The 4th of July

Black t-shirt with the words Mundus Sine Caesaribus on it.

I grew up with Fourth of July celebrations, though the ones I remember were not particularly patriotic – I don’t recall any speeches, much less any on the topic of loving one’s country – but rather an excuse for a community gathering.

In Friendswood, the then tiny town outside of Houston where I grew up, there was a parade every 4th followed by a barbecue and small rodeo in the community park. My sister and I rode horses in the parade most years, sometimes accompanied by our parents (depended on the number of horses we had available at the time).

I recall participating in the rodeo a few times, doing barrel racing and pole-bending on my horse Sue, who was quite good at those things, having been trained as a cutting horse. However, we never practiced enough, plus Sue was part Mustang, which gave her short legs. We never won anything.

In high school I remember marching with my high school band in a nearby town for the parade and even playing in a half-assed band for that town’s rodeo.

Much later on, when I lived in Washington, DC, I went down to the Capitol grounds for the symphony concert and watched the excellent fireworks display on the mall from there. No speeches at that event, either. I recall singing “This Land Is Your Land,” though. Reagan was president and most of the people at the concert were not big fans.

So my thoughts on the 4th of July have more to do with horses and parades and barbecue and music than they do with patriotism. Which is a good thing, because this 4th I am fresh out of patriotism. The regime in charge of our government is busy undermining almost everything I hold dear about the United States of America and bringing back all the worst aspects of our country. Continue reading “The 4th of July”

Dash It All

I have for been several weeks preparing four books for publication: re-releases of the first three Sarah Tolerance Mysteries, to be followed a month later by the release of The Doxies Penalty, the fourth in the series. Because I’m publishing with an independent micro-press, I’m doing a lot of the production work myself, which means I have been engaging with my own text up close and personal.

The good news? I still like all four books. I can find passages that give me pleasure (and have found comparatively few that make me wince and say “what was the Author thinking?” This is not always the case when looking over your old work. But of course, as I read, I notice things. Like,” damn, the Author uses a lot of em-dashes.”

A thing to know about me: my major in college was theatre, and while I mostly did behind-the-scenes stuff (props and costumes and especially stage management) I did a good deal of performing. Having read a lot of plays and thought in terms of performance then, when I’m writing now I think in terms of the weight and rhythm of words as they’re spoken aloud. If I’m reading my own work I  want markers, flags for performance. Thus em-dashes, which I think are most useful pieces of punctuation for capturing the rhythm of the way people speak.

Much as I love Jane Austen’s books, in real life people rarely speak in full sentences. People interrupt themselves–and others–all the time. For people interrupting themselves, I suppose one could use the parenthesis (another of my favorite forms of punctuation). But because there’s usually an imperative quality to interruptions, and abruptness, I prefer em-dashes.

Here’s a bit from my new Sarah Tolerance book, The Doxies’ Penalty:

“I would think you’d prefer to hand him to Sir Walter—”

“In the general way, we’d find ‘im some justice from our own—if ‘e’s one of ours. Look, I cannot promise to look out for the fellow, nor give him up, without I ask a blessing to it.”

There’s an interruption of the first speaker, which really demands an em-dash. And the second speaker interrupting himself to qualify what he’s saying. I could, in justice, use a comma to set off “if ‘e’s one of ours.” But the comma doesn’t imply the sort of emphasis that self-interruption usually requires. 

You could say that I’m leaving myself—and other performers—information on how to read the words, aloud or otherwise.

When I was doing a final pass on the manuscript for Doxies I did a search for the old-style double-hyphen which (in typewriter days) stood in for an em-dash, which would be added later in typesetting. Because sometimes I use a double hyphen rather than Option-Shift-Hyphen (on a Mac keyboard). And inevitably I find some. I also find inconsistent spacing around my em-dashes, and other typographic horrors requiring repair. I am closing in on my deadline to hand the MS over to the formatter, and I want to make their work as pain-free as possible.

If all goes well, The Doxies Penalty, Sarah Tolerance #4, will be available mid-October.* And yes, that was a plug. When you’re working with a micr0-press you also have to pitch in on marketing where you can.

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*The first three books in the series, Point of Honour, Petty Treason, and The Sleeping Partner, will be re-released in September. See comment above about marketing.