Witter-time and dissertations

For the next few weeks everything’s going to be a bit rushed and my mind may be a tad wayward. I have, you see, put in my notice to submit my thesis. This is my least favourite part of doing a PhD, normally, and a bit worried because right now I am kinda enjoying it. What’s wrong with me? I don’t sleep at all well, and I want it finished, but right now, the revision and thought is rather fun. When it stops being fun, then I’ll know I’m nearly finished.

While our dissertations are not that different to US or UK or European dissertations, the Australian examination process is its own thing. This is because it was set up at a time when distance and cost prevented committees from meeting in person and before modern technology allowed online meetings. Because of this, most Australian PhD examinations are still done through three examiners evaluating the written text. That’s it. I’ve been an examiner, and you are sent the document (it used to be a printed and bound document, but these days printing and binding mostly happen later) and read it and fill in a form and that’s that.

I enjoy examining others’ theses, but do not at all enjoy mine being examined. You sit and wait and sit and wait and sit and wait. Mostly, everything is done within three months… except for my first PhD examination, which took three years. It was also fraught. It left emotional scars and also cost me my first career. It’s very hard to get job interviews when your PhD has been under examination for about as long as it would take to do a whole new PhD.

I have maybe two weeks to finish writing the thesis, then a few more weeks for all the various other stages to be complete. Ticking boxes and jumping hoops.

It’s very good training for fiction writers, actually. I am much pickier about sending manuscripts to publishers because of this training. I don’t wait for an editor to sort my grammar and check for typos and ensure that the house style is met: I do it myself. I’m not as good at these things as I used to be, however. I miss the days of more energy and better eyesight and being really annoyed at stray split infinitives or commas. My thesis still has to have all these things sorted, along with proper citations and formatting. Several of the weeks before I submit, then, are to allow a copy editor to take a look. It’s part of the system right now, and good for me… but I’m determined to see how little work I can leave for the copy edit: it’s a matter of pride.

This leads to some odd moments. I was supposed to rewrite a paragraph yesterday, and instead I spent ten minutes analysing the text and seeing if I really needed my second footnote. This is not a document with many footnotes, unlike my History PhD. Different disciplines have quite different requirements. I used to have so many footnotes that I wrote 103 footnotes into my first novel. The editor had me take some out…. But it is still a footnoted novel. Back then, we had to assess the space for footnotes on each page: it wasn’t automatic. It’s ironic that now the word processor does this, I only have very occasional footnotes.

My first PhD was formatted by me, myself and I on a MacSE. Two floppy drives and much blue screen of death. That machine cost me 25% of a year’s scholarship. It was that long ago. I would print my drafts out on a dot matrix printer, and took discs into the university printer to print the final and photocopy it. The printed copies were then bound and sent to examiners, one of whom was in Canada. My then-thesis contained a vast amount of Old French and a little Latin, which totally thwarted any spellcheck by anyone who was not me.

Everyone was so impressed I was working on the computer all by myself back then. That’s how long ago it was. Desktop computers were exciting and new and I was able to do all the things myself. I typed other people’s theses in the last year of my undergraduate life. Not many theses, but I was a fast typist and accurate and now… I’m neither.

I wish I could claim age for this loss of skill, since I was an undergraduate over forty years ago, but the sad reality is that when I joined the public service it was at a time when there was much mistreatment of young women with typing skills. So many of us developed RSI. In my case, my supervisor was really annoyed that I had a PhD and he didn’t, even though I was still waiting for the examination results. He would give me pages of typing at 5 pm. “It’s urgent,” he claimed, which is how he skipped sending it to the typing pool. I was a policy analyst, not a typist but he would give me the work and then go home. A small sliver of his personality helped make up the composite boss-from-hell in one of my novels. So, so many people who read that novel tell me that they had that boss.

I am wittering, aren’t I? This is avoidance. I need to finish editing the Introduction and Literature Review. By the end of today, I have to apply one set of comments to the whole thesis. Then I have marked up text to sort out. Then another set of notes. I have until the weekend to have done all of this and I am, right now, procrastinating. Most of my Monday was spent clearing urgent stuff so that I could immerse myself in sorting out the thesis. That was also procrastinating. I’m nervous of Chapters Two and Three and Four, you see. Very nervous.

Reading and Writing – an update on my book problem

I have so many piles of books in my living area (which is also my work area) that even I feel the clutter. The reason this post’s title includes the words ‘book problem’ is because occasionally they topple and I tripped over one yesterday and…

I love them all. It’s not a problem in any sense except the clutter. I’m not reading just one good book this month, I’m reading dozens. They are my building blocks for a three-year research project (1), and I’m already having fun. Gradually, the piles will diminish.

One pile is for putting away. “I’ve finished this – it was fun but not terribly useful. I’ve taken the notes I need from it but they’re not relevant to anything I’ll be writing. It can go away. No need to put it in the bibliography.”

Another pile is carefully marked up. Not the books themselves – I have special sticky paper that doesn’t harm books and I write on that. When I’m ready to write that book up, I go straight to the notes and lo, it’s ready to go. I know what page to refer to in my footnotes and I have my thoughts on the sticky paper. Then I put the details of the book in the bibliography, and then that book goes on the putting-away pile.

The third pile consists of one book right now, called Putting the Science into Fiction. It’s not a scrap of use for my research project, but has some stuff in it I want to use as a reminder for world building. The world building has nothing to do with the research project. Until last Wednesday I did it full-time, but now I’m doing it as a leisure activity. The book will be put away when I talk through what it contains with my co-conspirators in world building, which could be next Monday, or it could be in three months.

The three largest piles relate to three of the core focal points of the research project. One is on fairy tales, one is on own voices, and the third is on writing about cultures that are a bit alien or foreign.

The piles I’m working through right now, however, are none of those things. Some are on writing technique, some are on genre, and some are on what makes narrative, and some are on rhetoric or critical theory. These are my reminder piles: it’s no use launching into research without checking that you know what you’re doing. It’s not enough to know this stuff as an expert or generally. I have to know exactly what elements I need for this precise project.

That’s all for this project, for now.

A proposal I put in for an academic paper was accepted yesterday. I’m about to start an extra pile (which will link into the project, but is right now just for the paper) will be about food in speculative fiction. This one is quite dangerous. Whenever I write about food, I have to cook things.

When people ask me what I love about research I am stumped. What’s not to love about reading fiction and inventing recipes to fit the food mentioned in the story? Although in this case I’ll be doing a critical analysis. Mouthfeel has to play a part. Maybe I’ll have recipes as the slides that illustrate the paper? After all, I have a nice collection of cookbooks that I can match to the foodways in the fiction. The most mouth-watering paper at an academic conference. It sounds good to me.

Writing long fiction is on the backburner for a bit, obviously, but my reasons are impeccable, as are my piles of books. Also, I did that thing that chefs do on cooking shows. There are three objects I prepared earlier, one that is out in paperback and now affordable (earlier research!) , one that is out already and the other is coming in a very, very short time. The same applies to next year – work finished a while back means that I shall research away and books will appear and everyone will think that I work 36 hours a day.

I don’t. But I do have impressive piles of books stacked everywhere they fit.

 

  1. For all of you, a footnote. For anyone wondering, yes, this research project is for a PhD. It’s not my first PhD, however, and Australian PhDs are only three years long and we start the research on Day One. Also, I’m more interested in the research itself and in working with two tremendous supervisors than I am with shouting, “Hey, I’m doing a PhD.” Because it’s all about writers and what they put in their fiction, I shall talk about the cool stuff here, from time to time. Ivory towers are a fiction, and research relates to the real world. This research relates to culture in fiction. And I am one of those people who write stuff into footnotes that people need to read. I did it for my first novel and I refuse to stop doing it unless I’m writing an academic piece. This is due to a certain warped element in my personality.