Does Money Solve Everything?

I’ve been procrastinating on my taxes, so I have money on the brain.

Most people say that having more money would solve most of their problems.

For some, that means the lifestyle of being able to throw money around – go to the best restaurants, buy a fancy car, live in an elegant house, travel to exclusive resorts worldwide.

Others just want enough so that they can pay their bills, see the doctor when they need to, and treat themselves from time to time without feeling pinched.

But regardless of how we define rich – whether it’s a lot of luxury items or just feeling comfortable that you can handle your needs – I think for most of us the true definition of “rich” is “never have to worry about money again.”

I know that’s my definition.

But according to Anand Giridharadas, who has been reviewing the Epstein files at length, people who are actually rich spend a lot of time worrying about money – particularly about how to make more of it and hold onto it over generations. He says emails around money are much more common in those files than ones documenting the abuse of children.

I was about to say Fitzgerald was right that the rich really are different from you and me, but maybe Hemingway’s (perhaps apocryphal) response on that point is also correct: “Yes, they have more money.” Continue reading “Does Money Solve Everything?”

Doing the Work for the Sake of the Work

Elizabeth Spiers did a recent piece in The Nation on the anti-intellectualism of the broligarch crowd. It’s worth a read for its own sake, but she started it with a quote that got me to thinking about why people make art:

On Instagram, there’s an activist named Brian Patrick (@pano.dime) who has dedicated his account to “posting an insane thing an AI executive said every day in 2026.” I can’t stop thinking about his entry for Day 15, quoting the CEO of a company called Suno, Mikey Shulman, as he claimed that musicians hate the process of making music. “It’s not really enjoyable to make music now,” he said. “It takes a lot of time, a lot of practice, you need to get really good at an instrument or really good at a piece of production software. I think a majority of people don’t enjoy the majority of the time they spend making music.”

I mean, has this guy ever spent time around musicians? All they want to do is mess around with their instruments or their songs or jam with others. My own experience of music is mostly from marching band and church choir, places where you spend a lot of time in practice and don’t get paid.

And even the people who do it for a living also do it for fun. One of my favorite musicians, Joe Ely, passed recently, and almost every one of the many appreciations I’ve seen of his life and work talks about what a good time he had performing.

It’s obvious if you hang out with writers or artists or musicians or a lot of other people that many, many human beings love to do things that take a lot of work before you get good. And many of those things aren’t financially remunerative even if you get spectacularly good.

The only people using the predictive software labeled AI to do those things are people who want money more than they want to create. I don’t understand this myself. If you want to make money, go into finance. You’ll get a lot richer than 99 percent of artists and a hell of a lot richer than doing scam books.

I mean, take the guy who used a chatbot to write a paid book review for The New York Times. Getting paid to write book reviews for a prestigious publication is the gold standard for reviewers – who often work for free these days – and he didn’t even care about the gig enough to do the work. And got caught, since the predictive software plagierized the Guardian’s review of the book.

(The chatbot can’t read, so it didn’t read the book. I suspect the reviewer didn’t read the book either.)

The things I value most in my life are precisely those things that require the work. Continue reading “Doing the Work for the Sake of the Work”

I Remember Marmee

This was written in the late 1990s. I had lost the file, and frankly thought I might have imagined I’d written the whole thing. And then last week, looking for something entirely else, I found it. I’ve softened a little bit on Marmee: Abba Alcott was doing the best she could in very trying circumstances (don’t get me started on Bronson Alcott, The Man and the Ego). But I’m still glad my daughter liked me better.

 

It is three a.m. on a Wednesday morning, and my eight-year-old daughter has been throwing up for half-an-hour. Her bed is unspeakable. She’s changed nightgowns twice. Now, afraid to go too far from the bathroom, she is lying on a blanket in the hallway, curled around her misery and muttering to herself. I do the Mom-check again: no fever, no stiffness in the neck, no rash, none of the things that would have me rousting the pediatrician out of his bed; probably a stomach bug. I sit down beside her on the hardwood floor and push her flyaway hair out of her eyes, away from her face. She asks me, in fading tones suited to melodrama and sick children, to lie down and cuddle her, so I do, shaping myself around her, half-on and half-off the blanket. She is comforted and falls asleep. I am anxious, awake, and deeply uncomfortable. I want to be asleep in my bed, if not a thousand miles away. I do not want to be lying on a wrinkled blanket on a hardwood floor next to a beloved child who stinks of vomit.

And I’m remembering Marmee.

That Marmee: the mother of Jo March and her sisters in Little Women. Impossibly wise, patient, sage and loving. Beautiful, serene Marmee. I cannot tell you how much I hate her. Because while I’m taking care of Juliana and longing for my bed, there’s a little corner of my brain that is telling me that a real mother wouldn’t feel that way. Not a mother like Marmee. Marmee would clean up the vomit and feel it a privilege. Marmee would be elevated by the experience. Marmee would make her daughter believe that nothing in her whole life has been more fulfilling than swabbing down her baby and the floor at three in the morning.

And in a sense that’s all true. I love my kids, and taking care of them is my job. But there are moments, as with any job, where the work stinks–in this case, literally. And in those moments I wonder if I”m doing this right. That’s when I go back to Marmee, the Barbie of motherhood, the impossible yardstick against which I measure my parenting.

Okay, look, I know that the fictional Marmee was Louisa Alcott’s wish-fulfillment version of her own deeply imperfect mother, as Little Women was a retelling of her childhood with all the weird bits prettied up or left out. I know Marmee was never meant to be a user’s manual for parenting. But it’s the nature of people–certainly people of my generation–to look for role models. Perhaps I do it because my own mother died before my girls were born. Maybe it’s because, with the end of the Victorian mother-worship cult, we’re left mostly with Mommies Dearest and Mommies Amok. Or maybe I was simply bit by Marmee at a young age. In any case she continues to stick with me.

She must stick with other women, too. When I finally got up the courage to dis Marmee publicly, I was not met with the cries of horror I expected, but with a rush of fellow-feeling. It’s not just me, and that’s comforting. But it also starts me thinking: I have two daughters. Do I want to perpetuate the Marmee-thing with them?

A few weeks after the night on the hallway floor, Juliana asks if we can start reading Little Women at bedtime. I wonder if I should confront the Marmee issue with her the way I did the prince issue in Cinderella (“I don’t know. Would you want to marry a guy you only met once at a party?”). In the end I decide to stay out of it and let her draw her own conclusions. About three or four chapters in, cuddled into the crook of my arm as we sit on the couch, Juliana looks up at me and says “Marmee’s kind of–I mean she’s always lecturing and telling Jo to be better than she is. If I were Jo, I’d feel like she didn’t like me the way I was.”

A little unsteadily, I ask if she feels like I like her the way she is.

“Of course you do, Mama,” she says, in the tones of one stating incontrovertible truth.

Take that, Marmee. I turn the page and begin to read again.