and nurture new and aspiring writers. As those writers come of age, many pass on the gift. Writers at about the same stage in their careers cheer one another on, furnish emotional support, and act as beta readers. Join us for a session of gratitude, hope, and fellowship among writers, both professional and aspiring.

Deborah Ross, Maya Bohnhoff, Cliff Winnig