Book Perspective: Superb Middle Grade Fiction Featuring Queer Kids

Nicole Melleby writes Middle Grade fiction featuring exclusively queer kids who also happen to struggle with mental illness. They’re really, really good books, too. Books I wish every family of a troubled adolescent, queer or not, would sit down and read together.

How To Become a Planet features a youngster, creatively named Pluto, who struggles with depression. I reviewed it here.

How to Become a Planet focuses on Pluto as a sympathetic character, a person who is both resourceful and overwhelmed, insightful and confused by changes in herself. Her use of astronomy metaphors is particularly vivid and powerful. Above all, Pluto is a person whose brain chemistry isn’t working quite right, not a diagnosis, and this excellent novel showcases her journey toward a new balance in her life.

Here’s what the author said about this character in a recent interview:

Q: How did you balance depicting the reality of living with mental illness with the important message of hope?
A: Getting a diagnosis isn’t the end for Pluto—it’s a new beginning. I wanted to show that despite it feeling so hard, there is always hope. In the end, Pluto still has depression, she still has her struggles, but she has her support system and the understanding of her needs, and she’ll be okay.

I think this is spot on for adults as well as kids. Turning your life around takes not only appropriate treatment (including, in Pluto’s case, medication as well as psychotherapy) but time and patience. Backsliding and reversals are par for the course, no matter how skillful the professional help and supportive the loving families are. There’s no magic wand to make psychiatric problems disappear, although popular media often portray it so. One insightful conversation and poof! you’re cured. This is one of many reasons why books like Melleby’s are so important. There is hope, she says, so hang in there.

In Melleby’s new novel, The Science of Being Angry, young Joey can’t understand why she explodes into destructive fury. Like Pluto, she has a family that loves her and struggles to understand her, yet it isn’t enough.

In my review of this book, I wrote:

What I most loved about this book was the respect with which Joey and her problems were portrayed. Joey is in many ways still a child, and for all her competence in many areas, she has a child’s limited resources for dealing with psychological issues that confound many adults. Her sense of responsibility often leads her to shoulder disproportionate blame, to withdraw rather than harm someone she loves, and to keep her pain to herself. She confronts an issue all of us face, regardless of how old we are: when do we ask for help, and when do we rely upon our own resources? In the end, Joey realizes that she cannot master her temper by herself, and—more importantly—that there is kindness, understanding, and help available to her.

Melleby doesn’t condescend or simply. Her characters grapple with complex, often ambivalent emotions. Yet her faith in the resourcefulness of troubled young people, when given appropriate care, shines through. She reminds us,

There’s no one answer, there’s no one story for someone struggling with mental illness.

If this means there are many more Melleby MG novels to come, that’s an excellent thing!

Guest Blog: Tara Gilboy on Why Adults Should Read Middle Grade Novels

Why Adults Should Read Middle Grade Novels

by Tara Gilboy

I don’t read adult books.

Most people give me strange looks when I say this. I’m an author, after all.  And a grown up. Why wouldn’t I want to read adult books?

I think my friends and family assume it’s a phase. They are always trying to give me books after they’ve finished them. This one will convince you to read adult books again. Nope.

Now don’t get me wrong: there are many adult books I like. I have a few favorites, and from time to time, I will reread them. I love Jane Austen, Stephen King, and Amy Tan. Elizabeth Kostova’s The Historian is a favorite, as is Anthony Doerr’s All the Light We Cannot See. It’s not that I think there is anything wrong with adult books. It’s just that I like middle grade books better.

As I sat down to write this blog post, I realized I’d never really considered closely why I prefer middle grade over adult novels. Whenever anyone asked me, I’d always given the easy answer: “well, it’s because I write them.” (Which seems like the very responsible, professional, “adult” answer.) Or even worse: “ I don’t know. I just like them better.”

But middle grade books are important. For children, yes. But for adults too.

There’s been a lot of crossover in the young adult genre in recent years. Adult readers devour YA books like The Hunger Games, but the same sort of crossover is not seen as often in middle grade. Grown-ups who wouldn’t think twice about purchasing books like Divergent or Children of Blood and Bone are less eager to pick up books like Holes and Ella Enchanted.

I think there is a myth that because middle grade is shorter and written for younger readers, it must be simple or unsophisticated, but nothing could be further from the truth. Rather than making it simple, middle grade’s brevity simply means it is concise, distilled down to its most essential elements with everything extraneous stripped away. Most middle grade books are short enough to be read in one sitting, allowing you to hold the entire story in your mind in a single afternoon.

Middle grade is unpretentious, but not unsophisticated. This is its charm.

Middle grade is all about storytelling. Writing middle grade forces the author to disappear, to remove his or her ego from the writing. Readers don’t want paragraph after paragraph of all the wonderful historical research you did. They don’t care if you can write fancy poetic sentences that are grammatically correct even at a mile long. They don’t want pages of beautifully written exposition. There is a reason that middle grade books are so beloved, the books that often turn many children into lifelong readers. It’s called the “golden age of reading” for a reason. Middle grade draws on traditional storytelling forms. Heroes and quests. Magic. Evil villains.

They can be highly literary but in a way in which the language does not draw attention to itself. Continue reading “Guest Blog: Tara Gilboy on Why Adults Should Read Middle Grade Novels”