Eight years ago I spent ten days in Amiens. I had great aims and ambitions. I wanted to explore how World War I changed the people and the landscape. I did a lot of research in Australia early on, which was just as well, because my body was beginning to ache at the seams and I could only do half the research. I did that half, and I also did the related research for a novel. That novel is timely now, for all the wrong reasons.
It’s about the Green Children. There are medieval tales of the Green Children of Woolwich, and they are oddly consistent. I wanted to add a pocket universe to the story and turn it into fantasy with a little bit of scientific underlay. The best place to do this wasn’t in England, where the story came from. It was in the Zone Rouge in France.
I wanted to understand how Jewish superheroes would create themselves if they weren’t strangers in a world full of hate, but refugees in a tiny universe where they were the majority. I wanted to see the stupidity that comes with confidence and being the centre of things, and to put a non-Jewish superhero at the heart of the story, showing how she saw the world around her and how she dealt with some really bad cards. In other words, I wanted to reverse some of our assumptions.
Part of this was asking, “What would our world be like with magic?” I’m an historian and for me there is not one simple type of magic, but complex systems that interact and that change over time. In my novel I used some historical systems and some less historical, and added a couple that only belong in that other world. If there are many systems and if they’re not simplified for ease of tale-telling then they leave more chaos in their wake when they’re abused. Also, how would magic be regulated? I used the UK for the regulation of magic, because I could bring important and old families into the story. Also because it means I could play in the wonderful sandpit of alternate history in London. Imagine a history of England where Jews were brought back in the 15th century? I wrote a short story to explain a part of this, and it was a finalist in the Sidewise Awards, which means… it’s Alternate History, even though it has magic. I rather like this. The story is in Other Covenants.
I lived in London and I lived in Paris for a little, many years ago, and, historically, London is a lot more fun for the type of story I wanted to tell. Pop-up history, small churches with pits to hell… I needed to know that terrain. I know the church in question (and its history) and I know the streets in question. This is not just due to having lived there for a little, many years ago. It’s because I used to teach students about medieval London at the Australian National University, and because I spent a whole day walking the whole of Cheapside because the maps of it showing it in the Middle Ages did not fit the modern maps. I took photos that document how and why Cheapside changed and can explain what this means to the wider City of London. I looked at the difference between Old Jewry, the newer Jewry where my family came from, and Golders’ Green. I walked all these places an took pictures, at various times.
A small US imprint published my novel as their first book. I never got to do a slide show of all the places and explain how the Somme and how London and Paris came together and how I used my historian-self to furnish the novel. Before the novel came out, I talked with a writers’ group about the layers of history in landscape and how war changed everything, using the Somme as a case study. Then COVID hit. Most novels published in the first two years of COVID are lesser-known. This doesn’t change the fact that my world-building for The Green Children Help Out was amazing fun.
What book should I introduce next week? Time-travel, magic in Canberra, non-fiction? I’m open to suggestions.