Category: Life

Escaping

personby Gillian Polack
schedulePosted on

Is it already Monday?

I am going to write a series on Jewish writers.

Why?

I’m so glad you asked!

I spend a lot of time each week fighting hate. Some people don’t hate so much as think my whole life should be spent fighting the cause their heart is with, which is, in Australia right now, fighting everything about Israel, including its existence.

I am not Israeli (I fight the bad things it does and cheer on the good, just as I do with any other country), however most Australian Jews are dealing with unprecedented levels of antisemitism. This should leave me free of the need to articulate shibboleths, since I’m already one of the bad people in their eyes, right? Entirely wrong. Just over the weekend, these folks have been saying (if they’re nice) “You’re looking at this all wrong. I’ll explain to you how you should think.” If they’re not so nice I learn many things about myself I did not know.

Mostly the bad language and accusations fall into two categories: what I like to think of as new DoubleSpeak, or accusations. I asked someone if I could use their words here to illustrate the DoubleSpeak, as I wanted an example of the particular language they used – it was gloriously fake – and they disappeared from the discussion entirely. The insults can be mild, but they’re usually more dramatic. I’m learning how to handle them better. When someone calls me a child-killer I generally tell them to let the police know and to hand over all the evidence, for instance.

I’m trying to work out what kind of mind hates in this way. This is a marvellous opportunity to find out, because there’s so much hate directed at most Jews. In Australia, we’ve even got ‘good Jews’ and ‘bad Jews.’ I’ve seen people labelled this way three times in the last two days. Last week there were even more labels, because of a literary festival that went terribly awry.

I don’t know about you, but I need a break from this shambolic mess. This is why I’ll introduce books for the next few weeks.

Several groups of Jewish writers gave me details of their books to share (and I’m watching out for more!). The sadness is that I can’t read them until I’m caught up with all my backlog. I’ve been unwell again so the backlog is severe. My normal “Let me read everything first so that I can introduce it properly” will not work. If I’ve read and enjoyed something, I’ll let you know, I promise. Otherwise I’ll tell you what I can.

I’ll share books right up until Jewish New Year. If you want more books after that, I’ll happily continue. I might not be the only person who needs books to distract them from the rather scary everyday.

Unintended Consequences, or How We Fail to Hear About Good Books

personby Gillian Polack
schedulePosted on

Today I’m thinking about how we hear about writers. This is not only for general reading, but also for academic writing. The second, in this case, leads to the first.

One of the subjects academics ask me about or various bods want me to write about is Australian science fiction and fantasy. Until a few years ago I knew when any book was coming out and knew most of the writers and was exceptionally useful. Right now, I’m only useful on some subjects.

I can talk about writers until about 2015, and often write about writers before 1900. An article of mine on Tasma-of-the-many-names was just published in Aurealis, an Australian speculative fiction magazine. I can write about Jewish Australian writers and, in fact, do. I can also write (and do) about the links between Australian writing and the writing of other countries. Also, many books that incorporate history are still part of my terrain because, first and foremost, I’m an ethnohistorian.

Recently, I stopped writing about most contemporary Australian writers. Some I still know a bunch about, but for many I know only the names of their works. Given I have so much else to write about and don’t have the physical capacity to go chasing, I now avoid mentioning certain types of writers. I still consult, behind the scenes, when international scholars want to flesh out their knowledge, but I have to tell them that, “I know about this person and their work, but I don’t know where it belongs.” I no longer introduce Irish fans to the latest in Australian speculative fiction: we talk about other things.

Why did this change?

There are three reasons.

When I let the wider world know that I was not well, two groups of local writers dumped me from their social circles, almost instantly. This marches alongside with when my eyesight started failing and I was no longer permitted to be an award judge. It was apparently too difficult to give me lifts or to make sure that a dinner was reasonably COVID-safe or to find a type of text my eyes could read without making them worse.

These decisions by others makes it much harder for me to find out more about writing from Australia, and especially from Canberra and the Canberra region. Given how much the world of publishing is changing and how we hear about something is often somewhat random, this has significant consequences. If I can’t answer questions at an academic conference, very few of the scholars asking questions look further. They’re also overworked and under stress: this is not an easy decade for any of us.

I don’t hear about work now by these groups of writers or those who are close to them until after the work is published. I would have to put in extra work for each and every published book to find out that it has been published and if a book is in my scholarly ballpark. I have chronic fatigue, five books to finish, and I am no longer paid to write articles about groups of books. I miss being a pro-blogger and a literary magazine person, because they gave me paid time to chase things. My paid time is firmly Medieval right now, and does not include modern SFF unless I’m writing something for Aurealis.

Prior to my exclusion, chat told me what was going on and I could chase it and… I knew so much without much effort. My social circles, in fact, were what initially pushed me into writing about contemporary speculative fiction online and in magazines and giving papers at conferences. One of the symptoms of my illnesses is chronic fatigue: I will take that extra work, but only when I can. I’ve had this symptom since my 20s, but it’s only after I confessed to it that it changed what I knew by changing who would accept me in their social circles.

Only a very few non-Australian academics write about Australian speculative fiction. I know many of them. My refocus on subjects that are achievable without make me more ill affects how these writers are seen outside Canberra. It is not intentional discrimination on my part, but if I don’t have time or energy to chase up something new that touches on my areas of expertise I then write on subjects that are just as interesting to my readers, but that don’t push me beyond my capacity. Eustace the Monk is a case in point. I’ve now been asked by a number of people about Eustace, and used the same core research for each inquiry. This enables me to have a full life, despite the illness.

Second, when I was excluded from a particular science fiction convention, the writers who consulted with me there lost access to me. And me, I was no longer in a position to hear about their work while they were thinking about it, because they no longer asked me questions or did my workshops. Work by those writers has to wait, the way work by most other writers waits, for me to get around to it. Since I was first working on a dissertation and now on non-fiction books, and also write my novels, the wait is long.

The first and second reasons added together affect one group of writers in particular. When scholars and fan organisers ask me about most Canberra authors, I tell them what I know, but what I know is no longer insider-knowledge for most writers. I’m not the only one, as local academic jobs in the Humanities are few and far between. Scholarly work about Australian speculative fiction is likely to mention writers’ names in passing than to look at their work closely or to teach it at university. Those who were part of my earlier studies are still getting articles written about them or even being tagged for (paid) academic stuff as a long-term result of that work. I am not doing the research or running academic programmes: I am merely one of the half dozen people who can be asked casually about the subject. That ‘merely’ has consequences for how much attention given to some writers who are probably very deserving of scholarly work and being taught at university. Some writers still get attention, but most writers won’t be seen. This only affects a group of universities, but there are very few universities in the world that teach Australian speculative fiction as a subject. Other courses that include Australian writers will only include the extraordinary,  and most of our fiction will be passed over.

The third reason, of course, is that I’m Jewish. I am no longer included on lists of writers to ask about this or that, because Jew cooties may be infectious.

So many other writers locally have no idea of my work at this point, much less my research. I joke that I’m better known in Germany than in Australia, which is not entirely true. I’m better known in some parts of Germany than in some parts of Australia. I’ve gone from being an Ambassador of Reading for the country, to being left off lists as a writer. This, again, reduces who I see and who I can recommend to others. It has, in fact, a bigger impact that the other two reasons combined. Jew cooties would not be a problem in the writing world if there had been a flurry of activity to replace the Jewish writers and publicists and editors and more. There has not been. We’re seeing an increasing numbers of holes in communication in both the writing world and in academia, and even in bookshop events, simply because of individuals who are too Jewish and whose work has not been replaced.

This is worse in the US than Australia. In Australia it’s my kind of work that’s missing. That’s too big to examine here. Maybe another day.

This disadvantages those who are not leaving me out of things, because I won’t write the general introduction to a field I am not on top of. The result right now? An introductory article I was going to write for an academic journal is not even going to be suggested. Someone else will have to write it.

When we play games with people’s lives, the person whose life is targeted is not the only victim. As a Jewish writer, my book sales are down by 75%. As a Jewish/chronically ill academic, the book sales of those I would have written about are also diminished.

The writing world is complex. Hate and exclusion do not affect just the target: they change what books we know about and what writers we want to read. My recent life is an example this.

 

Update: The chrnoic illnesses have ruled my week and so I put this up unedited. If you read it before 14 August, note that it is now edited! And tagged.

Farewell to Eden

personby Gillian Polack
schedulePosted on

I’m still in Eden. I leave at 7 am tomorrow and my very nice neighbour just knocked on my door and checked that all is well. I cannot get to the bus stop on foot, you see. It’s over a kilometre and all uphill. She’s lovely and is driving me. We both checked up on bus stops and we both want to make sure I’m there on time and I feel very reassured.
What have I done in Eden? First, I’ve done a truckload of research for a novel to be set here. I have two other novels to finish first, but Eden has such a lovely complex history that it makes the perfect setting. Also, it has a lovely climate, charming and chatty people and once had a Jewish whaler. The killer whales were characters of their own until they moved on for better harvests and… it’s perfect for my weird Australia. I suspected it might be, which is why I spent so much time here.
I don’t have proper access to internet (the wifi is too weak) so the big things, as I said last week, remained undone. I have, however, almost finished three short stories and completely finished 7 short pieces of non-fiction. My Monday and Tuesday will be all about editing, once all this writing is on my own computer.’
What else did I do? Besides walking as far as I could every day (I extended my physical capacity – I’d be very proud of myself if I had extended it to the distance most other people can walk, but I can now walk to my own local shops in Canberra, which is unexpected and good) and chatting with everyone and taking many, many pictures? I’ve been watching The Mysterious Cities of Gold. This was something I needed to see because it answers many questions about children’s television in Australia at about the time I stopped watching children’s television. I grew up on Astroboy and Kimba and The Samurai and The King’s Outlaw and, of course, Star Trek and Doctor Who. Anyone 15-20 years younger than me grew up on The Mysterious Cities of Gold. And other things. When I learn what those other things are, I can analyse them.

My TV viewing was, you see, work. I am trying to work out how hatred is suddenly everywhere. Why we other and mistrust and don’t see the very real lives of our neighbours. It’s very easy to see why I live in a wide world: I watched a Japanese detective series when I was still in primary school. I studied Christina Rosetti when I was in Grade Four. The weather poem was silly and Goblin Market was overwhelming for a 9 year old: I owe Mr Remenyi a lot for letting us grow through poetry.  Furthermore, I could be very rude in Greek when I was in Grade Five. The antisemitism was there (it never fully goes away) but avoiding the toilets while I was at primary school and answering questions like “Why do you drink babies’ blood?” was part of a big and complicated world and wasn’t so scary. These days no-one asks. They make statements. Wrong and hateful statements. This cuts the world down in size and turns it claustrophobic. I knew not to ask questions about the childhood of anyone who wore long sleeves in summer, because they were Shoah survivors: these days I’m told all sorts of strange things about my own life. I’m waiting for one of them to be true, and then I can crow like Peter Pan. I may be waiting a while. While I wait, though, I need to understand the stories people carry from their childhoods so that I can know where all this comes from.
I know what I did and what I was taught. I do not know the same about the next generation. They’re the ones leading the hate. I need to understand them better. And I am starting in a safe place for all of us… with what TV they watched.
I am open to suggestions of what other television I need to see. It would help me immensely if you explained when what you’re suggesting was on television and where it was on television. That way I can see patterns. Patterns are far better for understanding hate than shutting the world down and deleting bits of it.

More Eden

personby Gillian Polack
schedulePosted on

The day after tomorrow, I’ll be on my way home. I’ve been in Eden nearly a week and am used to it. I no longer hear the waves every minute, even though Calle Calle Bay is close by. I’m used to the lack of birdsong and the fact that there are so many dogs that barking is an ordinary part of the soundscape. Where I live, in Canberra, I’m woken up by magpies and kookaburras and there are so many other birds that sing, but I have to walk at least as far as the beach is from me right now to hear any dogs barking. I know how to pronounce most of the local names, and the one I had most wrong was Calle Calle (which is Caul Caul). I have talked to many locals and written many words. The biggest thing is that I have proven what I needed to prove: that one of the reasons I’m so il in Canberra is the climate there. I’m not suddenly well in Eden, but I am in far less pain and I can do more walking. In a half hour, in fact, I will be walking to the community market, which is about 1 km away. There and back will be all I can do in a day, but I can only walk that far in Canberra on really good day and here, there was only one day I could not.

I cannot afford to move down to the coast, but at least I know that if I save enough I can go to a seaside town once or twice a year and get writing done. I need more internet than I have access to here, however. I am saving all my writing for when I get home, when I will edit it and upload it and … things would have been a lot simpler if I could have finished all that here. The problem is only partly that wifi is spotty. It’s also my computer, which worked splendidly in Perth and doesn’t even connect enough in Eden to use the university’s online system of access to my word processing.

I could use my computer more readily in regional Germany than in regional Australia. I chat with locals about things like this and we swap the realisation that Sydney has far more of small everyday luxuries than places like Eden. Groceries are more expensive here, for instance, because Eden has the same distribution system that Canberra had when I first moved there, and so there are the storage and transport costs to Sydney to be factored into, say, the price of tomatoes. Even cheese is not cheap, which is ironic, because Eden is part of the shire of Bega and Bega is one of the most important cheese-making regions of Australia.

I was going to write you a romantic post about Eden the place, or an historical post about the whaling industry, or a post with pictures of gardens and I was going to ask you which was the real garden of Eden, but… I wanted to talk about the price of tomatoes. Maybe another time…

Eden

personby Gillian Polack
schedulePosted on

At the moment this post goes online, I’m probably asleep in Eden, which is a town in coastal NSW. If the bus doesn’t break down en route, if nothing goes wrong, if… if…

I have to write much now that my thesis has been submitted for examination, and it’s cold in Canberra, and Eden is in the middle of whale season. Three excellent reasons to catch a bus and visit the Sapphire Coast. I’m not going for long. When I’m back I might tell you about some of the work I did there. I don’t want to jinx my writing by promising vast amounts of it.

I’ve been through Eden a couple of times. I’ve written Eden into a short story (“After Eden”) and into a novel (Borderlanders). I might see if I have the courage to tell the owner of the pub from Borderlanders that one of their staff members is in a novel. I haven’t told anyone in Robertson (further north, in the mountains) that the whole town is in both story and novel so… maybe not. We will see,

I’ve never spent more than an hour in Eden, because I’ve always been there on the way to somewhere else. It’s on one of the most spectacular roads in the country, Highway #1, that goes (mostly) right around the coast. I’ve dreamed of travelling the whole way round, but can’t see how to make that happen. I can, however, go to Eden.

Eden is one of those places that’s not well known but is rather special. First, whales. Also, tourist-watching, though I suspect it’s the wrong season for the giant boats. Eden is, in fact, probably the Australian equivalent of Nantucket, if the whalers from Nantucket worked with orcas.

Mostly, the town is a lovely place where I can walk down to the sea even on a bad day and it’s not nearly as cold as Canberra. We’ve been warned that the wind straight from the Antarctic is coming again, from tomorrow. Canberra will be bitter-cold for up to a week. In Canberra, as I love saying but don’t love experiencing, that Antarctic wind travels directly over the biggest snowfields in the country and collects cold from the coldest mountains in the country and Canberra is its first city after all that collected cold… Canberra has a very solid wind chill factor on Antarctic days.

The Sapphire Coast and its hinterland has complex and fascinating history, lovely cheese (best grassland in mainland Australia, around Bega), and is part of an overland trail that dates back thousands of years. I can’t walk the trail, and I doubt I can get to Montague Island to greet penguins, but Eden contains enough architecture and history and whales and museums and a good local library so that when I get mental cramps from writing, I will not be bored. I will take pictures and research later fiction. Or I will walk five minutes to the nearest beach and watch for whales.

If all has gone well, this is where I am right now, while you’re reading. Maybe at the beach, looking at Twofold Bay or out over the Pacific. If you’re reading from California, wave at me, just in case.

Handling things

personby Gillian Polack
schedulePosted on

This week I don’t want to write at length. I’m still dealing with a bunch of nasty stuff done in Australia on Friday night. It struck me, though, that most readers of this blog are also dealing with bad things. We are not having an easy time of it, any of us.

What I would love to know is how we all handle things.

My best approach (and the most difficult) is to think everything through and understand. Twenty years ago I could take that understanding and share it with activists I knew and we’d find ways fo helping people and moving past the logjam that the impossible creates. Right now, most of those people aren’t talking to me because I’m too Jewish, but I still delve deeply and understand, and when someone asks, I can help them reach the stage where they can identify the hate and the slogans and the dark alliances and make their own decisions for their lives. I really miss teaching – I don’t get to explore ideas with many people and certainly don’t get simple solutions. This was once the best approach, but now makes me feel helpless. Also, I find it exhausting. It’s especially exhausting when friends tell me “The group I marched with was not at all antisemitic. You are imagining things.” Perfectly good people can march alongside vile bigots and as long as the bigots are polite in their presence and the good people accept the rhetoic unquestioningly or don’t know the dowhistles then those good people do not know what is being done in their name.

Solitaire is not the best way to deal, I have discovered. I start playing when things get too much and then cannot stop.

Cooking was a great support (because I love cooking) when there were friends around who could eat my food, but, between COVID and our charming new present, not many people eat my coking and so all I have is too much food and… my freezer is full.

Last time there was a wave of antisemitism (the Molotov cocktail years) I did a lot of walking and enormous amounts of dancing. They were so good for me. I cannot walk far these days and I can only dace for maybe 2 minutes. I am so proud that I can now dance for two minutes, it’s like life returning. I needed 2 hours of dancing back then, to give me a break from everything. I would lose myself in the music and my feet would replace my brain in ruling my life and over time, my body forgot the burdens it carried and life was wonderful. If my illnesses would go into abeyance, I would dance again, but, right now, dancing has a Jew has its own aches. Walking doesn’t. I will work on improving my walking.

Superhero movies and TV and K-drama help a lot. They’re not my everyday and I can take a break from my everyday when I’m watching them. Crime dramas and sad stories of sorrow… less good. A couple of friends suggested I watch things to do with the Holocaust, or one of the documentaries about October 7. If I want to sleepwalk, I promise, I will watch those things.

These are a few of the things I’ve tried.

We all live different lives and we all have different approaches to turning the impossible into something we can handle everyday. The impossible for someone in the US is quite different to the impossible for someone in Australia. I’d love to know some of your ways of dealing.

Small Lives in Winter

personby Gillian Polack
schedulePosted on

The title makes my life sound like an elegant painting. It is not, alas. It’s not nicely synchronised in colour, time, or any kind of harmony. In fact, this post is late because last night was midwinter being midwinter being midwinter. It was 4 degrees (39.2 for all those who prefer Fahrenheit) at 6 pm and I’m just warming up now. Me heater is on and I’ve moved from the night-time down dressing gown to the daytime oodie* and I will write this afternoon. I was supposed to run messages. A friend was going out and got the urgent things for me (paid in very fine chocolate and coffee) because today’s warmest was riddled with wind from the snow, which makes walking very difficult for those of us with arthritic joints. I can’t catch a bus because the nearest bus stop is too far away on days like this and I have been eating junk food. It’s one way of dealing. Not the most sensible, but it got me through last night and this morning. Tonight I’m back to being sensible. Between now and then, I must write some novel. This is my atonement for eating junk food. If I eat garbage I must produce good words, to keep the world in balance.

The novel is a vampire novel (of sorts) and my characters, too, will be eating junk food. What is junk food to a vampire/werewolf cross? I still have to work that out. I have ten minutes…

 

  • Spellcheck tells me I intended to write ‘foodie’. Given my recent eating habits, I fail at foodiedom and defy Spellcheck.

Changes

personby Gillian Polack
schedulePosted on

I’m back from my daring adventure in Perth and Adelaide. I discovered – to my great happiness – that antisemitism in Australia is far more closely targeted than it looks. The bigotry in the media and on the Left surrounded me where I live and so I was inundated and so were many people I know. That inundation is targeted, not at me, but at anyone Jewish. I happen to be local to it and know too many people who share those politics. This is not me, personally (though a part of it is also me, personally) but most Jewish in Sydney and Melbourne and Canberra. Sydney and Melbourne have the largest Jewish population in the country, and that has been very precisely targeted with hate, but Canberra? It’s where the politics happen and the media mocks. I’m mostly collateral damage. That’s the good news. The other good news is that, outside Canberra, the science fiction community has a normal mix of politics and does not carry hate. The Arts, however, does carry hate. More and more I mix with other Jewish writers and editors because they don’t demand I hate myself.  There are many writers and industry professionals who do not make those demands, but they leave me alone because I’m either politically perilous because of my upbringing or they simply don’t want to worry about it. “Jew cooties” strike again.

The moral of this story is that we can be trapped in a fishbowl where haters surround us. It’s only a fishbowl. It’s not even a whole city. Most non-Jews in Canberra want to tell me how awful Israel is and inform me about their views on genocide. They don’t want to talk about my end of things, not my murdered cousin, not everyone I know caught up in the war (Israeli and Palestinian) and most certainly not how alone I’ve been in Canberra, because they don’t want to reach out to me as friends. This is the problem I’m facing. Not even our “I talk to the Jewish community” Senator has sorted out how this affects local Jews and that we are the ones forced to explain ourselves every day and remind others that we’re still human.

I’m very glad that this is specific to certain circles in Canberra, even as it hurts to be dumped and deserted and hated. I now have ten days when I rediscovered that I hurt, but am still me, and that I have more friends than I knew and (if I can get past the hate) even have a life. I was less ill when I didn’t have to reach out and hope that the person I emailed wouldn’t come back to me with a demand that I denounce whatever (that day) they wanted me to denounce. And I have chats with taxi drivers to sustain me.

I have been saying for a while that the antisemitism is part of a wider problem of not seeing people for their actual cultures and religions. Jew-hate is a symptom of a wider disease. I was (locally) silenced and left out of things because I am wrong because I’m Jewish and Gillian (some people dislike me, and I may not enjoy this, but when it’s a personal thing it’s not the same thing as bigotry at all) and could see how so many people translate ‘Jewish’ into “Zio’ and ‘person who murders’ and other excitingly false tags and stories. Every time they think along these lines, it’s as if a slab of historical understanding is wiped from their brain, by choice.

I could also see that Muslims in Australia are mostly assumed to be Palestinian Australian (the actions of the certain Pakistani Australian senator do not help with this, at all). So many people assumed that there was a single Muslim voice and vote, when Muslim Australians are… Australian. We are such an independent mob. Why should Muslims not think for themselves? In fact, they did, and voted in a bunch of ways during the election. The media, being its current slow self, did not pick up on this. It also did not realise that so many Australians belong to other religions. The taxi drivers were Hindu, but from quite different parts of India. In Canberra, I’m more likely to run into a Sikh or Coptic Christian, but I have Hindu friends here. The only religion numerous enough to change an election outcome is Christianity. Australia is closer to a secular country than other Christian countries, but it’s still Christian. I lie to explain that the Lord’s Pray opens Parliament and that our ruler is also the ruler of the Church of England, but the truth is that, everyday, Christmas and Easter are times the country stops. Many atheist Australians still live the Christian year. They don’t do it in a religious manner, but they will eat pancakes on Shrove Tuesday and see Christmas Day as a day on which no-one should work.

What does all this mean?

I think we need to reconsider Australia as a country. We should look at the hateful targeting of minorities (Indigeous Australians have suffered and still suffer what Jewish Australians are currently enduring, to give the most obvious example) and not accept the media and the Left as arbitrators of our lives.  In my perfect world, the majority I discovered when I broke out of my goldfish bowl will know to reach out to people like me (my friend Anna did, which is why I was able to safely travel) and connect us again with a safer world. This connection can be done with coffee locally, or a chat, or a movie, or a walk in the park. It’s an acknowledgement that our lives matter and that we don’t have to self-hate in order to be allowed to live. Simple things with radical consequences.

There is so much shouting right now. For every shout, I think we need ten instances of community building. That’s what I’m doing right now. I’m talking to other Jews who have become isolated and scared and bringing them into my suddenly-much-safer place. I’m writing fiction and essays that promote safe paths for people, and affirmation of cultural complexity. I’m still spending an hour a day analysing the rest-of-world, because it’s still not safe, but I’m taking the second hour I used to analyse and using that to analyse from a more productive and positive direction. I’m going to finish books and get them into the world, because that’s another path to reducing hate.

Finding publishers is the tough bit right now. Not all publishers are antisemitic, nor even half of them, but there are other crises happening and Jew cooties mean that many prefer works by someone other than me. Many, but not all – I need to find those who want my novels and non-fiction. Some of this is already happening.

A friend reminded me of a song that tells a story of how big change happened here, in Australia, when we were in a place that we thought we could never get out of. I was not one of the victims then. I was on the side doing the hurting and had no idea that I was part of something that awful. It wasn’t anything I intentionally did, it’s that I didn’t know that it was on me to reach out and be part of change. Vincent Lingiari and his friends and colleagues spearheaded that change when I was in the early part of primary school. Most of my life, then, has been spent seeing what changes can be made when we see people as themselves. A pop song helped and the use of the melody by an insurance company didn’t help at all, so I’m not sure how much today’s children know of what began when I was a child. Let me share that song, because it explains in the best way.

Time Is on Our Side

personby Nancy Jane Moore
schedulePosted on

When I meditate – which I do sporadically, though I keep intending to get more regular about it because it always makes me feel better – I see myself as being one with the universe.

I don’t mean I’m the all-encompassing universe all by myself. I mean I’m a tiny speck of this amazing great whole.

I find this very comforting. It reminds me that so much of what is touted as of paramount importance is really meaningless.

It doesn’t mean that I shouldn’t try to do good in the world as best I can, but it does help me let go of too much attachment to the outcome of anything I do. These days, with so much damage being done to our lives every day, I find it helpful to remember that while doing is up to me, outcomes aren’t.

In his book Four Thousand Weeks: Time Management for Mortals, Oliver Burkeman has a chapter called “Cosmic Insignificance Theory,” which I think is much the same thing as my meditation. He observes:

Truly doing justice to the astonishing gift of a few thousand weeks [four thousand weeks is an average human lifespan] isn’t a matter of resolving to “do something remarkable” with them. In fact, it entails precisely the opposite: refusing to hold them to an abstract and overdemanding standard of remarkableness, against which they can only ever be found wanting, and taking them instead on their own terms, dropping back down from godlike fantasies of cosmic significance into the experience of life as it concretely, finitely – and often enough, marvelously – really is.

Cosmic insignificance theory is diametrically opposed to the kind of world the broligarchs seem to be after, particularly the ones who think they’re going to live forever, perhaps uploaded and combined with some all-powerful “AI.” Continue reading “Time Is on Our Side”…

Life and Museums

personby Gillian Polack
schedulePosted on

The weeks after a PhD is done are always peculiar. There’s a backlog of life and it rushes in and floods the everyday. This is me, right now. Ironically, New South Wales is also flooded right now.

My backlog of life includes so much to write and so much to read and (this weekend alone) six panels at one of my favourite science fiction conventions. Add the 25 pages of forms to fill in (only five to do this weekend) and seeing friends at last and… it’s a tad busy.

I have a new publication this week, along with a bunch of my favourite people. You can find it here: Issue 90 – My Favorite Museum – Journey Planet I’ve actually written about museums a lot. I wanted to work in one, but things became complicated and I never did. One of the books I’m writing (the non-fiction) includes analyses of museums.

One of the most reassuring things imaginable for me is to visit a museum and analyse and tear apart the exhibits and think about their cultural impact. This is nothing new. I first did this when I was about seven. There was a display of old irons and children’s clothes in a country museum and I looked at them and looked at them and there was nothing in writing that explained them and no-one to ask, so I told my parents (with such seriousness) that this was wrong and they could do better. I remember listing the information needed to describe those irons and clothes. I knew what I needed to know and I was upset that it wasn’t there.

I didn’t know I was going to be an historian then. I started collecting limestone from various places and thought I was going to be a palaeontologist and a writer. Then I was going to be an opera singer and a writer. Then a museum curator and a writer. Then I reached high school.

At high school I told I was too young to know my future. I said, “But it has to include history and writing.”

I was told, “No, you’re doing science.”

I was very argumentative. I did maths, but dropped the science and did every single history and English subject I was allowed, plus music and French. This worked.

I’m the person who has history and writing as core parts of her life, still… and I still love looking at the work in museums and I am even more opinionated about these things than when I was seven.

Even this month, when life is flooding me, I can stop and think about museums. There is one particular exhibit I’m hoping to see later this week: a seventeenth century German bearded jug. If I get to see it, I might report on it in a fortnight. Maybe. It depends on the flooding receding just enough to make reports possible.