My Life in Dogs

I live with a geriatric half-Dalmatian former-athlete dog. She is sweet and stubborn and ridiculous… and approaching the end of her sell-by date. I had not thought to see my own mortality mirrored in my dog, but there it is. She’s not my first dog, but for a variety of reasons I didn’t get to see my earlier dogs age.

When I was seven and away at my school’s spring camp for a week, my parents had some friends over for dinner. As a hostess gift of sorts they brought… a beagle puppy. They had stopped at a gas station the week before, and found a litter of orphaned pups in the ladies’ room. They spent the next week distributing these tiny animals who were really too young to have left their mother to all their friends. This included my parents. I suspect my mother greeted this new addition to the household with mixed feelings. She wasn’t anti-dog, but she had two small children and here was another lifeform to be responsible for. By the time I suspect she was thinking that a beagle puppy was one lifeform too many, I got home from camp Continue reading “My Life in Dogs”

I’m baaack…

I’m sorry I’ve been away so long. I managed to get an infected bone. My finger is still infected but, bit by bit, I’m back to normal work. Routine has been very hard to regain, because of on and off restrictions due to the pandemic. I was restricted until I was vaccinated and now I’m vaccinated, my whole city is in a very thorough lockdown.

What have I been doing with my time? I’m working on my PhD. It’s the right kind of research for right now because I don’t actually need libraries at this point. I am being as clever as I can and working from my computer. It’s literary studies doctorate and my case studies are fantasy novels and it’s the perfect thing to do when life is sour. In The Wizardry of Jewish Women I made a joke about a demon-infested lemon tree throwing sliced lemons at one of the characters so imagine me turning those lemon slices into a delicious drink. It’s the best way of handling the impossible.

I’m a little public for a bit, too, because of Australia’s Reading Hour.

Every year Australians are encouraged to stop for an hour and read, and the world of libraries and schools and bookshops works together to encourage that reading. One of the key ways they promote it is to nominate writers as Ambassadors, and me, I’m one this year. This year is a bit light-on for events, because everything has to be online, but there is one that is free. Three writers (Sophie Masson, Juliet Marillier and me) will be chatting about books. Here is the link to it: https://www.newc.org.au/what-writers-read.html

While I was dealing with everything, my new novel came out. I call The Green Children Help Out a Jewish superhero book, but it’s a bit more than that. I wanted to build a contemporary magical world where the ground crunched underfoot, that is, it felt as if we could be there. I wanted the people who were saving it to be people who are heavily undervalued in our own world but are seriously, seriously cool. And I wanted to show that coolness. Now I want to move to that world, for it’s COVID-free and being Jewish is not something that needs explaining all the time. Also, I want to be one of the Green Children. I have absolutely no idea what my superpower would be, but I’m open to suggestions.

How Stories Save Us

Stories can heal and transform us. They can also become beacons of hope.

Quite a few years ago, when I was going through a difficult personal time, I came across a book about the inherent healing power of telling our stories. No matter how scattered or flawed our lives may appear, as we tell our stories, we gain something. Patterns emerge from seeming chaos, and our lives begin to make sense. It may be dreadful, agonizing sense, but even tragedies have order and consequence. I found that over time, the way I told my story changed, reflecting my recovery process and new insight.

The mirror side of story-telling is story-listening. While a confidential diary or journal can be highly useful, having someone hear our words can be transformative, especially if all that person does is listening. Not judging, not analyzing, not wondering how to respond, just taking in our words, a silent partner on our journey. Often we feel less alone in retrospect, no matter how isolated and desperate we might have been at the time. Additionally, a compassionate listener invites us to be kinder with ourselves.

Perhaps this is how Twelve Step programs work, apart from any Higher Power mysticism or Steps: that by simply hearing our own voices relate our histories, and having the experience of being heard, we open the door to viewing ourselves through the lens of new possibilities.

Personal storytelling calls for discretion, of course. Although it may be true that “we are only as sick as our secrets,” casually (or not-so-casually) violating a confidence from someone else is not the same as choosing to include the listener in our own private lives. Some of us never learned healthy boundaries about what is safe to share, and when, and with whom. We, or others, can be harmed by indiscriminate broadcasting of embarrassing, illegal, or otherwise sensitive information. The kind of storytelling I’m talking about, on the other hand, is as much about the journey as it is the facts.

Stories can get us through dark times by giving us hope and inspiring empathy. Stories work by creating a bond between the narrator or central character and the listener/reader. Who wants to read a story about a person you care nothing about? And if that appealing character has a different history or journey, or learns something the reader never experienced, so much the better. We accompany them into darkness and out again. Continue reading “How Stories Save Us”

Raised in a Barn: A War on the Front Forty

Note that even my father’s dog Nellie got a new outfit for the occasion.

My father was born to be a king. Or at least lord of the manor. He had the eccentric manor and the acreage.  And when some friends of mine from the Society for Creative Anachronism came to visit, with the express purpose of deciding whether the front lawn would be a good place for a war, Dad was all in.

By the front lawn, I mean the approximately 20 acres of pasture across the road from the Barn, proper.  When my parents bought the barn, 180 acres of land came with it: the front 20 (often referred to as the front forty, perhaps because of the alliteration) separated from the Barn and the rest of the mountain by a county road, and the 160 acres around and behind the barn, most of which was hilly, forested, and not much in the way of farmable.  The front 20 was rather rolling, and ran down about a quarter of a mile to the Housatonic River, storied and sung in my youth for its horrid pollution. My brother and I had never stuck a toe in it for fear of having it dissolve.

My SCA friends returned to their barony and pitched the idea of a battlefield event, and the War of the Roses was born. I was kept apprised of the planning (since I was more or less the intermediary between my parents and the machineries of war), and some basic ground-rules were set: the war was across the road from the Barn, but people were permitted to come up and draw water from the hose spigot outside the studio door. Digging a hole in which to roast an ox (my father’s face was incandescent at the thought) was okay, and smaller fires likewise, so long as they were rigorously tended. This area for parking. This area, marked out with pennons, for the battle, and That area—essentially the rest of the field—for setting up temporary residences.

Of course I made my parents suitable garb. My mother didn’t want anything particularly fancy—”your basic medieval schmatta,” as she put it. But my father… I told him to find a painting from any period from 1000-1600 and I would do my best to make the clothing depicted for him. Of course he went for Henry VIII. My father, barrel chested with knotty, muscular calves that would have made the Tudor court swoon, was made for this.  I made him the outfit, and he wore it for the weekend and…did I saw born to be a king? Yeah, like that.

My recollection of the whole weekend is rather kaleidoscopic: I bounced back and forth between the camp and the Barn (and slept in my own bed). The fire over which the ox (well, the half-cow) was to be roasted wasn’t lit early enough, which meant that the meat wasn’t actually cooked until half past 10 that evening. The battle itself was spectacular—a series of individual fights first, followed by a melee, all framed against a sky full of gray clouds. Despite the overcast of the day it was warm, bordering on hot, and after the war was over, some of the combatants took themselves down to the river to skinny dip. Apparently the river had been cleaned up a lot while I was living elsewhere: no one dissolved or emerged from the water writhing in agony (and at the following year’s war skinny dipping was a feature, not a bug: the day was hotter and sunnier, and immediately after the battle the banks of the Housatonic were teeming with naked warriors).

Possibly my father’s favorite moment of the weekend came on Saturday evening. People camped pretty much where they wanted, and one young woman had pitched her tent three quarters of the way down the field, just before the river bank. And she started having belly pain. Among other things, my father was a member of the volunteer ambulance squad, and a qualified EMT. Someone found me and reported a woman in pain, and I charged up to the Barn, where my father had retired for the evening was wearing his civvies. Within a minute of my outlining the problem Dad had his kit in the car, slapped the green flasher on the roof, and tore down the hill to the campsite. “Hot appy!” he announced, and judged this was not the time to wait for the ambulance. He loaded her into his car and took her off to the local hospital, where her appendix was removed just in the nick of time.

The next day the Baron and Baroness of the presiding Barony made a presentation to my parents, and they were roundly huzzahed. I think my mother enjoyed it, in an “I’m just here to watch the young folks being crazy” sort of way. But Dad was in his element: how often do you get to be the Lord of the Manor, Rescue the Maiden (from the fearsome Appendix!) and dress like a king?

Ponce Chronicles 2021, Part 10

We’re home! Back in Boston. I have never felt so tired in my life. I finished the deck well after dark on the last day and moved on to other essential repairs—such as securing the planks on a little bridge that were flipping up like a cartoon gag when you stepped on them. Here’s the final deck railing section, and the finished project the day we left:

By some miracle, we made it to San Juan in time to catch our JetBlue flight, after a near-all-nighter cleaning up the construction zone (the whole house) and packing. I tried to sleep on the flight, but it was a lost cause. Now, though, I’m all refreshed (hah!) after ten hours of sleep in my own bed. My own bed! I plan to rest for a week. Maybe two.

I thought I’d close this year’s Chronicles with some stray oddities.

Last year I wrote about the Ho Chi Dog Trail we’d discovered running through the property. Stray dogs had found a gap in the fence at one end and periodically came racing through in well-behaved packs, going about their business and disappearing up near the car gate. It was kind of fun, but not the sort of thing weekend renters want to see. I found the gap and plugged it with metal fence rails hastily zip-tied into place. That was a year and a half ago. This year, the gap was back: one rail knocked out and cast aside. Did the dogs do it? Who knows? But mark my words, they won’t do it again. We had the rails welded into place, by the fencing crew who were on the job last week putting up real fence in place of the mangled old cyclone fencing.

Speaking of putting things up, one small but important task was figuring out an appealing way to hang curtains in a room with concrete walls and awkward corners. Allysen came up with copper pipe as a great curtain rod, and I figured out a way to carve blocks of wood to drop them into, so they’d look good and be easy to take down, and yet not fall down when you wanted them to stay up. Securing them to the walls was the hardest part. Even with a hammer drill, that old concrete was tough!

I’ve yet to address a crucial subject: craft beers. They have a number of really good craft beer makers here on the island. You can buy their beers in the grocery stores now, which previously you couldn’t. My favorite is Ocean Lab Brewing Company’s Ocean Ruby Grapefruit Pale Ale. But weirdly, you still can’t get it in restaurants! If you ask for Puerto Rican beer, you get your choice of Medalla or Medalla. (Pronounced “meh-dah-ya.”) Medalla’s a light lager, on a par with Bud Light—decent enough, if you’re hot and tired and want to glug something to quench your thirst. But as a tasty brew with a meal? Not even close. When we asked the restauranteurs why they don’t carry the local craft beers, they said, “Not enough demand. Only the tourists want it.” Well, but… don’t you want to attract tourists?

Still, my preferred drink down here is rum punch, following a recipe created by Allysen’s dad, Phil Palmer. “One of sour, two of sweet, three of strong, and four of weak.” Fresh-squeezed lime juice, dark sugar syrup, amber rum, and water (in the form of crushed ice). Top with Angostura Bitters and fresh-ground nutmeg. Simple, and unbeatable. We’ve cut the sugar some, and are more straightforward about weak. So now we say, “One of sour, one-and-a-half of sweet, three of strong, and forget the weak.” (Okay, we still use the ice, of course.)

(At home, in fact, my recipe for frozen margaritas is based on this formula: “One of sour, one of sweet, three of strong, and three of stronger.” Lime juice, dark sugar, Triple Sec, and tequila. And lots of ice.)

Here’s the final rum punch of the trip, and a fitting close to this year’s Ponce Chronicles:

Ponce Chronicles 2021, Part 9

If you haven’t been following, I’ve been building a deck. Actually, replacing a rotted-out wooden deck beside the swimming pool at Casarboles, my wife’s family’s place in Ponce, Puerto Rico. I’m in a race against the clock (we leave for home in two days, having already extended our stay by two weeks), and it’s been a bear. In the middle of it all, I developed an ear infection, probably from protecting my ears with noise-canceling earbuds, complete with ground-in dirt. Did I let that slow me down? I did not! (Well, maybe a little.)

Here’s a sort of stop-motion record of what I’ve been doing:

Grinding and painting the steel supports…

Last floor plank laid, yours truly ready to keel over…

The new floor, shown to the audience in daylight by a far more attractive model; old, rickety railing system still in place…

Old railing gone, new railing begun… two days to finish…

Okay, back to work!

Ponce Chronicles 2021, Part 8

Progress! With a capital P. Here’s the pool deck yesterday. I filled in that gap and then some, today. Geez, I’m tired. But I have hope of getting it finished before we leave.

And here’s a new bit of railing. It replaces the well-crafted, elegantly curved railing that Allysen’s dad built, and which some boneheaded weekend tenant broke and tried to conceal by hiding the pieces in the bushes. Deep breath.

By the way, in case you’re wondering how I got those curves in the wood to so nicely match their pairs on the other side…

I found two pieces of warped lumber at Home Depot. Their curvature was exactly what I needed.

 

Blackberry Writing

It’s blackberry season, and as is my custom at this time, I went out this morning to pick from the brambles along our little country road. (We have our own patch, but the berries ripen later because it’s in a shadier place.) I try to do this early, when it’s cool and I’m not having to squint into the sun for the higher branches. As I picked, I thought about the story I’m working on (and currently stalled on 2 scenes-that-need-more), and also writing in general.

Blackberries are tricksy things. They can look ripe from where I stand, but turn out to be all red at the base. Sometimes I can tell the moment I touch the berry — it’s too firm and too tightly attached to the stem. I have to be ready to give up on what looked like a great prospect and move on. When I’m in the flow of picking, it seems I don’t even have to think about this. Isn’t this like a story that seems promising but doesn’t yet have the necessary depth? Occasionally — well, more than occasionally — my mind gets set on “this berry must get picked” and I force the issue. I’ll glare at the red parts and pop the berry into my mouth (“for private reading only”). Berries that are almost-ready go well in oatmeal. I freeze quarts and quarts of them for winter breakfasts. They’re too sour on their own, but they blend well, adding pleasantly tart notes. That’s not unlike taking several different story idea, none of which can stand on their own, and setting them at cross-purposes to make a much more interesting tale.

This whole business of “readiness” in a story is a curious one. It’s a bit like cooking without a recipe, because while there may be guidelines, there are no hard and fast rules of how to tell when a story concept is “ripe.” All too often at the Big NYC Publisher’s Office, after rejecting a work – especially if it was (a) slush and (b) got the standard slush reject letter, which was polite but clear that it wasn’t something they were interested in — the beginning writer would respond. Now, professionals know that, unless you are specifically invited into an exchange, you don’t respond to a rejection.  You take it, you consider what’s worth considering, and you move on.  That exchange is over.

Occasionally the appropriate response is to to ask for more details, keeping in mind that time-crunches didn’t allow the editor to do that in the first place.
More often, though, the editor gets a response along the lines of “My work is utter genius, and you’re too blinded by (fill in the blank) to see it!  But you’ll be sorry!”

I think this kind of reaction isn’t limited to beginning writers, but it is a particular trap. It’s far easier to think that your story got rejected because of the blindness/stupidity/conspiracy/conventionalness of the gatekeepers, rather than that it simply isn’t good enough. It could be a great idea and you weren’t ready to do it any kind of justice. It was a trivial idea that no one could have turned into a decent story. It could have been a nifty idea but it wasn’t developed, it wasn’t “ripe.”

One of the hardest things for a new writer to understand is that there is a threshold of quality — for ideas, for execution — for publication. It’s so hard to hear that the story you are so proud of isn’t good enough. Those thorns hurt as much when I’m pulling out as when I’m pushing in.

And here’s the catch: sometimes the story really is great. Sometimes the market just isn’t ready for the story at this time, but it will be in the future. Somewhere there’s an editor and a readership who will adore it. How can you tell? Continue reading “Blackberry Writing”

Ponce Chronicles 2021, Part 7

Puerto Rico is called the Isle of Enchantment. There is, in fact, remarkable beauty to be found just a short walk down the hill from Casarboles, the “treehouse” built by my wife’s parents. The first thing you see is the Caribbean, just beyond the view of Ponce. From here, you can turn to your left to enter the grounds of the Japanese Gardens and Cruceta del Vigía.

We were treated to a private tour by the lovely activities director Luciris on a day the museums were closed (Allysen’s dad was once very active on the board of directors). We first entered the Japanese Garden, which might seem a little incongruous in this land of Latin culture, but it’s enchanting, just as promised. Here’s a view across the grounds.

And a strange and beautiful tree. I don’t know what kind.

Continue reading “Ponce Chronicles 2021, Part 7”

Ponce Chronicles 2021, Part 6

Back pain and sunburn and plumbing, oh my! And Puerto Rican rain, which comes fast and goes fast. The rain cools things down briefly and washes the Sahara sand out of the air, which is great. And wets all my lumber, which is not great. Here’s where the pool deck work stands:

While working on the deck, I’d had the recurring thought: Don’t hurt yourself. You don’t have time! And so, two days ago, while l/i/f/t/i/n/g/ h/e/a/v/y/ l/u/m/b/e/r/ m/o/v/i/n/g/ c/o/n/c/r/e/t/e/ b/l/o/c/k/s/ bending over to pick up a screw, I did something and my back screamed. I jackknifed to my knees on the brick pool deck and hollered for help. My daughter and wife were both in online meetings with headphones on and couldn’t hear me. Finally Allysen looked out and saw me and yelled, “Are you okay?”

“NOOO!!!”  Continue reading “Ponce Chronicles 2021, Part 6”