Golden threads and weirdness and Australia.

I haven’t forgotten that I was going to introduce tsedakah last week. Stuff happens. And then more stuff happens. Much of the stuff has links to matters Jewish.

First we had the Bondi murders, and then a major literary conference fell to bits largely because of internal clashes about ethics. These internal clashes became a national mess. And now, Parliament’s back early and we had so many kind words about those lost at Bondi, and a national day of mourning later in the week and I think the whole country is confused. The latest political opinion poll suggests this. A far right party is coming out of the shadows and making one of the two largest parties in the country scared. The far left has most of its old vote, but not all. And our prime minister has lost most of his personal support: if Labor want a safe election next time, they might need to change their leadership. Or not. Labor is stubborn and full of factions.

All this pales compared with what’s happening in the Middle East, in Iran, in the US, and even in the UK. But it’s our mess, and we must handle it. One thing I would like to see us return to is civil society. Discussions and analyses rather than street marches.

Why? The big Sydney Harbour Bridge march last year had a lot of wonderful people doing what they thought was the right thing. Marching alongside them in support of Gazans were the Bondi shooters, and the rather antisemitic writer who upset the applecart in Adelaide and led to one of the most important writers’ festivals in the country being cancelled. Marching alongside this writer was almost everyone I’ve seen who is loudly and opinionatedly antisemitic. Many of these individuals were grouped near a guy holding a picture of Khomeini. I don’t know if it was a photo op, or if all these people actually work together, but the cluster of them in the most famous photo of the march indicates a cluster of problems.

It’s going to be difficult to roll back the performative and to return to the Aussie politics I used to know. I’m not connected in the way I used to be. I was pushed out of the behind-the-scenes stuff through being too Jewish and too ill. Australia admires health. It also has this really stupid habit of sweeping people who belong but should not be heard under the front stairs.

Why am I thinking of front stairs?

I’m back in the Middle Ages this week and ought to be talking about foodways, but have been focused on trying to understand our current very strange politics. What happens when the Middle Ages is there and I try to pretend it isn’t? Literary references happen, most frequently.

The boy under the stairs was Saint Alexis being holy. I’m probably under the stairs, but being sarcastic. The sarcasm means that old friends and new sneak in to join me, and we watch the goings on and are surprised at how people we know to be intelligent get caught up in performance and leave a goodly portion of their intellect behind.

Tsedekah is much nicer, but must wait until life is less exciting.

Just for the record, I could have gone to Parliament House and heard all the sorrowful speeches today. Instead, I watched the second last season of Stranger Things and I did some work and filled in all kinds of questionnaires. I decided it was not wise to hear those who ought to have sorted out the hate when it was straightforward being terribly sorry at all the murders. All those people should still be alive. Synagogues and mosques should not be burning. And all the time we spend trying to find that bolted horse could have been spent in doing so many things that Australia needed.

It will be Purim soon and gifts to two charities are traditional for this festival. I’ve chosen two that are important to me. It’s early, but all this thought led me to think what I could do. One charity gives reading to children. Those children are very rural and living on the land of their ancestors. They do so much better when they have books that concern themselves and are written by people they know in the language they speak. The other is for OzHarvest, which helped me out when I was under the poverty line. It rescues food and makes sure that food reaches people who don’t have the money to buy it.

Maybe around Purim will be an appropriate time to explain why the books are more Jewish as a gift than the food. Not more Jewish. I’m explaining badly. Ranked more highly as a type of gift. You’ll have to wait until March for the explanation.

Tomorrow is research-for-writing. I am interviewing a group of Jewish teenagers for a novel. A rather special novel, and one that I was not expecting to write. It’s not a guaranteed publication, but it’s a guaranteed “I’d love to see this if you’d consider writing it.” It’s the kind of book I’ve been saying we need for the last 20 years, one where Jewish Australia is shown as the driver of a story about Jewish Australians. The US has many YA novels that do just this for Jewish readers, but Australia, far less so.

I’m also finishing a short story where the King of Demons meets a very English vampire in Sydney. I have other fiction happening, including a novel emerging later in the year, but this week everything is Jewish.

The more hate there is, the more I write Jewish stories and Jewish history. Hate has reinforced my Jewishness ever since I was a child. When I was accused of eating baby’s blood in unleavened bread (in primary school), I taught the accusers basic kashruth. These are the type of stories I always tell.

What I don’t always tell is the reason I learned the Grace After Meals (the long one, all in Hebrew). I was so annoyed with several bigots and I decided I would say it every single lunchtime until the haters stopped bugging me. I kept saying it even after they stopped bugging me. Also they would have stopped bugging me anyhow, but I didn’t know this until it happened.

They didn’t stop because I could babble in Hebrew. They stopped because I became the high school student everyone else needed to ask questions of, especially in the lead up to exams. I could teach and I remembered everything teachers’ said and I understood it all. This gave me a place to belong, a role that was so very much mine. After I put the siddur away, someone would sit next to me and ask “Gillian, do you remember the calculus from yesterday?” or, a couple of years later, “Gillian, tell me about this piece of Chaucer.”

What most Jewish Australians have been pushed out of are those places we belong in the wider community. Since Australia is so secular, this is rather more important than it looks. Changing definitions, not listening to our voices, not publishing our books, telling us we have to leave our home country because we’re Jewish, accusing us of all kinds of impossible crimes… this all smudges together and makes an everyday that’s very difficult to handle.

Every single Australian organisation that still accepts me as Gillian (right now, my professional Medieval one, the Tolkien folks, and the Perth science fiction convention) gives me a golden thread to hold and to guide me through this labyrinth. Every single one that cuts off that thread (more than one writers’ organisation), leaves me stumbling. I find my balance within Jewish Australian culture, because that’s the place where my identity is not questioned.

As has been said so many times about Australia, we’re a weird mob. This is just another facet of that weirdness.

Books

I have 2 posts for you in the same day because this week is suddenly impossibly different. I wrote the prior post before the massacre and am spending my whole Chanukah dealing with consequences for myself and friends. My Baltimore nephew just checked in on me and I never would have thought that, with US shootings, it would be he who had to check in on me.

If you need to understand what happened, ask me, and I’ll post more next Monday. In the interim, I’m seeing a total lack of knowledge about Jewish Australia. Loads of generic good wishes and concern for safety, and some friends write to me directly and most put general statements on FB and don’t think that, just maybe, every single Jewish Australian is in mourning. Some people are full of theories about the role of Israel and want to share their theory without stopping to say, first, that they’re sorry that so many people were murdered and they mourn with us. Their thoughts count more than the humans caught up in this mess. This is what happened here when we heard about the Tree of Life stuff from 2018. I have a friend who goes to that shul and I was there for her then and she’s there for me now and it’s all so wrong. We should be complaining about the weather, not worried about getting safely through the week.

Even the least antisemitic non-Jewish Australians other Jews. American friends help. I wish the reasons for you understanding were not so full of hurt, but I’m grateful to every single one of you who reaches out to me.

How do we handle this? For me, books always help. I posted about this on Facebook – I thought I’d copy my post for you here. maybe books help you, too. After all, Jewish Australia is very, very different to Jewish America. For one thing, we think we’re much wittier and we like our spelling more and… Australian Rules Football. (The footie is an argument in itself – ask me why sometime)

From FB, but with more notes):

Jewish Australia is in the news for the worst possible reason and it might help some people if they know who we are. Jewish Australians may not be many, but our culture is diverse and very Australian. I thought you might like some books to understand a bit better. I’ve included one of my novels, because it’s specifically about Sydney Jews and so that you can have a novel to read if the others are too much right now. It’s safer: the protagonist merely discovered she has Jew cooties – having Jew cooties was much less scary back then.

Apple, Raymond. The Great Synagogue: A History of Sydney’s Big Shule (one of the most important synagogues in the country, and definitely the most important Modern Australian Orthodox synagogue in Sydney, often targeted by marchers who claim they’re not bigots – not yet bombed – the recently-bombed synagogues were in Melbourne)
Baker, Mark The Fiftieth Gate (Mark was an historian, just ahead of me at university. Australia has/had per capita, the biggest Holocaust survivor population outside Israel and one of these survivors was murdered on Sunday. Mark had to deal with those issues as an historian and also a child of survivors. This is that book.)
Gawenda, Michael My Life as a Jew (very recent. Michael was the editor of a major newspaper and so experienced antisemitism quite differently to most of us. He was born in a displacement camp.)
Kofman, Lee and Tamar Paluch Ruptured (a new anthology that shows the path Jewish women walked in the time after October 7.)
Polack, Gillian The Wizardry of Jewish Women (I’ve written far more Jewish things than this, but this is a novel exploring Jewish Australia from the view of someone who nearly lost all their Jewish past. What’s important about it here, is that Judith’s friends are all people from the Left who would not even talk to her now. I’m exploring this a little in short stories, which my Patreon folk have been reading. When I have enough, I’ll think about a story collection. I’m only 2 stories away from enough.)
Rutland, Suzanne The Jews in Australia (the standard history, dated but a very handy introduction)
Sackville-O’Donnell, Judith The first Fagin: the true story of Ikey Solomon (This is a fun way of discovering what’s now Tasmania’s early Jewish population. The differences between Fagin and the guy who inspired him are immense and tell a lot about antisemitism and how it warps things.)
Zable, Arnold Jewels and Ashes (And Aussie classic, all about the last days of a family in Bialystock. Arnold is one of our best story tellers and helped me understand why my grandfather wouldn’t talk about his childhood nor his lost family. His father brought him to Australia in 1917 or 1918, and 35 years later there was no family in Poland at all. Arnold was the last family connection to leave. His family was on a boat on the way here and were banned from entry because Australia had put up fences to keep jews out. Arnold’s family managed to be accepted in New Zealand and they moved here later. In the book, Feivel is the one who married my mother’s cousin. 120,000 people is not a lot, but it’s an enormous number compared with the hundreds in Australia prior to 1810 or the thousands in most of the 19th century. Older families are very interconnected, which is why I have so many links with the authors of these books. I don’t have the same links with post 1950s arrivals – we’re a complex bunch.)

If you want more, try here: Australian Jewish Writers Database | Jewish Australia It’s not updated frequently and it’s not complete, but it gives you a sense of the range of Jewish voices in Australia. You won’t hear most of those voices at Australian literary conventions. I’d love to see suggestions for other books that talk about Jewish Australia.
We’re not a big community, and we only go back to 1788, but there are lots of connections between this group or that group. Some other writers have no idea I exist, while others have known me or my family forever. Through my family, I am connected to several other writers. Some of them have met me but are unlikely to remember me. My favourite example of this is Michael Gawenda. His sister married my uncle and Michael and I sat on the same table at my cousins barmie. Arnold Zable is another example. His most famous book includes relatives of mine. And one conference of the HNSA I found myself next to one of my favourite children’s writers… who turned out to be my aunt’s best friend. Others were connected through school or university: Mark Baker was just ahead of me at university, while Raymond Apple went to Sunday school with my mother when I asked him. He was my rabbi when I lived in Sydney.
How does this play out everyday? We catch up a bit when we see each other, or we do introductions from scratch because we didn’t know each other well as it was 20 years since last time, or (and this one happened to me recently) the usual checks on “Are we related” can turn into something hurtful.
One of the reasons Jewish Australians know each other is because we have a kind of verbal code to find out connections. We talk about relatives and their experiences past and present – this also works with almost anyone with a military background and, entertainingly, with the very far left – or it used to, when they would chat with me. One New Year’s Eve I was sitting with a member of the Communist Party of Australia and we chatted happily for ages because “You’re A’s cousin!” When someone has not had a traditional upbringing, they don’t know this and much hurt can ensue. This is a more recent phenomenon, and most arises when someone from the left needs the right shibboleths said to accept that I’m an acceptable Jew to talk to.

Anyhow, if you want to read more books or want to learn specific aspects of Australian Jewishness, just ask. Books help. Questions and answers help even more.

 

History and fiction and time out from hate

I found my missing post. Here it is!

I logged in, expecting to tell you how the hate in Australia (which began as antisemitism and is now extending) is so tightly focused that your best friend might be bullied and you might not see it. When I’m alone, that bullying eats up a chunk of my day each and every day. This last week, however, it was less than a minute of each day and it was not every day. I was able to talk work with colleagues. When I sat down here, it struck me that I don’t often talk about that side of my life.

I used to. I used to be the kind of irrepressible historian who got excited for everyone. I’m still that historian. I don’t get to talk about it so often, is all.

Instead of dwelling on the bad side of life, then, let me find one page of notes from one day of the conference (one in forty-five pages of notes from the conference) so that you can enjoy history with me. We all need time out from hate, after all and every single US reader here had a lot more trouble to handle in the every day.

Some of you know that one of my novels (Poison and Light) is about how future humans use the past to hide from a present they found uncomfortable. Right now, a group of Australian scholars is examining how people in Early Modern England (and elsewhere, but the papers I heard were on Early Modern England) use history to imagine the future. The discussion was wide-ranging. They talked about witches and about ghosts, about predicting disaster and about what happened when the disaster failed to occur, about pamphlets and politics and poetry. It was the perfect panel for fiction writers and an exceptionally strong example of why fiction writers should get to know Medievalists and Early Modern scholars. Every other minute I thought of a writer who should have been there, asking questions about the ghosts and about the politics. The worlds they explain and the concepts they explore help us understand what we write and help us write it the best we can.

How does this understanding work in practice? My notes have an outline describing how the chair (and the head of the research project, who of course I talked to afterwards and of course we’ve planned to meet to talk about the science fiction side of things) breaks down the concepts of Imagining the Future into categories that can be explained.

She spoke about writing that give models of temporality: utopias, dystopias, and the mundane. Think about how these categories fit modern science fiction. Poison and Light is half-dystopia and half mundane, because all of my fiction talks about the lives of individuals and so the mundane is important to them. China Mieville (to my mind) writes dystopias and so does Sheri S Tepper.

But who writes utopias? I can think of earlier writers, like Sir Julius Vogel. Help me out! Who is writing now and has written a utopia that brings history into the future? We were given the theory of Star Trek, because it claims to be in a perfected future (at least for humans) but the reality of Star Trek is not utopian. Star Wars is, however, dystopian. It’s much easier to find examples when one looks to television. But I want to talk about novels!

She then moved to scales of temporality, whether the novel is set near (Earth!) or far away (Poison and Light again, since it’s in a solar system far far away – I may have attended the conference as an historian, but during this panel I felt so seen as a writer). With TV, my mind goes straight to the Jon Pertwee years of Doctor Who and compares them with (of course) Star Wars … again.

Why is the near and far important? Because so much of historical writing is used to discuss this apocalypse, or that. How far is apocalypse from our everyday? Much further, if it’s not on Earth. And here Poison and Light fails. It’s set far away, but Earth faces apocalypse while the people on New Ceres pretend they live in the eighteenth century. (I’m seeing this now with the lucky souls who are not enmired in hate – they are the people on New Ceres, while most of us are, alas, on Earth.)

I keep thinking that this whole project can help me understand my own New Ceres universe. I’m writing a second novel set on Earth next year, where the 14th century and the 17th century and how we deal with post-apocalypse join the party. My project echoes the ideas of people hundreds of years ago as humanity faces a bleak present. Where some people find refuge in fancy dress, others find refuge in explaining the world through ghosts and looking at neighbours as if they themselves are the catastrophe.

The last category asks whose future it is. Is it personal and everyday? Is it national? Is it a global future (my New Ceres again), a human one… or is it post-human.

The experts were historians and literary historians and most of the examples (by a long, long way most of the examples) belong to our past. The categories were however, really handy for questioning and understanding science fiction. And now you know why I will not give up that side of my life. I have learned so much in such a short time, and my fiction benefits.

Every time universities lose these experts, we lose the benefit of their thought and learning… and our everyday suffers.

Let me go away and think about what our lives would be like if we didn’t have these little injections of learning to help us tell better stories. No, let me not. Let me go away and write more fiction, celebrating the worlds of both historians and writers.

The 100 Small Press Recommendations Are Up

A seal labeled 2025 100 Notable Small Press BooksThe 2025 list of 100 notable small press books is now up at Lit Hub. I was thrilled to work on this project along with about 40 other people under the gentle guidance of Miriam Gershow.

It probably doesn’t surprise anyone that I was reading science fiction and fantasy books for this project, which includes books from just about every genre you can think of, including poetry as well as prose. I noticed in going through the list that it includes several horror books as well as literary fiction and a lot of creative nonfiction.

Each reviewer was only able to provide capsule reviews of two or three books, which made the task very difficult. I read many other books that I really liked. Small presses are really publishing great things these days.

The books I recommended were:

Obviously you should check those out, but go read the whole list. You might find something from a genre you didn’t even know you liked!

Who We Write About

I just posted about one of my novels, Borderlanders, on Facebook. Let me share that post, and let me add to it.

Memories…
This was the book wanted by readers on FB. I noted (on FB, obviously) that my academic stuff had given me a way of writing a novel with a chronically ill protagonist where the protagonist remains the hero, is not cured, is not killed, and is not replaced. I was going to teach this method to others, but first COVID intervened and then antisemitism. I don’t get to teach much, these days. I may have to write another novel, having said this, because I learned so much in writing the novel that I could now write a much better one.
What’s very strange is, during these 5 years, more people I know have the illness my character had, due to long COVID. I’ve had it since I was in my twenties, but I’m one of the fortunate ones for whom it goes into abeyance. Right now, I’m trying to coax it back to sleep. Not everyone has that luxury, which is another reason why I should write another novel. Not yet, though. While it’s awake, every moment of every day is not straightforward, and I am behind on all my fiction.

This mysterious illness was known as chronic fatigue in Australia in the late 1980s, but these days it’s called ME and the fatigue is just a symptom. We know a lot more about it. One thing we know is why walking up the street can be so impossible. For some of us it can set the illness back, and for others it can destroy life entirely. This is why I consider myself so fortunate. I may have to not do much for a few months, but after that time I can do a little more and then a little more. This is just as well, because it’s only one of several illnesses I have and I have this daft desire not to be bedridden or die young.

For me, the most annoying symptom is when my executive function is not working. I lose time (sometimes weeks) and can’t do simple things. Oddly, I can still write books.

I always tell folks, do not assume someone can or cannot do a thing when they are ill. Ask them. And ask them each and every day if you must, because the small everyday can change. Some days I can walk up the street and back and I can write 6,000 words. Other days I can hardly get out of bed.

The illness is not just part of our everyday, it becomes part of who we are, for better or for worse.

I would like to see a superhero who has ME. It would be such a wonderful thing, watching them change the world… on days they can do more than toddle. And seeing how other people respond to the wild level of change they see when a powerful person has to watch what they do every minute would provide a great sub-text to a movie. It’s quite a different set of options than those for someone who cannot walk without assistance, or someone completely confined to bed who uses their amazing telepathic abilities to run the world.

There are so many amazing stories in the lives of the people we mostly prefer not to see. I now want to see a whole sequence of superhero movies or a TV series that focuses on those lives. There is a different sort of heroicism when one is not visible and has to fight just to get through the everyday, especially when they do astonishing things. Most of those astonishing things are attributed to someone else, because, of course, the invisible and half-seen can’t possibly be the heroes we dream of. Except, of course, they are. I get through my illnesses because of those people. Some of them are role models and some of them help when others don’t even begin to see that I might not be able to ask for help when things are bad.

One thing about this non-extent show: costumes would be far too problematic for some of the hidden heroes. So would heroic stances and being randomly interviewed by reporters. It would be such a different and fascinating set of stories.

In real life, I’ve met these invisible people in essential services. From a desk or from home they make a lot of the everyday possible for so many other folk.

One day, I will write that second book.

Fantasy novels

An academic I’m on a panel with in a few weeks (talking about Medievalism) just asked for suggestions of fantasy novels for undergraduate teaching of genre. I had some suggestions, as did a number of other people. The most suggested novel was The Witcher, which is, technically science fiction, not fantasy. I was told this by a group of upset Polish fans when I described it as fantasy in a talk I gave them. Some lessons are taught through error: when I looked more closely, the fans were quite right and I was wrong. The style of the novels and many of the themes are fantasy, but the built world is a future planet-linked-to-Earth-in-strange-ways.

The Witcher could be taught as a fantasy novel, but I suspect the teacher would have to explain that the world building uses humans from our world plus strange SFnal crossovers. We agreed (the fans and I) that it could be mistaken for fantasy because it has quite a few traits that are more fantastical and science fictional. So I was wrong, but forgiven because it was an understandable error from someone who didn’t know the world very well.

All this got me wondering: what novel would you suggest?

If you were giving a 20-year-old just one fantasy novel (and not a long one, so no Gene Wolfe and no Lord of the Rings, and certainly no Game of Thrones) to get them thinking and fascinated, what novel would you give them? And if you were to give them five they needed to read to really get the hang of fantasy novels, what five would you choose? They don’t need to be well-known novels. They need to be perfect to lure the student into learning.

This is an excuse to find out about really good novels that miss being seen. I plan to read all those you suggest that I have not already read, of course.

The Problem With The Great Gatsby

I have never been a fan of The Great Gatsby, considering it incredibly overrated. Fitzgerald wrote lovely sentences, but he and the others of his era (most notably Hemingway) who were competing – in their own little circles – to see who could write The Great American Novel were not nearly as important and influential as they and some English teachers like to proclaim.

I’ve always thought that, in rating male American writers of the first half of the 20th Century, neither Fitzgerald nor Hemingway could hold a candle to Dashiell Hammett. And if there is a Great American Novel, it’s Beloved, by Toni Morrison.

But there is some value in Gatsby, as the recent Gatsby-themed party thrown by the grifter currently occupying our White House makes clear. Anyone who has read the book would consider holding that event particularly tone-deaf, particularly when the party was scheduled for the day that SNAP benefits were running out.

Of course, the grifter-in-chief doesn’t read. And as Paul Krugman pointed out in his newsletter this week, the grifter isn’t tone deaf. He enjoys cruelty.

I have read the book, twice in fact. Once when I was young and again about a dozen years ago when it was being raved about once again by the literati on the occasion of it entering the public domain. I wasn’t impressed either time by the book, though I deplored the culture it described in both cases.

I wrote about it after the second read and republished that essay a few years back.

Many of the reports on the party – and not a few people on social media – have quoted one of the great lines from the book:

They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.

It is a wonderful sentence and a true indictment of many of the wealthy people in the United States, not just those who, like Tom and Daisy Buchanan, came from relatively old money, but also the newly minted oligarchs we see today.

It’s not a surprise that the author of the book about Facebook and Mark Zuckerberg called it Careless People. We have a lot of those in positions of power these days.

But nobody is talking much about Jay Gatsby himself. Gatsby is putting on a great show, but he is a criminal, a true thug. He came from nothing and stole his way to wealth and almost to respectability. He was not careless, at least not until the end when he saw he was not going to get everything he wanted and threw it all away. Continue reading “The Problem With The Great Gatsby

Some Books for National Cat Day

A large cat in a space suit playing with a house cat. Cover of the book A Future for FeralsIt’s National Cat Day. I’m not sure whose idea this is — people seem to invent holidays on a regular basis — but that does seem like a good day for promoting two charity anthologies edited by Danielle Ackley-McPhail and published by eSpec Books: A Future for Ferals and More Futures for FeralsCats using tools in an old-fashioned lab. The cover of More Futures for Ferals.

Both these books were published for the purpose of raising money for A Future for Ferals Cat Rescue. If you buy from the eSpec site, three times as much money goes to the cat rescue, since they don’t have to pay a cut to third-party sellers.

I’ve got stories in each book — mine are cat mysteries I wrote 20-odd years ago and are reprints — and other authors include Sharon Lee, Keith R.A. DeCandido, Lawrence M. Schoen, and many other people who often write for eSpec or contribute to their anthologies. All, of course, are cat lovers who were glad to donate stories.

There are both print and ebook editions, and all profits go to the rescue. Get some good stories and help some cats today!.

World building and living in difficult times

Some weeks the world is so full of pain that it’s difficult to write something small and sensible.

I used to deal with such things by inviting friends to dinner. I love cooking and chatting and it was the perfect solution. In Australia right now, it’s only the perfect solution for someone who is close within the Jewish community. I am not this person, although I sued to be. That’s another story.

So many of my friends say “Sorry, too busy,” or “Next time.” Add that to my illnesses arguing with each other (a squabbling family, with no respect for their physical host) and I need a different way through. My US friends are often dealing with much worse – Australia’s antisemitism might be pretty cruel, but as long as I don’t go out much, it’s safe, and Albo is not good news but compared with the US President, he’s goodness personified. I’m caught in a strange little bind.

A friend explained that this whole thing felt pretty much like the first two years of COVID. That was my breakthrough moment. My illnesses meant that I saw no-one during COVID unless they were delivering things. Compared with that first two years, I live in a whirligig and leave my flat once a week, sometimes twice! I have friends online. And, the biggest thing of all… my TV works. During COVID I watched all the Stargate TV. I muttered when the history was so badly off. I wanted to know what Daniel Jackson’s PhDs were in and how they gave him such an ill-balanced understanding of history.

One of my many bugbears with the show was that it would have been nice to have at least maybe one or two Jews in the ancient Middle East. Stargate helped me see where some bigots get their bigotry from. If all they know about ancient history was first presented to them by Stargate or something like it, then they do not see our world, but a fictional universe.

And I’m off-topic. I was going to talk about how that COVID suggestion led to me watching much Star Trek. When I can do all my regular work, I watch less. When isolation pushes me towards cliff edges, I watch more. I argue about the world building with myself, and use the stories to help understand why we got where we are.

I always used to do this, but I’d watch or read whatever it was my writing and history students needed to know and find ways through popular TV to get them to analyse. I so miss that. But locally, no-one wants me to teach or talk anymore. This means that the thing I do best – help people understand the cultural and social basis of their own decisions – is one of the things lost unto me because I’m too Jewish and not physically robust.

The other day I emerged from hiding a little and asked people if they had more sources for what’s happening in Israel/Gaza so that I could balance out what I was learning. The main critical sources I have access to are all from pro-Israel analysts. I can (and do) pull them apart and make sense of them, but I’ve not been able to find anything nearly as solid in the analysis of data from anywhere else. Instead of giving me more sources, so that I could balance when I knew and be fair in how I see things… I lost friends. I don’t know what they saw and why my request was so impossible (they didn’t tell me), but from my end I was using my teaching methods on myself. I asked for more sources so that I could compare language and belief, look for patterns of speech, check where terms come from and how they’re used, and, above everything, when people claim this or that, drill down and find the source of the numbers and the origins of the claims, and pull them to pieces and balance them with views from other places and in other languages. Add to this checking the path ideas travel, for instance, find a translation of an article in Al Jazeera in Arabic and then compare it with the English version.

From my perspetive, anyone who makes claims about happenings at the other side of the world without doing this is doing what writers do when we world build lazily. When we world build lazily, we draw on our preconceptions of a place and time or a type of book and build up from there. This is why there is a shortage of ancient Jews in Stargate. And it’s why I’ve been accused (personally) of genocide and other things.

I can deal with the illnesses, even though they have entirely changed my everyday. I cannot deal nearly as well with people who are bright, yet will not question and try to understand how things happen, and who blame me for their own lack of thought.

I could have just said at the start of this post, “Oh, how I miss teaching!” but the reason I miss teaching is fairly important. These things are, I admit, difficult. My Richard III class at the Australian National University was both loved and hated . I got hold of such a range of primary sources for the last 3 years of his life, and the whole course comprised of students learning about the nature of the sources and pulling them apart, and then crating their own arguments on whether Richard was good, bad, a demon, a human being… whatever they wanted… as long as they could convince the rest of the class. It was an extension class, so the only result they had was their fellow students’ approval. The class felt that there wasn’t enough class time, so adjourned to coffee or dinner nearby and argued for two more hours. This is the polar opposite of conversations that cannot ever happen.

Maybe I need to return to watching TV.

Slow Down and Build Good Futures

Why is everyone in such a goddamned hurry?

While there are things we need to hurry up and deal with – climate change and fascism spring to mind – the efforts to address both those areas seem to be plodding along. Meanwhile, the broligarchs are trumpeting what they’re calling AI and claiming that their concept of the future – one built on bad reading of “Golden Age” science fiction – is just a few years away.

Their ideas range from living on Mars in the next five (ten? twenty? thirty?) years to destroying the Earth so we can live throughout the Universe by the trillions, which I assume they think will happen in their lifetimes, though perhaps only if the singularity happens or some other form of immortality comes along to give them (but probably not the rest of us) infinite time.

It’s easy to poke holes in their lack of knowledge of any area except computer programming (and maybe even that). Even their physics seems wonky and as for their biology – well, let’s be real: we humans evolved on and with this planet. There is no place else in the Universe where we will fit as well. Destroying the Earth is taking away our perfect home.

It may be possible for us to live on other planets or in orbiting satellites, but there are a lot of challenges to that, challenges rooted in our biology and in physics in general, not to mention in the fact that we really know so damn little. There’s so much more we need to understand before we set out to colonize the universe, perhaps starting with whether we should be colonizing anything at all.

cover of The WeaveI wrote a novel about that: The Weave, which is about humans finding a habitable planet with an asteroid belt chock full of useful elements, a planet that turns out to be inhabited by intelligent beings who do not have human levels of technology, but have something else. I was thinking about the conquistadors in the Americas when I wrote it – the working title was Seven Cities of Gold and there are names and jokes on that theme throughout.

It is science fiction, meaning it is a thought experiment about how humans should approach meeting other intelligent beings, especially given some of the disasters in our history of meeting each other here on Earth. I’ll just note that the Earth I imagined was not destroyed to make this exploration possible, though it was far from a perfect society.

Biology. Physics. Ethics. Just a few of the things we have to consider as we explore beyond our planet or, for that matter, build future systems here on Earth.

There’s no need to be in a hurry about space exploration.

We have a perfectly good planet to live on – even with the challenges presented by our lack of attention to climate change – and, in fact, we could and should spend a lot of time and effort making sure we keep it livable for all and improve the infrastructure that makes a good modern life possible without destroying the core systems that make any kind of life possible.

It would make sense to get a properly balanced system working on Earth before we try to live anywhere else, because by doing that we’d figure out exactly what is necessary. Continue reading “Slow Down and Build Good Futures”