In a letter on reading and literature, Pope Francis observes:
Literature is often considered merely a form of entertainment, a “minor art” that need not belong to the education of future priests and their preparation for pastoral ministry. With few exceptions, literature is considered non-essential. I consider it important to insist that such an approach is unhealthy. It can lead to the serious intellectual and spiritual impoverishment of future priests, who will be deprived of that privileged access which literature grants to the very heart of human culture and, more specifically, to the heart of every individual.
While the Pope is focusing on the education of priests, much of what he says is relevant to everyone.
I have always considered literature to be one of the most important of the arts and of scholarly disciplines. This is not because I’m a writer, though the depths I found in reading are certainly a good part of why I became a writer.
I recall any number of moments from my youth – and from last week – when I read something that made me think about the world differently from the way I had before. A lot of works that have given me this awareness were fiction, but that sort of truth has also come from poetry and essays and some transcendent nonfiction.
It’s usually fiction that hits most deeply, though, and those deep moments do not come only from books deemed “great” by those that get to define the canon.
This is why I dislike it when writers refer to themselves as “professional liars.” Literature – and I use that term broadly – is about telling deeper truth as opposed to reciting facts. (I don’t think journalism should be just about reciting facts either, though it is a different way of using facts to get at the truth.)
Truth is always more than facts. When you try to reduce it to facts you miss the point, though perhaps not as much as you miss the point when you assert blatant lies as “truth.”
I resent the jokes about English majors as well, even though I wasn’t one of them. (I am proud to have an undergraduate degree in Plan II, which was the liberal arts honors program at the University of Texas, and even prouder of the fact that I didn’t, in fact, major in anything.) I took a lot of literature courses; they just weren’t all in the English department.
I think I learned more about literature in classics classes and maybe even in French classes, bad as I was at French, than in English classes. And also just by reading. I have been reading for so long that I do not even remember how I learned to do it, but I know that I could read before I started school.
I spent a summer in Guatemala studying Spanish. After I mastered enough of the language, I began to frequent bookstores. Eventually I read Garcia Marquez’s One Hundred Years of Solitude in its original Spanish. It was lyrical in a way that the very good translation of it was not, because Spanish is just enough different from English to tell things in a different way.
That book moved me greatly in both English and Spanish. It also remains one of those books that I cannot discuss well in either language. Samuel R. Delany’s Dahlgren affected me much the same way (though only in English). My reaction was not an intellectual one, though I am sure Chip’s writing process was, in fact, methodical and intellectual. Garcia Marquez’s may have been as well.
That someone can use words and language to create a work that hits me in my guts and emotions is always amazing to me, but it does happen.
Stories matter. Literature matters. And they matter on many different levels. Continue reading “The Written Word”…
Baycon is my local science fiction convention and I’ve been attending it, more or less regularly, since the 1990s. It’s moved from one hotel and city to another over the years and I have followed, “as the tail follows the dog.” My attendance came to a screeching halt in 2020 with the pandemic. The last convention I attended in person was FogCon in February of that year. We knew that a nasty virus was afoot but nobody wore masks. We “elbow-bumped” instead of hugging. If anyone got sick, I never heard. Then came the lockdown, as we called it. Conventions switched to virtual attendance. Althought I’m a somewhat slow adopted or tech, I’d become used to video chatting back in 2013, when I took care of my best friend in a different state while she was dying of cancer. My husband and I stayed in touch (via Skype, if I remember correctly). Then when my younger daughter attended medical school on the other side of the country, we visited by video chat regularly. She moved back to this area for her residency. Her final year was 2020, during which her regular service rotations were replaced by caring for dying Covid patients. Needless to say, I became quite cautious about my exposure. So even when conventions began to move from virtual-only to hybrid to in-person, I reconnected slowly. Even when I was ready to attend a convention in person (2023, which shows you how long it took me), armed with masks, hand sanitizer, and rapid tests, the universe conspired to jinx my plans. It was hard. I missed my friends and all the chance encounters and spontaneous expressions of community. All this is a prelude to my first successful return to in-person conventions.
A toy can be used in any number of ways, according to the imagination of the player.