Treehouse Writers – Page 2 – A bunch of writers started hanging out in a virtual treehouse when the pandemic hit and now don't want to leave.

Why do I have trouble announcing cool things? Why is it so very difficult to tell you all that I’m on two short lists?

The first list is for an Australian award for my book Story Matrices (edited by Francesca Barbini), and the second is an international one for the Sidewise Award (alt history) for my Medieval story in the amazing Other Covenants short story collection. The short story is “Why the Bridgemasters of York Don’t Pay Taxes,” edited by Andrea D. Lobel and Mark Shainblum (who I finally met, just the other day). Both lists are wonderful to be on. I’m unlikely to win either.

While both are most excellent, the Sidewise in particular is a wonderful moment. Even I can’t deny that.

There is a special, special honour in being listed along with these amazing writers. It’s taken me days to admit this. Partly this is because I’ve not had much comment either short listing. Six people have told me how pleased they are about the William Atheling one, and one of those six is my mother. Another is the editor. This means I feel a bit invisible. Partly this is because there are far better writers than me and it’s easier to talk about them than to talk about my own work. Also, partly this is because Australia is a bit odd. Some people get big shouts for all their accomplishments… I am not one of those people. One day I will discover why, but until that day comes, I will assume my writing is just not that good. There is a lot of encouragement for me to think that and very little for me to think otherwise. Except from German academics, but that’s another story.

However… there are things that no-one’s asked me about my short story and this is the moment to spill the beans. In order for me to spill the beans you need to know about my short story and about one of my novels. Bridgemasters was only released in December last year. The novel is The Green Children Help Out, which came out in 2021. The reason I thought my Bridgemasters story would go unnoticed was because the Green Children went pretty much unseen. There was, however, a much bigger reason for it going unseen than my self-doubt. COVID lockdowns and quiet hit me harder than some, because I was unable to go to any events face to face (I’m COVID-vulnerable), and in Australia it’s almost impossible to reach readers unless they see and talk to you, I’ve found. The story and the novel are linked. In fact, I wrote the Bridgemasters story (and a couple of others) as a testing ground for the world I was building for the Bridgemasters story. They’re quite different, but they’re set in the same alternate Earth. I wanted to know what sort of cultural underpinnings my English Jewish characters would have in this alternate Earth. I test these things in a number of ways, and I build the world gently and carefully, then I let it rip with a story or two. The other stories are in the volume of my collected short stories (Mountains of the Mind), which was also short listed for an award. I am obviously not good at learning.

I thought my Green Children novel was good, but I didn’t think my Bridgemasters story was anything more than a small fun piece, translating late Medieval Christian thought into a world inhabited by Jews that a very particular group of Christians are forced to protect. This just shows that some writers are not good judges of their own work. It also shows that being mainly confined to a tiny physical world for three years was not the end of the known universe. I’m working on a gentle and slow emergence. We’ll see if that changes anything.

I should just have said, “Look! Announcements!” If I win either (unlikely) I promise to do that. In the meantime, I hope a few more readers see my work and make up their own minds about it. Quite obviously I’m not the right person to advise on whether to read my work!

Lawyers Destroying Themselves

by Nancy Jane Moore

September 1, 2023August 31, 2023

Law is inherently conservative.

By conservative, I mean two non-exclusive things:

It prefers the status quo.
It favors the elites, as in the well-known quote from the French novelist Anatole France:

“The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread.”

I was once helping my father with a minor legal issue in his business. I told him he had to do such and such. He told me J.P. Morgan expected his lawyers to fix things, not tell him he had to follow the law. I told him he wasn’t J.P. Morgan.

I am quite sure that J.P. Morgan got away with all kinds of things and that his lawyers helped him do it. He was incredibly rich and powerful.

But even though law favors the powerful, even as we can all cite numerous examples of wealthy people doing terrible things and getting away with it, there are limits to how far lawyers can go even on behalf of such people.

As I watch all the lawyers caught up in the many criminal cases against our former grifter-in-chief, I find myself shocked that so many people who once had sterling, establishment careers were willing to throw those over to support a con man. I mean, these are supposedly conservatives. Right-wing extremists, to be sure, people who advocate authoritarian government, but still, conservatives.

I did not expect to find such people throwing away their careers in an effort to block an election and destroy our democracy.

John Eastman had a cushy job at the Claremont Institute. He had a reputation among those who think the Federalist Society makes sense. All he had to do was share his outrageous positions in the form of, say, law review articles and op-eds, rather than positioning them as legal advice and trying to convince other people — notably Mike Pence — to do illegal things to try to block the will of the people.

And Rudy Giuliani was the former mayor of NYC and a former U.S. attorney. He’s an asshole, sure, but all he had to do was stay out of all this and many people would still think he was a hero because of September 11.

I have no idea what they thought was in it for them. It’s not like Trump has ever been loyal to people who sacrifice themselves for him. Continue reading “Lawyers Destroying Themselves”…

Raised in a Barn: Playing with Blocks

by Madeleine Robins

August 30, 2023August 29, 2023

(Another story from my weird upbringing, originally published in 2015 or thereabouts.)

Part of the reason my father wanted to own a Barn was so that he could experiment with it. Try things out. Like trapezes. Or gardens. Some of his experiments worked brilliantly; some of them, not so much. One of the more interesting ones was a floor treatment, if that’s what you could call it. Dad cut one-inch slices of 2x4s to use as tiles in the front entry room, what we called the tack room (in the days when the Barn was a working barn, it was where various animal-related gear had been stored). It was a good experiment, a sort of prototype. Dad had big plans, see. For the kitchen.

The kitchen, as I have said elsewhere, was big: maybe 30 feet by 40 feet. And Dad wanted to use blocks for the flooring. But not 2×4 slices. Dad ordered a huge number of slightly smaller wooden blocks–3″ x 1 1/2″ x 3/4″ deep–made of oak, stained a dark brown and chemically treated to be fire retardant. When the blocks arrived we “seasoned” them–which is to say, stored them in huge stacks in the living room for months, until the chemical smell of the blocks gentled a little. Dad had ordered 40,000 of them, so even in tidy stacks it was a lot of wood. Continue reading “Raised in a Barn: Playing with Blocks”…

Flowers and garbage and invisible illness

by Gillian Polack

August 28, 2023August 29, 2023

Very few people wonder how those of us whose bodies are less capable of doing this or that get anything done. I am a very good illustration. I had glandular fever (mononucleosis to my US friends, I believe) in my mid-twenties and developed many of the vile long-term symptoms that people currently associate with Long COVID. In other words, I’ve had similar symptoms to Long COVID for nearly 40 years. This is not the only problem I’ve faced in my life, nor, indeed is it the biggest. It’s certainly the one that has invited the least inquiry. And the least understanding. Today I want to talk about how I’ve achieved anything at all in a life where I cannot guarantee even an hour without fatigue and pain. The physical side of it is one story and I don’t want to talk about that today. Today is, you see, an exhausted day, when I should be in bed wondering when I will improve a bit. It’s not a day I have to be in bed, however – those days when any exertion at all just makes things worse have become rarer as time passes.

I lost my time sense last night. That is, to me, a signal I need to live my alternate life. This post is brought to you from this alternate life. It’s a half day later than usual because I had to wait until I was able to do it.

This is how I handle days like this. If others have needs I fit in with them, but the next day is worse if I fit in. I suspect Friday will be a bed day because Monday night and Tuesday nights are brain fog days (with occasional windows of opportunity, one of which is right now), Wednesday is full of meetings and Thursday is full of unexpected medical stuff. I didn’t expect Wednesday and Thursday to be the way they are, which is how I can predict Friday. One thing I’m doing to prepare is (with the help of a friend) a big shop. One of the things I will be getting is reheatable food for Thursday to Monday. On Saturday I knew that yesterday and today would be a bit of a struggle, so on Sunday I prepared food for both days. This planning is constant. And I don’t always have the energy to do it.

There’s a lot of body-awareness and a lot of planning to get through the everyday and when one of these fall through things are like a deck of cards and I have to stop and start all over again. Currently I have enough income so that if the cards all fall down, all I need to do is drag myself to the computer and order enough home delivered food to get me through. Or open a tin from my cupboard. I lived on dolmades for 3 days recently, then I advanced to chicken and chips, because that was the easiest option and I wasn’t up to more. Then I was through that phase and was able to cook again.

Knowing I’m exceptionally busy on other peoples’ schedules this week means I can plan in advance. When anyone tries to spring something on me, they can set me up for a whole week of not being able to deal and I will hide it, generally, but there are people I really do not like because they never check if I’m able before springing things on me. If I had energy on the worst days, I could explain to someone who says “I have to see you” that it has to wait because I’m unwell. In fact, I do explain “I can’t do it now because…” but I can’t get into detailed explanations. Exertion can hurt and sometimes the little things like explaining (especially if there’s emotion attached) can hurt more than the large. This is why, oddly, the chronic fatigue is more of a problem in my life than more serious problems are.

The other thing that happens when my time sense gets derailed is that I drift off into byways. The path this post has taken is one of these byways. I meant to launch straight into “This is how I get novels and non-fiction written and research done and achieve as much as some people who have never had any sort of debilitating illness.” I think the tide of emotion carries my life forward at these moments. This post is an excellent example, in fact, of how this happens.

I use emotion to get work done at times like this. I sat down at my computer to write this post, having no idea what I’d write about at that point. I saw my research document open on the desk and just took a look before opening a new file. I edited three paragraphs. It wasn’t a lot, but over a week (even a really bad week) this adds up. Then I stopped and thought, “Why did I do this? Why didn’t I go straight to the blogpost?” My answer was, “It’s one of those weeks” and then “But I should tell people”. Because the sense that something is important gives me enough fuel to write. I will sit down quietly for a half hour as soon as this is posted, and then I’ll go shopping with a friend and make sure I have food for the coming life-sapped time.

I’m the sort of person who would rather work methodically, so when I’m less beleaguered, all my work is done entirely sensibly. On days like today, I allow the wind to carry me along, and take advantage of the moments I have. Little things, done when I can. That’s how I deal with the fatigue and the near-constant pain. I factor in the physical work I need to do to keep going and, month by month, I deal. I write whole novels this way, and do my research and when I can’t do anything except sit or lie down, I think things through. Slowly. My brain stutters at times like this. It’s bad for quick thoughts and insights – it’s wonderful for deep and slow unpinning of complex problems.

A few years ago, when I realised my strange lifestyle, I found a way of describing it. That description was more useful to friends who asked “Are you OK?” than to people like the one who emailed me a the start of Yom Kippur last year, and who wanted to meet urgently. It was a week far worse than this and I wouldn’t be up to a face to face meeting for weeks. I lost my Yom Kippur over that email and lost some days after it. The person who emailed would not have understood this from my metaphor. I needed more capacity to explain than I had… some situations are simply impossible, still.

My metaphor is not a new one. I say that life throws me garbage and, bit by bit, without pushing myself into more illness, I turn that garbage into fertiliser and it grows me the nicest garden. All my published novels are flowers, and Story Matrices, the book that has just been short-listed for the William Atheling Jr Award, is a rather nice rosebush. That book was written in a shockingly bad year, but the editor, Francesca Barbini, knew this and worked with me according to my actual capacity. She didn’t try to make me into something I’m not. She helped me create the best thing I was able to create in a year from hell.

Every paragraph I edit and every thought I have transforms this strange life into a strangely interesting life. Chronic illness isn’t the end of things… it does however, change things. And most people won’t ask or won’t know or won’t care. That’s part of the garbage being thrown. That garbage can be isolating and it can be depressing, but it’s excellent fertiliser.

Now all I need to do is find a publisher for the novel I wrote when I wrote Story Matrices. It’s the fictional approach to this isolation and strangeness and is a very different COVID lockdown novel to most. My way of dealing with the difficult is rather like a portal fantasy, you see, where you open doors briefly and visit worlds you can’t remain in because remaining is dangerous. My COVID novel is a quietly adventurous version of the portal novel that is my life. Glenda Larke (a friend with a marvellous new novel) was my beta reader and she told me that it was the best love story that she’d ever read. It needs a home, but writing it was the accomplishment. Just as the publication of Story Matrices was an accomplishment. Just as editing three paragraphs of my research and writing this blog post are accomplishments.

Chronic ill health isn’t the end of things. It does, however, require a series of reinventions of self, and the ability to say “If this is all I can do today then that’s fine.”

Why am I telling you all this? Because Long COVID is not going to go away. Some people will recover and some won’t. It’s quite likely you know someone who needs to know that this kind of chronic illness is not that end of world and that, over time, some extraordinary things are possible. They probably also need to know that the vast majority of folks around them will not see or even want to see what the new life entails.

Adjusting never stops. Seeing your own needs is essential. And once you know what your signals are (in my case, that loss of time and that drifting brain and the need to dump my once-wondrous rationality) and how to handle them (when to push, when to let things slide, how not to live on chips) life can become a lot better. Your garden will be all the better for the fertiliser. It won’t feel that way, however, because no matter what you do with the garbage being thrown at you, it’s still garbage. I’m still learning to celebrate the flowers and not be personally affronted at the garbage that is thrown in my direction.

Gender and Chess

by Nancy Jane Moore

August 25, 2023August 24, 2023

The International Chess Federation (FIDE) is blocking transwomen from competing in women’s chess tournaments.

No one has come out and said it, but it’s clear that this is rooted in the misogynistic belief that women are inferior to men when it comes to chess. As with the bans on transwomen in physical sports competition, the underlying assumption is that someone assigned male at birth is clearly “naturally” better at chess than someone assigned female, and transition doesn’t take away that advantage.

However, a person assigned female at birth who has won women’s chess competitions will lose their titles if they transition to male. Apparently FIDE is recognizing that a transman counts as a man, even before they transition.

I gather FIDE sees the act of transitioning to male as confirmation that the person is not an inferior being and therefore should not compete in an inferior category.

Transwomen, on the other hand, will not lose the titles they won in male competitions before transitioning. That this is ludicrous doesn’t change the reasoning.

Of course, none of this makes any sense. There is in fact no reason at all for chess competitions to be divided by gender, except for the fact that chess has been dominated by men and women’s competitions are a way for women to get their feet in the door.

The assumption that women are inherently inferior at the skills of chess is just another misogynistic tool for blocking their participation. Continue reading “Gender and Chess”…

Three years ago, this was my hometown

by Deborah J. Ross

August 23, 2023August 21, 2023

August is a hard month, full of difficult memories. This was the view looking toward our place. The brightness on the horizon is the oncoming blaze. Our home survived through luck and the hard work and courage of firefighters, including those who stayed behind the lines to set up water tanks (Note: As grateful as we all were, this is highly dangerous and not recommended.)

My heart goes out to friends and strangers on Maui. I’ve been searching for words to say, “You’re not alone, I’ve been through something like this” without in any way diminishing their experience. This disaster is not mine, but theirs. I want to give them the space and attention to grieve, to rage, to recover from their terrible losses. In other words, to keep the focus on them.

At the same time, for my family and neighbors, and folks who survived the Camp Fire and so many others, what happened in Lahaina was triggering. Nightmares recur, with the taste of smoke at the back of the throat. Some thoughts are private, but for others, we heal when we share.

How might we do that while being respectful of the people of Maui?

It’s been clear to me that pain isn’t fungible. It isn’t measurable in units of any kind. No one benefits from comparing one person’s loss with another’s. Loss is loss, pain is pain. About the best I can do on most days is say, “My heart goes out to you” and leave it at that. The details can wait for another conversation, if at all.

Old hobbies, new joys

by Gillian Polack

August 21, 2023August 19, 2023

I have a new essential oil.

I used to make perfumes as a hobby and every now and again I save up a bit of money and get new fragrances for my bath. No-one around me asks about my perfumes and I think everyone’s forgotten them. I don’t know if this is good or bad, but I still love creating fragrances just for me. Not perfumes any more. Scents for my home.

As I change with time, the scents I like change, too. I used to love the sophisticated and the swanky, but now I love to be reminded of the bushwalking I also used to do or for my body to be reminded that it’s fine to put tension and pain aside. It’s hard to bushwalk when walking to the shops is beyond me on most days, but it’s easy to lie back in a hot bath and smell tea tree and lemon myrtle and kunzea. It’s also very good for arthritis, when combined with magnesium salts.

The new essential oil is may chang (litsea cubeb). I mistook it for cubebs when I saw it in the catalogue, but the moment I smelled it, I knew it was perfect for me. Cubebs are one of my favourite peppers for cooking, which is why I bought something I wasn’t sure about. Cubebs is still one of the best peppers for cooking. It is properly peppery and has a delightfully fresh aftertaste. And may chang is perfect with lavender and just a drop of diluted Bulgarian rose for an hour away from the world.

Now I have a favourite cubeb for a scented bath and one for cooking and they’re not related at all. The same applies to mint. My favourite mint for cooking is… most mints. My favourite mint for the bath isn’t a mint at all, it’s a prostanthera, a native Australian plant that smells of mint and just a touch of eucalyptus. When I was a child I had a favourite native mint bush which I always used when I needed mint tea. On the essential oil bottle it says “Bush balm mint” but it is still the perfect mint tea bush from my childhood.

Some of my oils help this illness or that (especially the muscle aches and joint aches that are my everyday), but mostly I like to feel as if I’m in an English country garden, or in the local bush or, in this case, I don’t know where, but the new scent is the best ever.

I also use the oils in teaching writers how to built sensory worlds for their fiction. Or I used to. I developed my scent teaching from my hobby of perfumerie, and taste from my food history background (with some help from a sister who is a wine and olive oil judge). The others were easy once I had techniques that worked to teach two of the senses. I also taught writing family history and personal memoirs, which gave me an excuse to bring home-cooked food and favourite family foods and food memories into play, because they use all the senses. The university I taught at closed most of its outreach courses and so I was suddenly unemployed and I’ve not yet found anyone who wants to learn these things.

It’s a real treat to return to my fragrant past and to remember that just because no-one is interested in learning how to write the senses from me any more, that doesn’t mean I have to lose the cool aspects.

I still look at most novels and analyse the writer’s background from how they use their senses. Australians are my favourite, largely because I am Australian. We love using sight, but also use sound to a degree. It’s quite hard to find an Australian writer of fantasy or science fiction who uses all the senses effectively. Historical fiction writers are more courageous in this, especially the ones who want to communicate the grunge and grime of everyday life. If an Australian writer wants to bring a unique touch to their work, learning methods of incorporating the other senses would do it for so many of them.

I so miss teaching this! It was good for my writing as well. Teaching is very handy for skills maintenance. So, it seems, are hot baths.

Barbieheimer: The Sequel

by Nancy Jane Moore

August 18, 2023August 17, 2023

I took myself to see Barbie this week. When I first heard about the movie, I figured it was one I’d never see. There were many reasons for that:

I never had a Barbie doll. (I was too old for dolls by the time Barbie became a big thing.)
I hate pink.
Mattel is corporate America personified and they supported the movie.
I came of age with second wave feminism. We rejected Barbie along with Miss America.

There was only one argument for seeing it: Greta Gerwig.

I have to admit that was a pretty strong argument in favor, but I remained skeptical.

Then I saw Oppenheimer, which was so relentlessly about men that it flunked the Bechdel test.

Plus I read some reviews and essays that made me think Gerwig really had managed to do something good with the movie despite having Mattel’s approval.

So I went. I did not wear pink.

It was a fantastic movie. I thoroughly enjoyed myself.

And yes, it was feminist as all hell.

From the moment Barbie appeared onscreen amidst a group of girls playing with baby dolls, her appearance accompanied by the rousing fanfare of “Thus Spake Zarathustra,” I knew I was in good hands.

Continue reading “Barbieheimer: The Sequel”…

COVID-Life

by Madeleine Robins

August 16, 2023August 15, 2023

And this is with a modest infection. I got Paxlovid (which may or may not be pronounced “Pax-LO-vid” — no one will confirm the pronunciation) and took it diligently*. I took it more or less easy (after the first 36 hours it really wasn’t bad…) and by Saturday last the test showed that while I was still positive, it was only faintly so. So, convinced that I was moving out of COVID-land, I probably overdid it on Sunday. My husband, who was also COVID positive, and I cleared out parts of our unspeakable basement, because really we’re lying around the house feeling like slugs, and we weren’t working that hard and…

Not smart. Monday I tested again and…wow. More positive than on my first day of positivity. And I felt like someone was hitting me with hammers, which I am assured is not the case. So yesterday I took it easy. I napped–anyone who knows me will tell you how bizarre that is–and lay on the couch staring into the middle distance, and watched a movie on my phone, and was otherwise slug-like.

Today I seem to be better. I’m working from home, drinking an unseemly amount of water, taking all the vitamins, and not doing much more than going from the couch to the kitchen and back. It is really boring.

But let me tell you: if you have dodged this particular Cultural Event, hold that thought and keep up the good work. I masked diligently for 3+ years and managed to stay safe (I suspect that someone whom I love was not quite so diligent, but that’s viruses under the bridge at this point). And the minute I am really-O-truly-O negative, I will go right back to masking.

Because viruses don’t care about your opinions or your politics. Viruses are driven to replicate–it’s their only purpose in life. Don’t let them move in. You won’t like it, I promise.

* Yes, it leaves a foul taste in your mouth. Celebrate when you’ve finished the course and eat yummy things, but don’t screw around and drop

The Joy of Past Food

by Gillian Polack

August 14, 2023

I had such a fine idea for a blogpost for today. Unfortunately my fine idea came at 3 am and I wrote a charming and profoundly meaningful post in my sleep. I’ve spent the whole of today trying to recall it. I’m running out of time, so instead of the charming and profoundly meaningful post, you’re getting an introduction to the book I found on my coffee table. Its spine is held together with packing tape, Its cover is falling off despite the packing tape. It’s basically a blank cookbook for a home cook, with recipes added over time. About half the pages have recipes.

A friend gave it to me the other day, and I haven’t had time to decipher it yet, so everything I say here is a discovery.

It was used over two generations (possibly longer) because there is some copperplate and some italic script. The first newspaper clipping it it has a recipe from Jean Bowring. This means it’s an Australian recipe collection, and the Bowring recipe is from the late 50s or early 60s. The clip itself has no date, but Bowring had her own foodie TV show from 1957-1960. There’s a recipe dated 1940, which is celery seed for rheumatism. These are the only two entries with clear dating.

This is a household collection of the type women have been making since at least the 17^th century and I love it. The 1940 recipe is written in a hand that’s a spiky version of one of my aunt’s, which makes me wonder if the writer was a young housewife in the 1940s, since my aunt was born in 1919, and it’s a nicely modern hand.

Let me see what else I can find.

There are no recipes in the soups/fish section or the first pages of the poultry/meat section. The first recipe in the poultry/meat section is the cheesecake recipe from the TV personality. I’ve seen this in other books like this from Australia, and I have a family story that suggests that a lot of the everyday food cooked by Australian women (and occasionally Australian men) were not that complex and required learning techniques rather than following recipes. This somewhat explains why the early pages are so very random.

My cousin Edith, who was a fully-trained doctor, but whose qualifications were not ever accepted in Australia, was a paid nurse in my Great-Aunt Gussie’s (Augusta) household. Gussie and she had a bit of an argument about throwing bones out with meat on them. Vienna had been going through hard times and Australia had not, so it was Edith who pointed out the good food that was being thrown away. This led to that and Gussie accused Edith of not being able to cook. Edith pointed out that she had to leave her cookbook at home when she fled. Gussie said “You don’t need a cookbook to cook dinner.” I was taught both the techniques and how to use cookbooks, so I understood both Edith and my great-aunt when Edith told me about the incident. I have several of Edith’s family recipes in my own little collection, but nothing from Gussie – she lived from 1872 to 1940. Her two children were two of my favourite relatives and Linda, the eldest, lived from the nineteenth to the twentieth centuries. This explains why I know a bit more about Victorian and Edwardian home cookery than most people born in the 1960s.

More clues and fewer family stories? Let me look past the newspaper clipping. The first handwritten recipes are very Australian. There’s a copha cake recipe. I haven’t seen anything like it in years. It’s a quick cake and perfectly suitable to make in a hurry when friends drop in unexpectedly. It has copha (of course) sugar, egg, self-raising flour and vanilla for flavouring. Nserted next to them are two recipes for plain cakes with butter rather than copha, in the handwriting Melbourne schoolchildren learned in the 1940s. Cakes and more cakes follow, all very straightforward and all cakes I’ve made or very like cakes I’ve made. Also a recipe for Snow Balls given to the owner of the book by Phyllis, The snow balls are sugar, gelatine and boiling water, dipped in a sauce and rolled in coconut. These days we buy them (and by ‘these days’ I go right back to the 1960s) and they’re dipped in chocolate before the coconut. Puddings, patris, cakes – all the standard sweet stuff made for a young family.

There are some older recipes hidden among the really familiar ones. When I was doing research into Georgian recipes, I discovered cooked salad dressing This book not only has one of these, but it describes one of the ingredients as sack. I don’t know if this was copied from an older collection or if it was a family or friend’s recipe, but it’s a nineteenth century salad dressing. It’s possible that the book itself goes back that far, but I don’t think it does. There is also a recipe for growing household potatoes using a kerosene tin, which the handwriting suggests is 1940s or a bit later.

Most of the recipes are written using pencil or fountain pen. The fountain pen work is mixed – ther are amazingly skilled hands and one that is bigger and more random. Every single hand, however, is better than mine. (I still can’t date fountain pen writing as exactly as I used to be able to date Mediveal hands – this is an to my self-esteem.)

Some recipes repeat (snow balls!) and some are annotated by a later, more italic hand. And the recipes are so, so familiar: nutloaf, lemon tarts, mock cream filling, puddings (which are called desserts these days), icecream, shortbread, pumpkin scones, gingerbread, lamingtons, kisses, cream puffs, meringues … and we carried over from the other section into the pudding section, so suddenly the recipes all match the tag on the side. Given that the first recipes after the ‘pudding’ tag are all in older handwriting (that looks as if it might be early 20^th century) I suspect that the desserts and cakes overwhelmed their place and walked backwards into the earlier section. I suspect this because the handwriting is a bit more recent in the earlier section.

The page containing recipes for pumpkin and cheese scones is so used that it’s falling out of the book, which is interesting, but not nearly as interesting as the fact that I was taught how to make almost all these things as a child in the 1960s. Before I was ten, to be honest. I can still make them, but seldom bother any more. I don’t eat much sweet stuff, and most other people don’t know to demand chocolate fudge cake or strawberry short cake. This means Australian foodways have changed this century and were far more constant for the first 7-8 decades of last century.

This little cookbook is so very well-used. I wonder if it was how children were taught in that family? My mother started keeping a collection of recipes when we would bug her to do our own cooking, so having something like this where you could just say to a child “Don’t burn yourself on the oven” would have been very handy, and would explain the stains.

Suddenly there are fewer spots on each page and the recipes are jam and marmalade. We didn’t use recipes for jam or marmalade (or for most biscuits and some cakes) but these recipes are still familiar. I used to love making fig jam with fresh ginger and one of my favourite jams ever was pear and ginger. This book contains both. I used to love the jam so much, in fact, that I no longer make it. Jam is not diabetic-friendly. In fact, even the thought of making all the best jams is probably not diabetic friendly, so I am closing the book and leaving you to dream of Australian food, which is, I think, mostly from the 1940s and 1950s.