Thoughts on Writing in the Current Reality

While I was at my recent writers retreat, I was having some trouble settling into work on my current project, which is a sequel to my fantasy novel For the Good of the Realm. I finally decided the best starting point was re-reading the parts of the book that I’ve already written (about 40,000 words). Doing that made me recognize why I was having trouble and will probably continue to have trouble: I am obsessed by things going on in the present.

I don’t just mean being an active participant in my society or my work at Unbreaking.org or even doomscrolling. It’s not just that I’m paying attention and trying to do my political part at a fraught time.

It’s that there’s so much stuff I want to think about and work out about what the future could and should look like, which is rooted in a lot of reading and writing I’ve been doing. Regular readers have probably noticed that I have a lot of thoughts related to so-called AI, but I’m also thinking a lot about climate change, wealth inequality, and how to change things so that we can live well on this planet.

It’s not like the novel is alien to this, for all that it’s a fantasy book in a non-technological reality, because there are things I’m doing there that will be relevant to the present.

But they’re indirect, as much of my best fiction is.

Part of the reason I don’t know how to write good fiction dealing with the realities that interest me right now – economic, technical, political – is that I’m still working out my take on it. I need to not only understand it; I need to internalize it. When I try to write directly about what I see around me, it often sounds polemical.

It’s better if I write essays about a lot of my ideas of the present, which will help me work them out so that they gradually emerge in my fiction.

Right now writing about anything else feels hard. We’re on such a precipice.

But I don’t want to stop writing this novel. I’ve got a lot invested in it and if I can just fix the messy middle, I know it’s going to be good.

I assume this means I’ll just have to keep on juggling and try to carve out more time – like the retreat – when I actually focus on the fiction.

It’s interesting to see what the problem is – not the problem with the novel (still working on that), but the problem with the writer – and maybe makes it easier to fix.

Maybe.

Pretty sure people who use chatbots to “write” their stories don’t have this problem. Of course, chatbots can’t internalize anything. They don’t have angst.

Fortunately, I’m well-stocked on angst.

For the Good of the Realm in Outcasts StoryBundle

Covers of all the books in the Outcasts Storybundle.

My novel For the Good of the Realm is part of the Outcasts StoryBundle, curated by Danielle Ackley-McPhail.

As the description on the StoryBundle link says, “Outsiders. Rebels. Free-Thinkers. Who doesn’t love an underdog?” In all these books an outsider plays a key role even though they’re likely not appreciated.

As with all storybundles, you can get the whole package of ebooks for $20 or pay more if you’re so inclined.

Read more about the bundle on the eSpec Books blog.

Author’s Copies!

For the Good of the Realm author's copies

I finally got my author’s copies of For the Good of the Realm. (The post office seems to be particularly slow in sending books these days.)

So wonderful to finally hold the print version in my hands. I’ve had the ebook versions since right before it came out, but while they’re great for reading, you can’t hold them.

If you want one of your own, you can get one directly from Aqueduct Press, from Bookshop, or from the usual places.

What I Write and Why I Write It

When Deborah J. Ross interviewed me for her blog, one of her questions made me reflect on myself as a writer. She asked, “[H]ow does your work differ from others in your genre?”

I reflected a bit, and came to this realization: “My stories sound like my stories, regardless of what subset of the genre they fit in.”For the Good of the Realm

Then this week, I shared a couple of poems I wrote with my sister, Katrinka Moore, who is a poet. (I don’t consider myself a poet; I’ve just been playing around with poetry to learn new ways of looking at language and shake up my creativity.)

She made this observation: “Your poems are very you – as you speaking – and yet very much poems.”

I think a similar observation could be applied to my essays, maybe even my book reviews. What I write sounds like something I would write or say. The only significant writing I’ve done that doesn’t sound like me on some core level is probably straightforward journalism. That might also explain why journalism never satisfied my writing urge, even though I found the work interesting and rewarding: It didn’t have anything to do with me.

My stories, my essays, my poems, all of them have everything to do with me. I don’t mean they’re autobiographical; except for a few pieces I call “flash memoir,” most of them aren’t. But there’s something at the core that comes from me and the way I think and look at the world.

The more I think about this, the more I think this explains why I write and why writing the things I do is very important to me. Continue reading “What I Write and Why I Write It”…

For the Good of the Realm Is Out

For the Good of the RealmFor the Good of the Realm made its official bow into the world today (June 1). This is my second novel, a tale of swordswomen and witches that owes a debt of gratitude to Alexandre Dumas and The Three Musketeers.

It’s from Aqueduct Press. You can order the trade paperback or ebook editions (both epub and mobi) directly from them. Here’s an excerpt to whet your appetite.

Here’s what some others have had to say about the book:

Publishers Weekly: “This lighthearted, female-led fantasy adventure from Moore (The Weave) follows a pair of Queen’s Guards—staid, circumspect Anna and feisty, impulsive Asamir—as they become em–broiled in the machinations of the rulers of Grande Terre. As the threat of war looms and a sinister undercurrent of forbidden magic becomes harder for Anna to ignore, the two women must out-fight and out-think the enemies of the realm in a series of duels and cloak-and-dagger intrigues…. With a principal cast of mostly women, this is sure to appeal to readers looking for stories of empowered female characters that go beyond simply giving them swords.”

Lesley Wheeler, author of Unbecoming: “For the Good of the Realm is a sparkling tournament of a novel, full of thrills as well as feats of storytelling bravado. Moore has invented a feminist medieval otherworld that is egalitarian in its sword and sorcery, yet political intrigue ultimately rules as Anna, a stalwart member of the Queen’s Guard, collaborates with a range of surprising characters to foil the nefarious plots of a power-hungry Hierofante. Spirited and funny, this is a great read.”

Tansy Rayner Roberts, author of Musketeer Space and The Creature Court Trilogy: “For the Good of the Realm is a splendid, swashbuckling romp that captures the very spirit of the Musketeers. The author weaves palace intrigue, swordplay, romance, and divided loyalties into a deeply satisfying fantasy adventure with women at the center of the narrative, wielding and negotiating power.”

In addition to the publisher’s website, you can order this book through:

My Bookshop page

My neighborhood bookstore, East Bay Booksellers

Indiebound

Powells

Amazon

Barnes and Noble

Naming Favorites

A few years ago I heard someone ask Vonda N. McIntyre which of her novels was her favorite. Her answer? “The one I’m working on now.”

It’s possible that she meant that she was most excited about that particular book, the one she finished just before she died. It is a brilliant book.

But I took it more generally to mean that whatever she was working on at the time someone asked that question would be her favorite.

I like that idea, though I suspect it’s rather a romantic one. After all, writers who become known for certain books often find themselves in a position where they have to keep writing them long after they’re sick of the subject.

Sir Arthur Conan Doyle famously tried to kill off Sherlock Holmes so that he could quit writing those stories, but it didn’t work. I suspect strongly that his favorite Holmes story – assuming he hadn’t become so sick of doing the work that he didn’t like any of them by the end – would not have been any of the later ones he wrote.

I’m sure many other authors have felt something similar, though they’ve kept it to themselves since people were paying them to keep writing the same thing. After all, most writers need the money. Continue reading “Naming Favorites”…

Cover Reveal: For the Good of the Realm

My fantasy novel For the Good of the Realm is coming out from Aqueduct Press on June 1. Here’s the cover, designed by Aqueduct’s Kath Wilham using art by Ruby Rae Jones.

Cover of For the Good of the Realm

I am very happy with the cover along with being very happy to have a book coming out. Continue reading “Cover Reveal: For the Good of the Realm“…

Resolution.

Happy New Year

 

I say those words with some trepidation. On the one hand, I join those who are thrilled to see the end of 2020. On the other, if the last year has taught me anything it is to be wary about what happens next.

Still, I have things to look forward to. For the Good of the Realm, the novel that I sold just before our lives got upended, will be coming out at the end of May from Aqueduct Press. And my sweetheart and I have begun to think about making some travel plans for later in the year.

It’s possible that with the vaccine and some decent leadership at the federal level in the United States the pandemic will wither away. Given what we have learned over the past few years, and especially the past ten months, about the frailties of our country, I hope we will build on this destructive period to create a better one.

I’m not holding my breath, though. The problems we must deal with are much deeper than I used to think. Continue reading “Resolution.”…