Month: March 2021

Women’s History Month

personby Gillian Polack
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I’m a bit late with my post this week because I’ve been finishing up things. One of the things I was finishing up was a month’s worth of wonderful guests on my personal blog.

I was one of the group of women who set up a Women’s History Month in Australia. I moved on and others took over. Those years were special to me and most years I do a celebration all March of women’s history. I ask writers and historians to be my guests, set a theme and sometimes they stick to the theme and sometimes they don’t and every year brings much joy. This year was no exception.

This year it struck me that we were all making quite big history, even those of us confined to our homes and unable to explore the greater world. The small things in life are the history. That’s what I asked of my writer-friends – the small things in their lives. I wanted us all to have some insight into how all our lives are valuable in this pandemic time. My only regret is that I had to limit the number of writers I asked, due to my own physical restrictions. In my perfect celebration of women’s history, I would have been able to include triple the number of posts and to explore more writers’ understanding of what makes the small things in life special. Sometimes it’s research they’ve done, sometimes it’s someone’s everyday – I let writers make their own choices (as I often do) and the outcome is posts so varied and interesting that there should be something for every reader. You can find the posts here: https://gillianpolack.com/blog/

I wish we lived in less interesting times. At least, because we live now, we can understand how our apparently ordinary lives are part of something very big. In fact, they’re part of many very big things. We’re not alone and we’re not unimportant.

On Aristotle, Thomas More, and the U.S. Founding Fathers

personby Nancy Jane Moore
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Bust of AristotleI meet weekly via Zoom to discuss ideas with a group of friends who have many years in Aikido among them. A couple of weeks ago, one them (a philosopher as well as an Aikido sensei) was taken aback when she came across a comment that our U.S. founding fathers did not come here for freedom and were not interested in life, liberty, and the pursuit of happiness.

The person who made those observations was referring back to slavery, of course, but my friend compared it to saying that Aristotle was not a great thinker because women during his time couldn’t own property. Since the Greece of Aristotle’s time, like the U.S. today, is often touted as the birthplace of democracy, it is worth noting that women had almost no rights there, which is one of the things that makes Aristophanes’s plays Lysistrata and Congresswomen so funny.

The commentary got me to thinking about how we should look at great thinkers and art in an age when many of us are no longer willing to accept racism, misogyny, and other practices that assume some, or even most, people exist only to serve the elite.

I recently read a discussion of Thomas More’s Utopia in which it is mentioned that the perfect fictional land included slavery. I haven’t read the book in many years and that fact had somehow not stayed with me. However, having looked up a summary of the book, I think I still need to go back and re-read it, because there are some important concepts in there, one of them dealing with the importance of the commons.

This is a roundabout response, but my point is that there is both value and harm in what was done by those who settled this country (many of them my direct ancestors, at least from the 1700s on). In the same vein, both More and Aristotle had important things to say, but there are things they missed. Continue reading “On Aristotle, Thomas More, and the U.S. Founding Fathers”…

Treehouse Writers Out and About

personby Crow, Editor
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Writers hanging out in the Treehouse have been sighted out and about on the Web this month.

Writers Drinking CoffeeNancy Jane Moore was just interviewed on the podcast Writers Drinking Coffee about everything from her forthcoming novel For the Good of the Realm to the poetry class she took at the 92nd Street Y in New York City (with assistance from Zoom).

Earlier this month, Madeleine Robins talked on the same podcast about Race, Romance, and Regency.

Meanwhile, since March is Women’s History Month, Gillian Polack has been hosting writers discussing that subject on her blog. Nancy Jane wrote there about being in college marching band and the relevance of Joanna Russ’s story “When It Changed” to that experience. Meanwhile, Gillian herself wrote about her experiences in debate and how they tie into current political upheaval in Australia.

And over at Strange Horizons, Judith Tarr has an essay on the importance of care in science fiction, a very topical subject these days.

Auntie Deborah Answers Your Writing Questions

personby Deborah J. Ross
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Dear Auntie Deborah, How do I stick with my story idea and finish writing it?

Deborah: You may be confusing a story idea with a story structure. The idea is just the starting point, without character development, rising tension and resolution, turning points, or plot. If this is true, you’re diving into writing before you have a story — a story meaning an emotionally satisfying journey you take the reader on.

Some writers can take an idea and launch it into a story while writing, but most of us can’t — or else end up revising many times to whip that shapeless manuscript into something that resembles a true story. Your description of losing motivation suggests that you, like me, need to have more structure in place before beginning.

What do I mean by structure? I need to have a hook or inciting incident — the action, situation, crisis, or decision that fuels the first part of the story. Then something goes wrong (or right, or unexpected) and spins the story in a new direction — that’s the first plot point. I need to know what it’s all building toward, and also the feeling or flavor I want to leave the reader with (sadness, triumph, satisfaction, chocolates on the pillow?). I need at least 2 or 3 characters I’m in love with, although I don’t necessarily need to know what happens to them. I write all this down, do flow charts and maybe a map or two. If I’m submitting on proposal, I’ll need to flesh it out into a proper synopsis plus the first 3 chapters, but for writing for myself on spec, that’s enough to get me going.

If these concepts are unfamiliar with you, I encourage you to learn more about storycraft and the journey from idea to plot/character/dramatic arc. Ideas aren’t a bad place to start, they’re just not enough.

Dear Auntie Deborah: My critique group keeps giving me contradictory advice. I’m at a loss as to which direction to take. Help!
 

Deborah: It is as important to know which advice to ignore as which to pay attention to! Without knowing the sources of your opinions, I can’t evaluate their validity, but — BUT — I am always leery of anyone who tells me how to fix problems in my own work. This was true when I began writing on a professional level 35 years ago, and it certainly is true now. What helps me are comments like, “I’m confused about x,” or “This didn’t work for me,” or “I don’t care what happens to this character.” In other words, careful readers marking where they had problems. Then it’s up to me, the author, to discern where I went wrong and how I want to remedy it. (This is how my publishing editor and I work together, by the way.)

My second point is that learning to write and working on a specific project are two different things. A project problem may highlight a skill you need to strengthen, but someone telling you how to improve it makes it their story, not yours, and isn’t likely to help you improve as a writer.

I wonder if you might fare better by not showing your work to anyone until it is completed to the best of your ability. Otherwise you run the risk of distorting your artistic vision to please others so much that you lose your authentic creative voice. When you are ready for feedback, seek out trusted readers (who need not be writers themselves but who have keen sensitivity to their own reactions) or writers a little ahead of you in their careers. Make it clear what kind of feedback you want: What worked for you? What didn’t? Where did you lose interest? Was the result satisfying? And leave the nuts and bolts of prose craft for a separate discussion.

Dear Auntie Deborah: I think my novel has way too much speech in it. What should I do?

Continue reading “Auntie Deborah Answers Your Writing Questions”…

Family History on St. Patrick’s Day

personby Nancy Jane Moore
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I went out to run an errand on Wednesday and spotted someone walking along wearing a green sweater, green skirt, and green tights. None of them were precisely the same shade of green, nor did they blend in a completely harmonious manner, but they did convey a brazen greenness.

That’s when I realized that, even though I knew it was St. Patrick’s Day, I was not wearing anything green. Fortunately, I was also not wearing anything orange. This is important among those of us who can trace some of their heritage back to the Irish Diaspora.

My Irish ancestors were not Orangemen. My great-great grandfather, Florence McCarthy, followed his brother Dennis to the States in about 1850. They were McCarthys from County Cork.

My grandmother Omega was devoted to her grandfather. He named her — he was a scholar of classics (like my nephew, his great-great-great grandson) and taught Latin and Greek before taking a job with the railroad.

My grandmother was the only person I knew growing up who despised the English. I may have picked up her distaste from some discussion about the coronation of Elizabeth II, though I would have been a tiny child then, but at any rate it was very plain. Continue reading “Family History on St. Patrick’s Day”…

Cavalcade of Audiobooks

personby Jeffrey A. Carver
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The Infinite Sea audiobook coverI didn’t start out thinking I would discount the entire Chaos Chronicles series in audiobook format. But when Chirp Books approved a special promotion on The Infinite Sea (just $2.99! right now!), one thing led to another. They suggested I steeply discount some of the other books in the series to keep the hoped-for wave of sales going, and I thought that sounded like a fine idea. By the time I was done, I’d put the entire series on sale! Even Blackstone Audio, which publishes the first book, Neptune Crossing, has graciously joined in.

That’s six audiobooks, all discounted at up to 80% off list price. All narrated by the incredible Stefan Rudnicki. Limited time, folks. Limited time only. These prices will never be lower!

If you’re not familiar with Chirp Books, it’s an audiobookstore owned by Bookbub, and they offer daily super-deals of really good books, just like Bookbub. Except in the case of Chirp, they actually sell the books, and don’t just advertise them. (You need the Chirp app to listen to them. But it’s a good app, similar to the Audible app. I use it myself, all the time, because I like deals on audiobooks.)

SNAP THEM UP NOW

Seriously, though, why am I doing this? With these discounts, I won’t make much on any individual sale. But it can help put these books into the hands (ears?) of lots of readers. And that’s the real reason. I want people to be able to download, and enjoy, the whole series without spending a fortune. And, I hope, the resulting momentum and reviews will spur further sales—and help me earn back the cost of producing these books within my lifetime.

So, if you try these books and you enjoy them, please do me the return favor of posting reviews. It really makes a difference!

By the way, probably because I’m out of my mind, I’m also applying a similar special promotional discount in the Apple store. So all you Apple purists, come on down!

While supplies last, limited time only!

Pandemic Urban Renewal

personby Madeleine Robins
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Cities are palimpsests. Growing up in New York, I saw constant evidence of this: tear down a building and there would be a painted advertisement from the early 1900s, or the brick outline of an earlier neighboring building. Restaurants that were a feature of my childhood streets are barely a memory now: gone. In New York the only constant, really, was change.

I don’t know any city as well as I know my home town, but I’ve gotten pretty settled in San Francisco, after nearly 20 years here. So a few years ago I started potching around with an idea for a fantasy novel set in San Francisco, which gave me an excuse to go places I hadn’t gone, or revisit places I’d been before, and start weaving them into the book.

And then came the pandemic.

Continue reading “Pandemic Urban Renewal”…

Too much excitement (trigger warning – I don’t talk about things in detail, but I do mention potentially triggering events)

personby Gillian Polack
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Every fortnight, I am tempted to begin with the words, “I had intended.”  I had intended to write about Women’s History Month and to introduce the guests on my blog and to take a quiet moment and think about the past. I wrote a post for Women’s History Month myself this year. It’s about debating circles in the 1970s and 80s. There is a sudden wild interest in the nature of those circles because of what may have happened in them in 1988. Our Attorney General (AG) is suing the national broadcaster (ABC) over a report on something that may or may not have happened in that year. Porter (the AG) was not named in that article and was one of three possible guilty parties according to what was reported. I have my opinion on what happened in 1988, but if the AG is suing the ABC… then I might have to keep it to myself for a bit.

This is one of the reasons Australia found itself at a pivotal point for the history of women this weekend. Another is that on Monday (yesterday!) tens of thousands (or more – no-one did a proper count that I could see) of women marched for justice. A rape was done in Parliament House and the guilty party got support where the victim was … victimised. She spoke at the rally.

The Australian government was in trouble before then. It was trying to recover from the shock of the West Australian state elections on Saturday. The vote was pretty decisive. The ALP won at least 50 seats (52 predicted, at this point in time, 30 needed to govern), the Liberal Party won 2 (and might get one more, and their allies, the Nationals, won 3 (possibly one more, too). Upper House results are not yet finalised, either, but there was a swing towards the ALP there, too.

The ALP is not in government nationally. It is not the party the current Attorney General belongs to. It is not beyond guilt, but it’s been accused of harassment in workplaces in Parliament House: the alleged rape was in an LNP (governing party’s) office.

While the Federal government was reeling over so many events, Australian women were angry. We made jokes about the march of the ides, or the Ides of March. Australia will make jokes about most things. We did not, however, make jokes about safe workplaces and abuse of position by people in power. In fact, when our Prime Minister made what I think now may have been intended to be a joke in Question Time when there were protesters outside, it was the icing on the cake of abuse.

I didn’t even realise it was intended as a joke at first, because one does not joke about not shooting demonstrators in Australia. One MP tweeted about water cannons, but deleted that tweet.

This week is impossibly big for Australia and this post is very difficult to write. There’s so much stuff. And most of that stuff is scary-uncomfortable. Our weekend began with the vote in the west then moved to human rights and raging anger.

Two days ago I would have given links to reports on this or that element, but now… Australia is changing. I don’t know where we will end up, but I live in hopes that this is the rebellion against the fearful and wildly conservative government that has been hurting many people.

Right now, though, I’m tired. Every single Australian who watches politics (which is most of us) is exhausted.

It’s not boring here, that’s one thing.

Cover Reveal: For the Good of the Realm

personby Nancy Jane Moore
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My fantasy novel For the Good of the Realm is coming out from Aqueduct Press on June 1. Here’s the cover, designed by Aqueduct’s Kath Wilham using art by Ruby Rae Jones.

Cover of For the Good of the Realm

I am very happy with the cover along with being very happy to have a book coming out. Continue reading “Cover Reveal: For the Good of the Realm“…

Another Rant on Vaccination

personby Deborah J. Ross
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Back in April, 2019, I posted a personal rant, Why I Am Adamant About Vaccination. This was way before Covid-19 and the more than half million American deaths. The issue was childhood vaccination against measles, mumps, rubella, and the like. I shared a deeply personal story:

During my first pregnancy, an antibody titer that revealed I’d had rubella as a child. A series of conversations with my mother and sister put together the pieces of my own family tragedy due to contagious disease. In most cases, rubella is a mild infection, except when a woman is pregnant. Contracted in the first 12 weeks of pregnancy, babies have an 85% chance of Congenital Rubella Syndrome, including deafness, cataracts, heart defects, neurological issues, and other significant problems. The risk goes down as pregnancy progresses.

This is what happened to my baby sister.

My mother had been mildly ill, and I had been, as well. My sister Madeleine was born blind and with heart defects. She lived only 6 months.

At the time (1950) there was no vaccine, but there is now. Today this loss would have been completely preventable by vaccination, not just for the mother but for all the people around her. This is a public health issue that involves us all.

So when I hear the anti-scientific justifications for refusing to vaccinate children, I think of the baby that could have lived and the grief that haunted my mother the rest of her life. I don’t care about personal choice or fears of governmental conspiracies. None of them count in my mind against the lives of my baby sister, and everyone’s sisters and brothers.

I honestly do not care what their reasons are. This is not a “tomaytoe, tomahtoe” discussion where understanding through respectful dialog is the goal. This is about whether we as human beings are capable of acting for our common good (which in this case includes protecting our most vulnerable from preventable severe disability and death itself), at the cost of a much smaller risk and a little inconvenience. Do not ever try to convince me that this area of public health is an infringement on civil liberties, or is a plot on the part of Big Pharma. My sister’s life was more precious than your conspiracy theories.

 

Fast forward to 2020. People are dying or suffering chronic, debilitating effects from Covid-19. Not a handful here and there but by the tens and hundreds of thousands. As much as 80% of all Covid-19 patients experience some degree of long-term symptoms. All we had to stem this dreadful pandemic were tried-and-true public health measures: wearing masks, social distancing, isolating the sick, hand-washing and disinfection. And the same anti-science nonsense is going on. People are refusing to wear masks. They’re gathering indoors, although every public health agency and responsible news outlet is telling them this is the way the virus spreads. Even as cases and deaths surge and surge again, they reject both logic and science.

It’s 2021 now and we have several effective vaccines. None of them is perfect in terms of absolute prevention of Covid-19, but all of them have proven remarkable in 100% protection against severe disease, hospitalization, and death. Even so, lies abound. Vaccine refusal, especially when coupled with rejection of public hygiene measures, threatens us all. Continue reading “Another Rant on Vaccination”…