Even in a Little Thing: On Turning Sixty

We were talking in the Treehouse. The things we were talking about were important, and they got me thinking about a bunch of decisions I’ve made incrementally over the last two months and why I made them.

First, let’s start with next Sunday. I turn 60. I have some physical mobility, but not a vast amount, so I had planned to go overseas and celebrate my birthday with 60 events. I wanted to see friends, attend science fiction conventions, eat new food, visit museums, take pictures of interesting places and a whole lot more. Sixty fascinating events, all of the kind that I would treasure forever. Part of it was going to Italy for Eurocon, which would have given me about thirty events, for I’ve never been to Italy and I have a long list of places I want to see and things I want to do there. I was brushing up my Italian for it, for I can read the language but can’t speak it.

Then the pandemic happened. The pandemic is still happening. No big parties. No travel. This led to my decisions.

What were they?

First, I’m still going to have sixty joyous moments. Three of them are planned for this weekend, for my actual birthday. If I’m lucky, I’ll get more.

For the other events, I’m not putting a ‘finish’ date on it. I won’t get them within three months. They may take three years.

I’m about to hunt for the prettiest notebook I possess (I collect notebooks for my fiction and use the right one for the right project, so I have some choices) and when I find it, I will take my calligraphy pens and create a pretty front page. After that, every time I have a wonderful time, I will write it up, and that notebook will be a record of my birthday.

Why am I doing this? Why am I not just saying, “I’ll have a nice weekend, and that’ll do?”

Too many big things have been made small and a bit dark by the pandemic. I’ve won awards, for instance, and been unable to go to the ceremonies and have yet to see the actual trophies. The pandemic has caused so many friends to miss so much, that I see, every day, how people are dealing with the slight tarnishing of the everyday that creates our pandemic year. We have more sorrow (I’ve lost so many people I care about) and more stress and… this is where I introduce you to one of my favourite poems. It begins, “Even in a Little Thing” and you can find it here: https://starrigging.blogspot.com/2015/11/return-to-islands-by-arthur-grimble.html

My events are a reminder to me that this is a difficult decade, but that, since I find much of my joy in small things, I can still be happy. I need the reminder. I need sixty reminders. I need them because I was losing sight of the joy of jumping in autumn leaves or of drinking hot chocolate. Sixty larger occasions representing one big life change will push my mind back to where it has found joy in darkness at other times. I will return to myself.

This is the best gift I can give myself this year.

The best gift I can give you at this moment is to include you in my celebration. If you’re reading this (whether or not you know me) and you send me an email address, I will send you one of my stories and maybe a little cookbook I made for this same purpose when life took a turn in the 1990s. If you’re in Australia, I will send the story (without the cookbook) by snail mail if you send me a street address. In with the story there may be a couple of trinkets. I’m happy to send stories (and cookbooks and trinkets!) to sixty people, so feel free to share this with someone who would smile at this little thing.

You can send me contact details through the form on my website or through DMs on Twitter or Facebook.

Nancy Jane Moore Is Reading This Week

I’m doing two readings online this week.

The first is on Wednesday, April 21, at Story Hour, at 7 PM PDT on Zoom or Facebook Live.

I’ll be reading “Thank God for the Road,” which appears in the new anthology edited by Shannon Page Black-Eyed Peas on New Year’s Day: An Anthology of Hope.

I’ll also be reading “The Founding of New Crockett, Texas,” which appeared as part of the Uneven Earth website’s Not Afraid of the Ruins series and will be included in a print anthology of those stories coming out later this year.

On Sunday, April 25, I’ll be part of the FOGcon Authors Read! It runs from 5-7 PM PDT and is headlined by Marie Brennan and Effie Seiberg. I’ll be doing a five-minute selection from For the Good of the Realm, my novel coming out June 1 from Aqueduct Press. To attend, sign up here.

Treehouse Writers Out and About

Writers hanging out in the Treehouse have been sighted out and about on the Web this month.

Writers Drinking CoffeeNancy Jane Moore was just interviewed on the podcast Writers Drinking Coffee about everything from her forthcoming novel For the Good of the Realm to the poetry class she took at the 92nd Street Y in New York City (with assistance from Zoom).

Earlier this month, Madeleine Robins talked on the same podcast about Race, Romance, and Regency.

Meanwhile, since March is Women’s History Month, Gillian Polack has been hosting writers discussing that subject on her blog. Nancy Jane wrote there about being in college marching band and the relevance of Joanna Russ’s story “When It Changed” to that experience. Meanwhile, Gillian herself wrote about her experiences in debate and how they tie into current political upheaval in Australia.

And over at Strange Horizons, Judith Tarr has an essay on the importance of care in science fiction, a very topical subject these days.

Cover Reveal: For the Good of the Realm

My fantasy novel For the Good of the Realm is coming out from Aqueduct Press on June 1. Here’s the cover, designed by Aqueduct’s Kath Wilham using art by Ruby Rae Jones.

Cover of For the Good of the Realm

I am very happy with the cover along with being very happy to have a book coming out. Continue reading “Cover Reveal: For the Good of the Realm

A New Book

coverThe humans in the treehouse think they can sneak things past us, but we crows see all. One of the humans, Pati Nagle, has just published a book, Intermezzo: Household Matters by Patrice Greenwood. That’s not the name she uses around here, but humans are funny sometimes.

This is a short book, all about characters in a series of mysteries. Here’s the announcement she tried to sneak by us.

She calls this an ebook, which seems to mean that it exists only in the imagination, but she says there will be a version on real paper soon, with a shiny cover. Those are more fun for us.

Solstice Tidings

As regular readers know, the Treehouse exists simultaneously in the United States and Australia and as such it makes an effort to celebrate astronomical phenomena in both hemispheres and on both sides of the Earth.

Since it’s already Tuesday December 22 in Australia, we’re later for the summer solstice than we are for the winter one (which occurred about 13 hours ago in North America), but we are still at the beginning of summer in the southern reaches and winter in the northern ones and still feel celebratory. So we want to  send best wishes to all of our fellow Earthlings (along with our hopes for a much improved New Year).

Happy Summer Solstice

Happy Winter Solstice

From Your friends in the Treehouse

Gillian Polack Wins A. Bertram Chandler Award

Gillian Polack at work The Australian Science Fiction Foundation has named Dr. Gillian Polack the 2020 winner of its A. Bertram Chandler Award for outstanding achievement in Australian science fiction.

The Chandler Award, which is juried, is given for lifetime achievement in science fiction. In announcing the Gillian’s selection, the Foundation noted her significant work in fandom as well as her outstanding fiction, including her Ditmar-award-winning novel The Year of the Fruit Cake.

We here in the Treehouse are delighted to see Gillian’s multifaceted skills and projects recognized by the Foundation. Congratulations to Gillian for the award and to the Foundation for making such an excellent choice.

The Pandemic and the Economy

Masked Creatures with Graph

Nancy Jane Moore has one final post on the Edge of Chaos Blog symposium: What the Pandemic Shows Us About the Economy. She advocates for establishing economic systems that can pause for crises. Comments and discussion appreciated.

The essays in this symposium will soon be available as a PDF.

Interview on Writers Corner Live

In news with no political connotations whatsoever, I recently was featured on a talk show called Writers Corner Live with Bridgetti Lim Banda and Mary Elizabeth Jackson. They run a very polished operation and were great, welcoming hosts. I had a lot of fun talking to them about various aspects of writing novels and producing audiobooks. You can view it right here, or visit the Writers Corner Live page on Facebook.

Here’s the YouTube link to the interview if it’s not displaying properly for you.

Reading and Writing – an update on my book problem

I have so many piles of books in my living area (which is also my work area) that even I feel the clutter. The reason this post’s title includes the words ‘book problem’ is because occasionally they topple and I tripped over one yesterday and…

I love them all. It’s not a problem in any sense except the clutter. I’m not reading just one good book this month, I’m reading dozens. They are my building blocks for a three-year research project (1), and I’m already having fun. Gradually, the piles will diminish.

One pile is for putting away. “I’ve finished this – it was fun but not terribly useful. I’ve taken the notes I need from it but they’re not relevant to anything I’ll be writing. It can go away. No need to put it in the bibliography.”

Another pile is carefully marked up. Not the books themselves – I have special sticky paper that doesn’t harm books and I write on that. When I’m ready to write that book up, I go straight to the notes and lo, it’s ready to go. I know what page to refer to in my footnotes and I have my thoughts on the sticky paper. Then I put the details of the book in the bibliography, and then that book goes on the putting-away pile.

The third pile consists of one book right now, called Putting the Science into Fiction. It’s not a scrap of use for my research project, but has some stuff in it I want to use as a reminder for world building. The world building has nothing to do with the research project. Until last Wednesday I did it full-time, but now I’m doing it as a leisure activity. The book will be put away when I talk through what it contains with my co-conspirators in world building, which could be next Monday, or it could be in three months.

The three largest piles relate to three of the core focal points of the research project. One is on fairy tales, one is on own voices, and the third is on writing about cultures that are a bit alien or foreign.

The piles I’m working through right now, however, are none of those things. Some are on writing technique, some are on genre, and some are on what makes narrative, and some are on rhetoric or critical theory. These are my reminder piles: it’s no use launching into research without checking that you know what you’re doing. It’s not enough to know this stuff as an expert or generally. I have to know exactly what elements I need for this precise project.

That’s all for this project, for now.

A proposal I put in for an academic paper was accepted yesterday. I’m about to start an extra pile (which will link into the project, but is right now just for the paper) will be about food in speculative fiction. This one is quite dangerous. Whenever I write about food, I have to cook things.

When people ask me what I love about research I am stumped. What’s not to love about reading fiction and inventing recipes to fit the food mentioned in the story? Although in this case I’ll be doing a critical analysis. Mouthfeel has to play a part. Maybe I’ll have recipes as the slides that illustrate the paper? After all, I have a nice collection of cookbooks that I can match to the foodways in the fiction. The most mouth-watering paper at an academic conference. It sounds good to me.

Writing long fiction is on the backburner for a bit, obviously, but my reasons are impeccable, as are my piles of books. Also, I did that thing that chefs do on cooking shows. There are three objects I prepared earlier, one that is out in paperback and now affordable (earlier research!) , one that is out already and the other is coming in a very, very short time. The same applies to next year – work finished a while back means that I shall research away and books will appear and everyone will think that I work 36 hours a day.

I don’t. But I do have impressive piles of books stacked everywhere they fit.

 

  1. For all of you, a footnote. For anyone wondering, yes, this research project is for a PhD. It’s not my first PhD, however, and Australian PhDs are only three years long and we start the research on Day One. Also, I’m more interested in the research itself and in working with two tremendous supervisors than I am with shouting, “Hey, I’m doing a PhD.” Because it’s all about writers and what they put in their fiction, I shall talk about the cool stuff here, from time to time. Ivory towers are a fiction, and research relates to the real world. This research relates to culture in fiction. And I am one of those people who write stuff into footnotes that people need to read. I did it for my first novel and I refuse to stop doing it unless I’m writing an academic piece. This is due to a certain warped element in my personality.