Birthdays

This week I’m late because I went to an (online) convention in New Zealand over the weekend, and had meetings most of yesterday and an excellent but long meeting today. Everyone’s trying to get all kinds of things done because it’s a long weekend next weekend. Last weekend was a long weekend in New Zealand, which is why they held the convention.

This is a long weekend that the US is unlikely to ever want to celebrate. How can I say this with such certainty? It’s called the King’s Birthday and for a long time it was called the Queen’s Birthday). It’s the birthday of neither. It’s an ancestral date that was picked to celebrate the birthday of the monarch of the UK and the Commonwealth. The UK celebrates it at a different time of year and, I was told recently, no longer get a day off for it. Australia doesn’t have a date so much as a day: it’s the second Monday in June. Since the date changes, it’s a symbolic birthday, not an actual one.

Mind you, a century and a bit ago migrants who knew their birthday by the Jewish calendar who chose a random date on the secular calendar to celebrate, basically had a mobile birthday. My grandmother had that, and when we finally checked what precise date her birthday was on… her parents got the secular date wrong. From the time she was four, she always celebrated her birthday on a different (but equally wrong date). I told her this when she was … not young, and she told me back that she was old enough to celebrate her birthday whenever she liked.

We stick by The King’s/Queen’s Birthday, not because we’re wildly Royalist, but because winter celebrations are few and far between. It’s cold and it’s dark and we live in Narnia ruled by Jadis. I don’t mind that there’s no Christmas (I’m Jewish, so why should I mind?) but the cold and dark are harder to endure when there are no parties.

After Monday, my life will be cold and partyless. Right now, the days are getting shorter and it’s very tempting to stay in bed.

Think of me as you enjoy summer.

Not a Machine

My body is not a temple. It’s not a wasteland, either, or a castle, or any other locational metaphor I can think of. It’s a body, and frankly I tend to treat it like a machine. I take moderately good care of it–I don’t eat terribly (I’m fortunate that I like almost all healthy foods except liver and hard boiled eggs). I live a modestly active life–I walk a lot. I try to read and stay involved with the world (there’s a heartbreak) and to laugh as much as possible (I am helped in this by an extraordinarily silly family). But all the laughter and eating healthy and spending 45 minutes on the elliptical does not alter the fact that I’m getting older. I’m not trying to stay young–that’s a mug’s game. I’m just trying to optimize what I have.

My father made it to just-shy-of-98. His twin made it to 100. My mother died relatively young, but she had health complications that made it, well, unsurprising. But her sister is 97. Genetics-wise, and barring speeding vehicles, falling pianos, or illnesses I can’t currently anticipate, I may be around for a while, yet. And so I keep using what I have. Of course, what I have is not what I used to have, I forget that sometimes.

Case in point: this weekend my daughter and her husband moved. Discovery of several rooms-worth of black mold made this not just a good idea but an imperative. My husband and I drove up to help, and spent about eight hours packing things, carrying heavy things, and (in his case) driving a truck to and from storage. The move was complicated by the fact that my daughter had hurt her back and couldn’t lift anything (well, she could and did, but every time she did her body informed her that this was a dumb idea). I climbed up and down stairs (and was grateful to have remembered to bring my knee brace). After a few hours of standing in the kitchen packing dishes I had to take off my shoes: my feet hurt. I carried some boxes I probably shouldn’t have. But the work had to get done, and I did my part. But every now and then the thought occurred to me: this used to be a lot easier. A lot easier.

The bill started to come due on the drive home, when my entire body hummed with exhaustion, the knee brace was squishing my leg, and my feet ached no matter whether I had shoes on or off. It took about 36 hours–and two good nights of sleep–to restore me to my usual level of reckless activity. But I am reminded again that, while I tend to treat my body like a machine–oil it, fuel it, make sure it’s running smoothly, surely it’ll run forever–it’s not a machine. (Hell, even a well-tended machine has a useful lifespan, after which it’s–what? a museum display?) My new resolution is not just to hear what my body is telling me, but actually listen. I’m in it for the long game, maybe another 20-30 years, during which time what I have won’t be what I used to have. My goal, in the words of Spencer Tracy in Pat and Mike, is that “what’s there is cherce.”

 

Frost and Games

I want to complain about the cold again. When frost comes early, as it has this year, I want to complain until it goes away, which will probably be around August. It’s not that I dislike the cold, it’s that the cold frolics frivolously with my chronic illnesses. I used to go to work early purely to crunch the frost underfoot on my way in. That was my twenties, and this is my sixties and it’s as if I’m two different people.

My new self brings some surprises. Someone was respectful to me today. I kept looking around to see if they were talking to someone else, but there was no-one else there. I could get used to respectful.

The other thing I noticed today is that I didn’t instantly want to write a chapter of novel full of crunchy frost and chill air. I used to love taking the weather and telling it strictly to march alongside a novel, keeping my characters and their life struggles company. I used a very hot summer to bring magic ants into Elizabeth/Lizzie/Liz’s everyday in Ms Cellophane and also to make a memorable Christmas. I needed help to make a memorable Christmas because I’m not that good at Christmas.

I still bring weather into my fiction. I love weather and it’s fun to use it to shape moods. The opening of The Green Children Help Out has London weather. That rain isn’t critical to the story, but it helps me remember that most of the story is set in a wetter country than my own. It’s dry outside, and around zero degrees Celsius. We’ve been given a sheep graziers’ warning (spellcheck wants to change this to “a sheep braziers’ warning” or, alternately, to a “sheep grenadiers’ warning” – Spellcheck is quite obviously not Australian), which is a common weather alert up here in sheep country. Although, to be honest, the town I live in has more kangaroos than sheep.

All national capitals should have more kangaroos than sheep. Washington DC would be far more entertaining with mobs of ‘roos staring at the tourists and politicians and public servants. When a mob stares, every single one of them takes the same pose and only their heads move until you’re past. That’s my experience, anyhow.

One Christmas (since it’s cold it must be Christmas – I get this message from films set in the northern hemisphere) we had a work celebration at the restaurant next to the golf course with its full wall of floor to ceiling windows to bring the green into the dining room. We were all a bit drunk by dusk, because, of course, real Christmas is in midsummer. At dusk (again, of course, this is normal in civilised countries) all the kangaroos and wallabies came down and stared at us through the never-ending windows. One group of ‘roos did the mob stare. Drunk public servants wearing silly Christmas hats stared right back.

The older I get the more daft stories I collect. I tell my favourites over and over again. Sometimes I put them in my novels. My novels are littered with tellable moments.

For a full decade I asked readers to guess which moments in the contemporary novels were the real ones. They never guessed correctly.

I found myself blinking in stupid surprise when a reader told me, very seriously, that the real-life incident in Ms Cellophane was me swimming naked in the Murrumbidgee and getting arrested for it. I was wondering how to explain that I’m not very bold… and that I cannot swim. I blinked even more energetically when someone explained to me very sincerely that the series of events at Parliament House in The Wizardry of Jewish Women was obviously fabricated. I fictionalised it enough so that I wasn’t precisely representing the real people, but the events happened. As I love telling people, it’s just as well I fictionalised, given what happened to one of the people whose character I changed. Although I also love explaining to people that if you’re a politician and get a bit grumpy at lobbyists who want to talk, be very careful that none of them write fiction.

For those of you who haven’t played this game before and would like to guess a real incident from one of my novels, go for it. If you’re right, I’ll send you an unpublished short story so that you get something to read before it enters the big world.

Or you could tell me why I was happy to explain that yes, I once caused a Deputy Prime Minister to fall down a mountain (not at all intentionally, I assure you!) but am glad I rarely see politicians these days, because the original person I based a character on is not someone I really want to be introduced to with the words, “This is that writer who put you in that novel.” Guessing correctly who the politician is will also get you a look at the short story. I’ll give you a hint: you don’t need to know a great deal about Australian politics. You do have to occasionally read the news.

What I do in winter these days then is play mind-games. The first three correct answers this week get a sneak preview of a short story. If you don’t want people to see your answers, you can find me on social media and let me know privately. If anyone plays, then I’ll decide if the short story will contain weather.

Ice and Snow

It’s zero degrees outside right now, and autumn. Translated for the US, that’s 32 degrees and Fall. This is one of the times of year that confuses our friends in the northern hemisphere. I know this because the number of times a day every single May that I’m told that the weather is warming up is ridiculously high.

Once upon a time only my US and Canadian friends forgot the southern hemisphere had different seasons, but these days it’s parts of Europe as well. December is the worst for this, because we’re told that Christmas is for everyone and requires cold weather to celebrate. A storybook Christmas has cold and snow and a big hot meal. Here, it’s more likely to include a picnic by the lake with black swans demanding their share of the food and with unlimited cold drinks.

Being told to rug up during the summer holidays has a special absurdity, but when it’s negative temperatures overnight (-3.2 last night – I’m typing this at breakfast time feeling that sudden rush of warmth as things become less bitter) every “Isn’t it nice that summer is coming” kinda rankles.

Of all those who forget that the southern hemisphere is not the northern, the most annoying are those who insist that I’m wrong and that winter is not coming. Our autumn is fully settled in late April everywhere, and one in three years is cold by mid-May. This is one of those years. Winter may not be already here, but it’s sent very clear messages that it’s close.

I live in the mountains (inland), so it gets particularly chill here. Canberra is too dry, mostly, for snow (though we had snow in northern Canberra over the weekend) but one of the southern hemisphere’s best ski fields is merely a bit over an hour away. Not that I ski. I did, however once unintentionally provoke the Deputy Prime Minister to fall thirty metres in the snow. That was, however, in summer. The snow was remnant snow and it was the day he gave his particular speech at the top of our tallest mountain and… I put the rest of it into one of my novels, because it’s one of those incidents that sounds fictional and therefore was crying to be used in fiction.

Anyhow, the ski season has begun (just) and I now work late at nights.

Why late? It doesn’t get properly cold until 4 am here, and I would rather go back to bed until my toes don’t curl to protect themselves. This is not typically Australian, and, in fact, didn’t used to be typically Gillian. When I was a child I’d wake up before dawn to walk in the melting frost. As I age, more and more I like going back to bed on days like this.

My work day, in fact, will be shaped around how cold it is over the next three months. And what work does this day entail? Mostly research into how writers develop the worlds for their novels and how these worlds, in turn, can feel more or less real to readers. It doesn’t matter (I am discovering) whether or not the world has magic or if all the plant life is purple with turquoise spots. The world can still feel real when things are not like the worlds we know. It can still feel entirely fake when thing are depicted precisely as we know them. It all comes down to the world building and how the writer pulls that world into the story itself.

My fiction for the next little while depends on my mood. This month’s new writing is all about a light novel where I test some of my discoveries about how writers build and depict worlds. The episode I’m typing when I need a breath of warmth has an almost-human couple discovering that kittens, too, can become vampires. Also that braggarts and fools exist just as much in the world of the supernatural as in the world we know.

This week has a few extras and will be busy. I’m late with my tax, so that’s urgent, and I’m editing, and I’m working on my Patreon papers.

This month’s Patreon essay discusses the very curious relationship between Medieval French epic legends and MCU movies, and I’ll be delivering that paper live at a conference later this week (from my home computer). This month’s fiction for patrons includes the how the kitten’s household semi-domesticates that very cute vampire kitten, and this month’s advice to writers will explain how popular knowledge of famous figures can work in fiction.

And that’s my world this week. It’s busy, but not so busy I can’t sleep for an hour more. Since I started writing this, the temperature outside has gone up by a full degree. Soon the sun will beam loudly into my east-facing work area and everything will be almost-comfortable. I shall take that as a victory, because this year’s winter is going to be cold, if autumn already contains frost and black ice.

When I was younger, I dreamed of a good income. I also dreamed of living somewhere warmer (northern NSW or southern Queensland) in winter and in my more-comfortable mountains in summer. Now that I can’t pretend to be young, I complain about the weather. The reason for the complaint today is not, in fact, because it’s cold outside, but because someone left the security door open over the weekend and all the warmth leeched out of my flat and so the warmest I can get it is fifteen degrees (fifty nine degrees for US readers). Crunchy cold grass underfoot ceases to be exotic when the warmest corner of indoors is under sixteen. And I’m sure there’s a joke in there… but my brain is frozen. Even the postie (who just delivered a parcel) tells me that it’s brisk outside. If you’re reading this from the part of the planet that careens towards summer, this morning I envy you, so very much. How much is so very much? Probably about ten degrees.

In Troubled Times: Being Allies

I started a blog series, “In Troubled Times” after the 2016 presidential election. Folks I trust said that things were going to get a lot worse before they got better. That’s true now, too, so here’s the first in a renewed series.

Recently, I had a conversation with someone I love dearly who, like so many of us, belongs to overlapping groups that have been targeted by the current crop of hate-mongers. So many of the people and causes I support are at risk, it’s easy to feel battered by prejudice, overwhelmed, infuriated, and hopeless. But, in a moment of spontaneity, I found myself saying, “We can be good allies for one another.”

Let me break this down a bit. There is more than enough hatred to go around. There will never be a lack of worthy causes and people in need. No one of us can save everyone.

Thankfully, we are not all crazy (or desperate, or paralyzed by events) on the same day. Progress happens when we are actively pursuing it, but also when we allow ourselves to take a break, tend to our inner lives, and allow others to carry the load. The world does not rise or fall solely based on any one of us. This is why solidarity is essential. Insisting on being on the front lines all the time is an engraved invitation to exhaustion. If we look, we will always find those who, for this moment anyway, have energy and determination.

I think the secret to being a good ally is to realize that we can be that person for someone else.

This requires paying attention.

It is not helpful to do for someone what they can and should do for themselves. How then are we to discern when “helping” is arrogant interference? When is it a genuine offer and when does it result in telling the other person that they are inadequate and helpless to achieve their goal?

We ask. We listen. We give ourselves permission to appear clumsy and we forgive ourselves when we make mistakes.

Sometimes, the best thing we can ask is “How can I help?” and sometimes it is the worst, laying yet another burden on a person bowed down under them (“Oh god, I’ve got to think of something for her to do!”) Sometimes, saying, “Would you like me to help with that?” is the best, and sometimes it is the worst. Sometimes, “You are not alone” is a sanity-saver. Sometimes, it is a reminder of looming disaster. Sometimes, “I’m here and I care” is all the other person needs to hear, and sometimes it is worse than silence.

We listen. We ask. We pay attention.

The one thing we do not do is walk away. When I think of being an ally, I envision someone with whom I can be depressed, angry, volatile, and just plain wrong—and know that I will be held up by their unrelenting care for me. I can vent my frustration and they won’t abandon me. They will hear the pain and despair behind my words.

I want to be that ally for others. I want to be that safe person. I’m far from perfect at it, though. My feelings get hurt. I sop up the other person’s despair when I know better. I do my best to not walk away.

Listen. Forgive yourself. Take a break. Do what you can, when you can. Then pick yourself up and get back into the fight.

 

Up soon… “This too shall pass…”

World-Building, Dying, and the Memory Lane of Comfort Foods

I wrote this in 2013, while taking care of my best friend as she died from ovarian cancer. From time to time, I want to be reminded of the wisdom that arises in times of crisis.

 

The brochure from hospice inform me that as a dying person’s body winds down, appetite becomes erratic and diminishes. The sense of taste changes so that formerly favorite foods are no longer appealing. The person eats less when they do eat.  Finally, many dying people refuse all food. This can be complicated because throughout human cultures, offering food is a way of expressing love. The dying person may continue to eat in order to please a loved one, but in the end the demands of the body prevail.

Besides nourishing our bodies, sometimes past the point of health and into diet-related diseases, food is laden with symbolic meaning. We celebrate with festive meals; we soothe ourselves with favorite treats from our childhood; we give candy to our sweethearts. Even the term “sweetheart” refers to sweetness, a taste, as do “honey” and other endearments. Taste and smell are the most basic, “primitive” senses, so our expressions of care go zing! right into the oldest portions of the brain.

For me, one of the most enjoyable aspects of world-building is creating different cuisines for each culture or social class, ethnic group or family. While it may be true that just about every cuisine has some version of pancake-rolled-around-filling, stew modeled on the canned stuff in American supermarkets shouts “generic fantasy!”

Just as every family seems to have their own special recipe for spaghetti sauce or meatloaf, you can devise variations on the same dish. Sometimes these variations might reflect notions about what is suitable food for people of different ages, different social status, or even genders (“manly meals” or “kiddy food” or salads-are-for-women). Even within these variations, not everyone has the same taste. Some may be innate (how cilantro tastes is genetically determined), or influenced by personal history (travel, associations with significant events or relationships) and health status.

Which brings me again to caring for a terminally ill friend, in particular providing meals for her. She jokes about taking a trip down the memory lane of the foods she’s enjoyed during her life. Her tastes have become nostalgic, erratic to the point of whimsical, but fleeting. Some of the things she’s asked for are cream of mushroom soup, watermelon, Stouffer’s macaroni and cheese, buttermilk biscuits from scratch (which I do know how to make), hot dogs with sauerkraut, salami, and vanilla ice cream with lemon sorbet for breakfast. No pickles with the ice cream, at least not yet, although she jokes about the food cravings of pregnancy. Life is indeed uncertain, so she eats dessert first.

The food comes with memories, of course. “Do you remember the time we ate this when we were students and…” or “I made this recipe while horse camping on Mt. Hood…” or “my father used to cook this for a special occasion…” I think the same is true for everyone, but the awareness that time is limited, that the number of times you will eat this dish or reminisce over the adventures that once accompanied it are not limitless, adds a special poignancy. As my friend’s appetite wanes, she eats less in amount and frequency. There’s a shift from the fullness of having eaten to the sensory pleasure of eating to the anticipation, the idea of that particular food. If there is a sense of re-visiting the past – comfort and celebration, adventure and sharing – there is also a gradual farewell.

Charming Synchronies

Yesterday I found my research self and my fiction-writing self in perfect synchrony.

My research self is looking at old tales newly told, from a number of angles. I’m focusing very closely on how writers build the world for their novel. One of my favourite techniques is to look at the various roles food and foodways play. There’s not enough work in this field for me to rest on the work of others, so I spend a lot of my time in an alert state, watching different kinds of narratives and checking the role food and foodways play so that I can deepen my research.

Over time, this alert state has given me a lot of questions that need answering. For instance, in K-drama, there are a number of ways people drink and they are connected to different drinks The most formal ‘proper’ way of drinking was easy to determine, but it wasn’t until I obtained flavoured soju and drank some that some of the more casual ways people drank became clearer. Flavour, mouthfeel, level of alcohol all play as much of a part in how characters drink on K-drama as tradition and courtesy.

For my fiction, I begin with recipes and the food itself. Then I start thinking about what the appropriate ways of presenting the food are. This approach was sparked 30+ years ago when a favourite writer had people throw food that would have been dripping with honey, in a social group that has given us no historical evidence for treating food that lightly. Several possible messes entered into my visualisation of the scene: honey everywhere, and the very important personages acting as ill-disciplined overgrown children. I talked to the writer about the scene and she had not considered either aspect. The throwing was in the modern American cultural sense of being light-hearted and the characters were demonstrating how close they were to each other.

This was the first time I discovered just how much of our own culture we place in our constructed worlds and how, unless we consider things really carefully, we echo what we think we know and it is our own way of doing things.

I started to do two things at that point.

The first was to find out what my own cultural nuancing is and where it comes from. How do I assume people eat and drink in various circumstances?

Just like almost every other fiction writer, I draw the worlds for my novels from places I’m always ready a bit familiar with and many of them echo my life and experience. The difference is that I do this while aware. That state of alert becomes increasingly handy. I watch television and go to movies partly to continue this dialogue with myself.

This helps inform the second thing I do, which is research and teach. My most recent research thingie (I hate the words “outcome’ and ‘output’; ‘research monograph’ doesn’t work when the book is available very cheaply to anyone who wants to read it and is written in ordinary English) is, of course, Story Matrices. (At this point I’m supposed to remind everyone that it’s Hugo eligible and to suggest that you think of nominating it. I normally don’t do this, but in the case of Story Matrices, I want people to read it and they can’t read it if they don’t find out about it and the Hugos are a really good way of letting people know a work exists and that it’s worth a look.)

So how did everything come together? The soju and my thoughts about it gave me an ‘aha!’ moment for my research. One of the writers I’m focusing on always gives precise cultural places for drink, another does but they’re historically incorrect, and the third doesn’t at all.

This ‘aha!’ moment made me realise I have not worked on drink for either of the novels that I’m slowly, slowly writing. The novels will be out way after the new research, because the new research takes priority, due to there being income attached. I do love it, though, when they talk to each other while I imbibe someone else’s foodways.

In Praise of Fanny Price

Originally published in 2016

I have been doing one of my semi-regular Jane Austen re-reads. Every time I find new things: This time I was chagrinned to realize the extent to which certain film versions had overwritten Miss Austen’s original text in my mind–not necessarily to their detriment, but I was looking for a scene in Sense and Sensibility that turned out to be a clever Emma Thompson way of compacting a good deal of information. But the original Austen is still there on the page, and still smart and incisive and funny.

So far I have gone through Pride and Prejudice, Sense and Sensibility, Emma, and Persuasion, and I’m almost through Mansfield Park (I skip Northanger Abbey, because Catherine Morland annoys the hell out of me). I started out, as one does, loving Pride and Prejudice; then for a long time Sense and Sensibility was my favorite; then, for almost as long, Persuasion. Now it’s quite possible that I am going over to Team Mansfield Park.

This is, apparently, unusual.

The Paris Review stated that Mansfield Park was Austen’s least popular book:

Austen’s own mother reportedly found Fanny “insipid”; the critic Reginald Farrer described her as “repulsive in her cast-iron self-righteousness and steely rigidity of prejudice.” Even C.S. Lewis—in the voice of his demon Screwtape in The Screwtape Letters—let loose a vitriolic rant about Austen’s most priggish heroine, calling her “not only a Christian, but such a Christian—a vile, sneaking, simpering, demure, monosyllabic, mouselike, watery, insignificant, virginal, bread-and-butter miss … A two-faced little cheat (I know the sort) who looks as if she’d faint at the sight of blood, and then dies with a smile … Filthy, insipid little prude!”

Wow, that’s a little over the top, don’t you think, Clive?

Okay, I get it. Fanny is physically delicate, shy, easily overwhelmed. She doesn’t have her cousins’ robust physical health, and she certainly doesn’t have their robust egos. She’s meek and self-effacing (though I don’t think she simpers once, thank you very much). But do you blame her? Here’s a child who, at the age of ten, is sent to live with her very privileged cousins. Her aunt Norris (and to a lesser extent her uncle Sir Thomas) are determined to make the distinction between Maria and Julia and Tom and Edmund (the cousins) and Fanny’s charity-case self. She’s constantly reminded of it, and of the fact that she can’t (and shouldn’t) expect to be treated the same way. She’s physically slight and easily overwhelmed (I suspect nutritional issues and an anxiety disorder, but can’t find any textual evidence to prove it), and initially she’s academically and socially way behind her cousins. It might be satisfying to see the worm turn, the mouse face down the cat, and so forth. That’s bread and butter in a 21st century YA novel. but in Austen-land, where class suffuses everything so deeply that it’s hardly necessary to mention it, it would be hard to make it believable.

Like the Bertram girls, Fanny studies with a governess. But her real teacher, the one who informs her tastes and her heart, is her cousin Edmund. And Edmund, destined for the Church, is a prig. He’s kind to Fanny; he’s really the only one who sees, and values, Fanny for who she is. Everyone else sees only her utility, the perfect poor-relation who can be counted upon to fetch a shawl or stay tactfully home so there won’t be an odd number at the dinner party. Her frankly loathsome Aunt Norris sees her as someone further down the class scale whom she can bully without fear of repercussion. It’s no wonder Fanny loves Edmund, who encourages her to explore literature and history, who talks about religion and principles and right thought–who treats her as if she were intelligent which, as it happens, she is.

Look, I had a serious crush in 6th grade on a kid who held the door for me (because I wasn’t used to people being, um, nice to me at school). I totally get Fanny seeing Edmund as a combination of Parfit Gentil Knight and Moral Arbiter. About the only thing that saves Edmund from being an irredeemable prig is that he falls in love with Mary Crawford, whose moral compass is–shall we say–variable. For once Edmund’s rectitude abandons him and he is blinded by, and led around by parts of himself he would ordinarily not admit to owning. He sees Mary’s witty, shiny, beautiful, feckless self and tries to believe that deep down she’s got the same sort of moral center as Fanny–in a sense, the woman Edmund created. It’s hardly surprising that when Mary displays her lack of moral base, Edmund recoils. At that point it’s inevitable that he’ll back to Fanny.

A lot of people think of Jane Austen as a “romance writer,” a notion that would very likely have made her head explode just a little bit. But, as Austen herself said, she wrote of “love and money.” And class. Austen writes about class all the time. Elizabeth Bennet’s comment to Lady Catherine de Bourgh that Darcy “is a gentleman and I am a gentleman’s daughter” is quite correct. They may be at different ends of the “gentleman spectrum”*–he’s got relatives in the peerage, and centuries of economic and class privilege behind him, and she’s got “inferior connections:” relatives in trade–but they in terms of class they are equals. Sir Walter Elliot may regard himself as the very model of a modern country baronet… but he can’t suck up fast enough to his cousin the viscountess. Fanny Price, whose mother married beneath her, is introduced to a world very different from her own when she moves to Mansfield Park.

Fanny Price has good reason for being the person she is. And she continues as that person despite pressure from within and without her family. For a woman constitutionally skittish and anxious as she is, that in itself is heroic. It’s nice that she gets the guy in the end. It’s nicer that she does so without having to become a Mary Crawford or a Maria Bertram.

Auntie Deborah’s Agony Column (The Best of…)

Back in 2015, I had fun playing around with an advice column for my favorite characters. I hope you’ll enjoy these “Best of…” entries from that column.

Dear Auntie,

After way too many experiences dating angsty, unemployed vampires, I finally met a nice, soft-spoken, polite man. He even has a fairly normal name, Norman. He even has a job, working at a motel. Things were going very well when I realized something was a little “off.” I wonder if that’s my own projection from my past romantic relationships. How do I know what’s normal? Anyway, he’s invited me to meet his mother. What should I bring?

— Buffy

Dear Buffy,

You are wise to trust your instincts, for they have served you well through many perils. All too often, women are trained to ignore otheirgut feelings about a person or situation. We allow ourselves to be persuaded into dangerous circumstances instead of standing up for ourselves. Norman may be what he seems, but he may harbor a darker side that your intuition is warning you about.

My advice is to come prepared for anything. Never mind flowers or a bottle of wine! Bring your slayer arsenal — stakes, spears, swords, the works — and keep your wits about you. Make sure you have an exit strategy if things go sour. And whatever you do, do not get into the shower.

— Auntie Deborah

Dear Auntie Deborah,

I’ve suddenly found myself in a land of many colors, where troubles melt like lemon drops. My problem, though, is that this green-faced woman keeps sky-writing love letters to me…for everybody to see! I don’t return her affections, so what should I do?

—Dorothy

Dear Dorothy,
You’ve clearly ended up in a slash version of your own book. My advice is to click your heels like crazy before the flying monkeys get any ideas.

—Auntie Deborah

This last entry contains references to the works of J. K. Rowling. It’s behind a page break. Like the others, it is from 2015. Please take it in the playful spirit in which it was originally written.

Continue reading “Auntie Deborah’s Agony Column (The Best of…)”

Say It Again

Almost three decades ago, when my older daughter was in preschool I got a call one day: she had slipped on a slide at the playground and cut her chin. How badly? “I think you’re going to want to take her to the doctor.”

Okay. Bad enough to flap her generally unflappable teacher. I made my apologies to my boss and got myself uptown, and inspected the chin–when you can see identifiable layers of adipose tissue, yes, it’s time to call the pediatrician. So I called the doctor, asked our after-school babysitter to meet us there, and gathered up my bloodied but unphazed girl. With the immediate scare of blood and tumult over (Julie had been holding an ice pack and gauze at her chin for some time) she regarded the whole exercise with curiosity–until the doctor told us he had to stitch up her chin. This would involve several small injections of lidocaine to dull the pain, then the process itself. At which point Julie went from vaguely curious to Totally Against The Whole Idea. Continue reading “Say It Again”